bilderbibel (19 Ergebnisse)

Gutes Exemplar der großformatigen Bilderbibel.

Vgl. Ries, Illustrationen u. Illustratoren 1871-1914, S. 678f. - Leinweber trat als Maler besonders mit Sujets aus dem Orient hervor. Kenntnis von Land und Leuten hatte er sich bei einem Studienaufenthalt in Tunesien (1885/86) erworben. Seine Vorliebe für diese Thematik zeigt sich auch bei seinen Bibelillustrationen. Daneben illustrierte er auch zahlreiche Kinder- u. Jugendbücher. - Die Tafeln tlw. durch unachtsames Einlegen in die Mappe mit kl. Knicken im weißen Rand.

Zustand: Gut. Gutes Exemplar der Auflage 1932. Geringe Alters- und Gebrauchsspuren, Einband und Schnitt gering fleckig, Nachsatzblätter fleckig. Vorsatzblatt mit Widmung von 1941. Noch guter Gesamtzustand. BITTE BEACHTEN SIE: VERSAND INS AUSLAND MOMENTAN NUR in die USA, Japan, Großbritannien, Schweiz, Irland, Frankreich, Spanien, Italien, Österreich, Belgien und die Niederlande! PLEASE NOTE: SHIPPING TO FOREIGN COUNTRIES AT THE MOMENT ONLY to the USA, Japan, Great Britain, Switzerland, Ireland, France, Spain, Italy, Austria, Belgium and the Netherlands! Schneller Versand auf Rechnung (Vorauszahlung vorbehalten) mit der Post bzw. DHL. Sprache: Deutsch Gewicht in Gramm: 3000 4°. 1138, 158, 396 S sowie 76 S. Anhang und Karten. Orig.-Leinenband mit Goldprägung.

Zustand: Gut. Naumann, Lpz. ca. 1890. 2, 108 S. mit 108 Holzschnitten. Gr.-4°. Ln. mit Goldschnitt. Etwas berieben, Ecken bestoßen. Rücken leicht eingerissen. Widmungen auf Vorsatz. Leicht stockfleckig. / 16965 Mit Ausnahme von Direkt-Recycling Materialien erfolgt der Versand ohne Einsatz von Kunststoffen. Sprache: Deutsch.

Zustand: Gut. Gutes Exemplar der Auflage 1963 dieser schönen Bilderbibel. Ganz minimale Altersspuren. BITTE BEACHTEN SIE: VERSAND INS AUSLAND MOMENTAN NUR in die USA, Japan, Großbritannien, Schweiz, Irland, Frankreich, Spanien, Italien, Österreich, Belgien und die Niederlande! PLEASE NOTE: SHIPPING TO FOREIGN COUNTRIES AT THE MOMENT ONLY to the USA, Japan, Great Britain, Switzerland, Ireland, France, Spain, Italy, Austria, Belgium and the Netherlands! Schneller Versand auf Rechnung (Vorauszahlung vorbehalten) mit der Post bzw. DHL. Sprache: Deutsch Gewicht in Gramm: 3000 4°. 1138, 158, 396 S sowie 67 S. Anhang und Karten. Orig.-Leinenband mit Goldprägung.

circa 22,3 x 34 cm. 1 Blatt verso weiss Ruinenlandschaft mit Daniel, umgeben von Löwen. - Matte kleine Feuchtränder, sonst nur gering angestaubt.

circa 22,3 x 34 cm. 1 Blatt verso weiss Kampfszene mit Elefanten. - Matte kleine Feuchtränder, sonst nur gering angestaubt.

circa 22,3 x 34 cm. 1 Blatt verso weiss Geburt Jesu, die drei Weisen aus dem Morgenland, weitere Bibelszenen. - Matte kleine Feuchtränder, sonst nur gering angestaubt.

circa 22,3 x 34 cm. 1 Blatt verso weiss Szenen aus der Geschichte um Tobias, mittig der Engel vor einer Küste. - Matte kleine Feuchtränder, sonst nur gering angestaubt.

circa 22,3 x 34 cm. 1 Blatt verso weiss Blick auf Rom über den Tiber, links Petrus am Schreibtisch. - Matte kleine Feuchtränder, sonst nur gering angestaubt.

circa 22,3 x 34 cm. 1 Blatt verso weiss Szenen aus der Geschichte von Jonas, Meer, Schiffbruch, Wal etc. - Matte kleine Feuchtränder, sonst nur gering angestaubt.

