johann weinmann (466 Ergebnisse)

Paperback. Zustand: Good. The illustrations for this RHS diary are taken from possibly the finest of early colour-printed books and the first botanical work to be published in colour on continental Europe. The "Phytanthoza Iconographia" was complied by Johann Wilhelm Weinmann (1683-1741), a wealthy apothecary and collector of botanical art from Regensburg, Germany. Although none of the artists is named, the most famous artist working for Weinmann was Georg Dionysius Ehret (1708-1770), one of the greatest botanical illustrators, and some of the plates in the "Phytanthoza" may be based on his drawings. The diary is full of useful information, including the dates of the RHS flower shows. Each week is illustrated by a full-page coloured mezzotint engraving. National holidays are listed for Britain, Europe, Australia, New Zealand, Canada and the USA. Religious holidays and astronomical information are also included. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

171 S., Obr. Beiträge zur Geschichte des Alt-Wiener Musikverlages. Reihe I, 2.

Hardcover. 1735-1745. Ränder minimal gebräunt, die Innenseite mit kleinem Ausriß im weißen Rand, unterhalb des Plattenrandes kleine Überklebung (Basters Kers. B.), Plattenrand unten in der Mitte ca. 5 cm eingerissen.

Softcover. Zustand: Gut. VD18 11029153 22 S., [1] Bl. (Die 2 Bl. mit Widmungen zu Beginn, wie im Göttinger Ex. fehlen), Rückenbroschur, Holzschnittvignetten.

sonst. Medien. Zustand: Neu. Neuware - Johann Wilhelm Weinmann was an apothecary who established a botanic garden in Regensburg and set about producing a highly detailed catalogue of plants and their uses, with illustrations commissioned from some of the finest engravers of the time. The resulting Phytanthoza Iconographia is an immense work, contained within several volumes published between 1737 and 1745. It features no fewer than 1,025 beautiful colour plates - including early examples of colour mezzotint - of all manner of fruit and vegetables.Three of the exquisite plates are reproduced in this lovely set of A5 softback not Elektronisches Buch: the perfect gift for gardeners and connoisseurs of botanical illustration.

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches).

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In excellent condition. 320 by 210mm (12½ by 8¼ inches).

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).

Blattformat ca. 38,4 x 24,4 cm. - In der Platte rechts unten Signatur S. Im Oberrand mit grööseren Feuchtigkeitsfleck. Außenrand etwas gebräut. Unter Passepartout montiert. Sprache: Deutsch Gewicht in Gramm: 2000.

Blattformat ca. 38,4 x 24,4 cm. - In der Platte rechts unten Signatur H. Außenrand etwas gebräut. Unter Passepartout montiert. Sprache: Deutsch Gewicht in Gramm: 2000.

123 S. Sprache: Deutsch Gewicht in Gramm: 350 8°. OBrosch. Einige Tintenvermerken.

Hardcover. 1735-1745. Ränder minimal gebräunt, die Innenseite gerändert.

Hardcover. 1735-1745. Ränder minimal gebräunt, die Innenseite gerändert.

Hardcover. 1735-1745. minimal stockfleckig, oben mit Spuren einer alten Montierung.

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In excellent condition. 320 by 210mm (12½ by 8¼ inches).

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).

Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 40 x 24,5 cm. -- gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.

Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- teils leicht fleckig, sonst gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- partly slighlty stained, otherwise in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.

Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.

Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- teils leicht fleckig, sonst gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- partly slightly stained, otherwise in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.

Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.

Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.

Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- im Außenrand teils etwas fleckig, sonst gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- somewhat stained on the outer margin, otherwise in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In excellent condition. 320 by 210mm (12½ by 8¼ inches).

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).

No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).