Book by Bordwell David
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
First Published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
EUR 6,56 für den Versand von Vereinigtes Königreich nach USA
Versandziele, Kosten & DauerEUR 14,03 für den Versand von Vereinigtes Königreich nach USA
Versandziele, Kosten & DauerAnbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. Most films tell tales, but what does that involve? How do motion pictures tease us into building what we all agree to call stories? In this study, David Bordwell offers the first comprehensive account of how movies use fundamental principles of narrative representation, unique features of the film medium, and diverse storytelling patterns to construct their fictional narratives. The result is a pioneering, far reaching work which will change the way we perceive narrative film and which every serious film scholar, student or fan will welcome. Bordwell begins his study with an overview of general approaches to narration. Drawing on the insights of certain theories- in particular Russian formalist aesthetic theory and cognitive psychology for its notion of how the viewer contributes to the process of narrative comprehension- he formulates a new concept of narration that is uniquely applicable to fictional cinema. Films, Bordwell argues, are patterned systems that prompt spectators versed in narrative conventions to construct a story. Since cinema is a medium involving both time and place, he considers how these factors affect the concrete process of film narration and help shape the spectators story comprehension. If the conventions of story making very from medium to medium, they also vary historically. Dominant modes of film narration, Bordwell suggests have furnished tacit conventions for film makers and audiences at different periods. Characterising four of these modes as classical Hollywood cinema, the European art cinema, the Soviet historical materialist film and parametric narration, he examines the history and specific strategies of each. Ultimately, however, Bordwell offers more than abstract theory. Demonstrating how his concept of narration can aid in the critical analysis of particular films and film makers, he provides fresh discussions of such movies as His Girl Friday, The Big Sleep, Rear Window and La Guerre est Finie. In director Jean-Luc Goddard, Bordwell finds particularly telling reference point; the Frenchman's films derive their particular difficulty and charm, he argued, by parodying, mixing and subverting those narrative conventions which audiences have learnt to trust. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR002779003
Anzahl: 1 verfügbar
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
Zustand: Good. Ships from the UK. Used book that is in clean, average condition without any missing pages. Artikel-Nr. GRP96701566
Anzahl: 1 verfügbar
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:9780415018777. Artikel-Nr. 5840456
Anzahl: 1 verfügbar
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1450grams, ISBN:9780415018777. Artikel-Nr. 5840461
Anzahl: 1 verfügbar
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:9780415018777. Artikel-Nr. 8681579
Anzahl: 1 verfügbar
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In. Artikel-Nr. ria9780415018777_new
Anzahl: 2 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Most films tell tales, but what does that involve How do motion pictures tease us into building what we all agree to call stories In this study, David Bordwell offers the first comprehensive account of how movies use fundamental principles of narrative representation, unique features of the film medium, and diverse storytelling patterns to construct their fictional narratives. The result is a pioneering, far reaching work which will change the way we perceive narrative film and which every serious film scholar, student or fan will welcome. Bordwell begins his study with an overview of general approaches to narration. Drawing on the insights of certain theories- in particular Russian formalist aesthetic theory and cognitive psychology for its notion of how the viewer contributes to the process of narrative comprehension- he formulates a new concept of narration that is uniquely applicable to fictional cinema. Films, Bordwell argues, are patterned systems that prompt spectators versed in narrative conventions to construct a story. Since cinema is a medium involving both time and place, he considers how these factors affect the concrete process of film narration and help shape the spectators' story comprehension.If the conventions of story making very from medium to medium, they also vary historically. Dominant modes of film narration, Bordwell suggests have furnished tacit conventions for film makers and audiences at different periods. Characterising four of these modes as classical Hollywood cinema, the European 'art cinema', the Soviet historical materialist film and parametric narration, he examines the history and specific strategies of each.Ultimately, however, Bordwell offers more than abstract theory. Demonstrating how his concept of narration can aid in the critical analysis of particular films and film makers, he provides fresh discussions of such movies as 'His Girl Friday', 'The Big Sleep', 'Rear Window' and 'La Guerre est Finie'. In director Jean-Luc Goddard, Bordwell finds particularly telling reference point; the Frenchman's films derive their particular difficulty and charm, he argued, by parodying, mixing and subverting those narrative conventions which audiences have learnt to trust. Artikel-Nr. 9780415018777
Anzahl: 2 verfügbar
Anbieter: moluna, Greven, Deutschland
Kartoniert / Broschiert. Zustand: New. David Bordwell is Professor of Communication Arts at the University of Wisconsin-Madison.First Published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.Most films tell tales, but what does that involve? How do motion. Artikel-Nr. 594619689
Anzahl: 2 verfügbar