Zustand: 0. Erste Auflage. - Die von versch. Künstlern gest. Kupfer u.a. von J. E. bzw. Seb. Mansfeld, C. Schütz, Cl. Kohl u. A. Bartsch. - Jede Tafel mit kurzem erläuterndem Text. - Wenige Bll. bzw. Tafeln m. kl. Randläsuren. Tlw. etw. gebräunt sowie stock- bzw. fingerfleckig. Unterschiedlich (vereinzelt stärker) braunfleckig. - Nicht in den einschlägigen Bibliographien. ge Gewicht in Gramm: 500 8°. Mit gest. Frontispiz, gest Titel m. Vignette u. 72 Kupfertafeln. 40 nn. Textbll., Mod. HLdr.

Hardcover. Zustand: Very good. Matthaeus Merian (illustrator). First edition. Oblong folio (leaves: 20.6 by 31.2 cm; plates: 10 to 11.5 by 14.5 to 15.5 cm). Engraved titlepage borders without letterpress; 231 (of 233) engraved plates printed on the rectos with no printed text, depicting biblical scenes from the Old and New Testaments (lacks Gen. XIX: Lot and his daughters after the destruction of Sodom and Gomorrah; Exod. VIII & IX: The plague of frogs). Recent marbled calf (rubbed at extremities), bordered in blind; gilt-tooled spine with raised bands, gilt lettering pieces. Occasional light stains and smudges (especially at the outermost leaves, and almost entirely restricted to the blank margins); old, mostly marginal repairs and reinforcement of tears to about 30 leaves (Matt. IV plate with loss of about 10 words of manuscript text). Protected by wide margins, the plates are clean, fresh and bright, with relatively few minor blemishes. Rare suite of biblical illustrations printed before letter, perhaps as proofs, comprising 231 (of 233) engraved plates from the Icones Biblicae of Matthaeus Merian, the elder (1593-1650). The engravings are printed on large paper and lack any printed text. They are preceded by a leaf of the engraved title borders to the first part, in which the central cartouche which would have contained a letterpress title and imprint is here blank. Neat manuscript annotations appear throughout: atop each engraving is a brief title, along with a notation of the biblical book and chapter(s); beneath each engraving are six-lines of rhyming verse in German; at the top corners are leaf numbers in Arabic numerals. All are penned in black ink in the same old cursive German hand. The engraved title leaf is not included in the manuscript foliation. The first three leaf numbers (and several others among the first 23 leaves) are obscured by wear or later marginal repairs. The foliation ends at leaf 233, and is discontinuous where one would expect to find numbers 15 and 38, corresponding to the missing plates noted above. The first editions were published at Frankfurt in four parts between 1625 and 1627. The Pentateuch series was published in 1625.The second part, illustrating the Old Testament books from Joshua to Kings, appeared in 1626. These first two series were published under the name of Merian's father-in-law, the printer and bookseller Johann Theodor de Bry (1561-1623), whose heirs retained title to the business. The third part illustrates the remainder of the Old Testament and Apocrypha; the fourth, the New Testament. These last two parts were published in 1627 under the engravers's own name. Verses in Latin, German, and French accompany each plate in the three Old Testament series, the French verses being omitted in the 1627 New Testament. While the eminent Swiss draughtsman and engraver Matthaeus Merian is best known for his topographical depictions of the German speaking lands which appeared in the Theatrum Europaeum, his novel selection of biblical stories and innovative stylistic approach revealed in the present series of plates proved highly influential, ushering in a new age of copperplate engraving in Bible illustration. Merian broke with the century-long tradition of woodcut illustrations which had accompanied countless editions of Luther's German Bible. Even as he drew on the Bible illustrations of Jost Amman, Hans Holbein, Virgil Solis, and Tobias Stimmer, Merian greatly expanded the traditional iconographic and compositional repertoire. The Old Testament alone contains 23 prints depicting stories that had never before been the subject of an engraver. While earlier New Testament woodcuts focused on the Book of Revelation, Merian now provided a rich series of plates to illustrate the Gospels and Acts of the Apostles, as well. Merian had an obvious preference for crowd scenes and battles, along with some of the novelistic features of the Old Testament, such as Jacob's lentil dish, Solomon and Shulamit in the Song of Songs, or the apocryphal story of the Dragon in Babylon. Merian sometimes provides local color from his home town of Basel as in his depiction of Solomon's Temple Consecration in which, despite the baroque redesign, the Basel Cathedral with the old choir is easily recognizable. The costumes and gestures of Merian's biblical characters display a baroque fantasy of the ancient Near East as reflected in the theater of his day; in depicting cities and buildings, however, Merian generally prefers to follow contemporary models. In individual cases, such as Bathsheba's Bath, he succumbed to the temptation as an engraver and artist to show off his skills in a magnificent, fashionable palace and garden complex. All-in-all Merian's engravings initiated a development in Bible illustration "that led further and further away from the [didactic] Reformation purpose of Bible pictures to purely artistic-representational purposes, and finally ended in the well-known pathos of the [German Romantic] Nazarenes" (Schmidt). In the first few decades after their appearance, these Bible plates were widely copied throughout Europe, especially in the Netherlands and France (Poortman). The first folio Bible to use Merian's copper plates to illustrate the text was published by the heirs of Lazarus Zetzner at Strasbourg in 1630. Subsequent editions of the "Merian Bible" were published at Frankfurt, where Merian had taken over his father-in-law, Johann de Bry's, business. For over a century, as Merian's heirs continued to publish new editions, this would become "the most widespread German illustrated Bible in southern Germany, Basel, and Alsace, primarily in wealthy households" (Schmidt). After the demise of the Merian publishing house in 1727, the bookseller Philip Heinrich Hütter acquired the copper plates, which he used to illustrate a Catholic Bible edition published at Frankfurt in 1740 (Poortman). A very notable instance of transposing Merian's biblical engravings into another context occurs in the famous and oft-reprinted Amsterdam Haggadah (the r.

Fröléen & Co, Stockholm, 1925. XVI S./1248 S./227 S./XI S./472 S./XVI S. mit 1 Frontispiz, zahlr. Abb. u. Tafeln, blindgeprägtes Leinen mit Rücken- und Deckenvergoldung, Quart---- Neues und Altes Testament - 6830 Gramm.

Zustand: 0. Auf dem vorderen Voratz von alter Hand 'von Frau Lindner, Oldenburg i/O. April 1943 Immanuel Hedenwaldt Stiche zum Alten und Neuen Testament'.- Die Stiche aus der Oktavausgabe der 'Historische Bilder Bibel' sauber auf blauen Karton kaschiert.- Einige Kupfer schwach braunfleckig, die Kartonseiten etwas lichtrandig in den Außenrändern.- Illustrated Bible - Private album with 148 (of 188 (?)) copper engravings (1 color) by Johanna Sybilla Kraussen, née Küßlen and Maria Philippina Küßlen after Johann Ulrich Krauss from 'Historische Bilder Bibel'. Augsburg, 1702. qu.-4°. Private cloth album (around 1930). On the front endpaper in an old hand 'von Frau Lindner, Oldenburg i/O. April 1943 Immanuel Hedenwaldt Stiche zum Alten und Neuen Testament'.- The engravings from the octavo edition of the 'Historische Bilder Bibel' neatly laminated on blue cardboard.- Some coppers faintly brownstained, the cardboard pages somewhat light-stained in the outer margins. Sprache: Deutsch Gewicht in Gramm: 500.

Stuttgart, Müller und Schindler, 1988, 8°, 22 Blatt Faksimile mit farbigen Illustrationen + 78 S. Kommentar, blindgeprägter Original-Ganzledereinband in schöner Erhaltung und Original-Leinwandeinband in seidenbezogener Kassette mit Goldmedaillon auf dem Vorderdeckel *Nr. 176 / 850 Exemplaren. (OBM).

Schreiber und Schill, Stgt., o. J. (ca. 1880). 2 Titelblätter, 60 handkolorierte Tafeln, Ln., Quart-Querformat (Innengelenk angeplatzt/etwas fleckig)---- um 1900 wohl nachgebunden, unter Verwendung des original illustr. Einbandes - gutes Exemplar / die Legenden zu den Tafeln sind teils in Deutsch, Französisch und Englisch - 750 Gramm.