clouzot henri georges (32 Ergebnisse)

Zustand: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Originalbroschur. Zustand: Gut. ERSTAUSGABE. 96pp. In-8 , planches photos Auf Vortitelseite mit Vorbesitzerstempel ( TAURUS-FILM ) , Bibl. Rückenschildchen, die Seiten papierbedingt gebräunt, sonst GUTES Exemplar. Sprache: Französisch Gewicht in Gramm: 200.

Two vintage black-and-white still photographs from the set of the 1956 French film, here under the original French title, "Si tous les gars du monde." Featured are images of the cast and crew on the fishing boat seen in the film, including director Christian-Jaque and cast family members. Photographer "le grand" credited on the recto in the bottom right corner. A poignant postwar imagining of collaborating countries, beliefs, and religions, about twelve fishermen out on the North Sea. Most of them eat spoiled ham and food poisoning incapacitates all but one, a Muslim who abstains from eating pork. The crew manages to send an S.O.S. using a radio, before all of them succumb. Photos 7 x 9.25 inches. Near Fine overall, slight curling. Envelope Near Fine.

Faltblatt, gelocht. Zustand: Gut. 8 S., 18*26,5 cm. Papierbedingt gebräunt, quer gefaltet, sonst sauber. - Regie: Henri-Georges Clouzot, Darsteller: Brigitte Bardot, Marie-José Nat, CharlesVanel, Sami Frey, Louis Seigner, Jacqueline Porel, Jean-Lou Reynold, André Oumansky, Christian Lude, Suzy Willy, Barbara Sohmers, Paul Meurisse, René Blancard. Sprache: Deutsch Gewicht in Gramm: 550.

Couverture souple. Zustand: bon. RO40059130: 1949. In-8. Broché. Etat passable, Couv. défraîchie, Dos abîmé, Quelques rousseurs. 95 pages, premier plat de couverture illustré par une photographie noir et blanc + quelques planches photos noir/blanc, tirées du film de Henri-Georges Clouzot. Quelques manques en rebord de pages, ne gênant que tres peu la lecture sur 4 pages. Dos fané, se décollant. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française.

(Dumont Video Edition) Farbfilm. Spieldauer: 80 Minuten. - Neuwertig.

Zustand: Neuf.

DEA, 27x26 cm, 160 S., OPbd. m. OU., sehr gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Geh. 4°, 82 S., Abb. auf Tafeln. Umschlag etw. gebrauchsspurig u. über Rücken beschienen, Papier etw. gebräunt. (= L'Avant-Scène Cinéma, Nr. 186, April 1977). «[L]es dialogues et les découpages intégraux après montage».

Brosch. 8°, 223 S., einige Tafeln. Einband mit kleinen Randverlusten, Rückenkanten tlw. durchgerieben, Deckel tlw. lose, Papier gebräunt. EA. (= Les classiques du cinéma français). Im Anhang «'Le corbeau' et la presse» (S. 205 ff.).

Kein Einband. Zustand: Sehr gut. kA (illustrator). kA. Auflage. Anzahl Bände: 1 - Bd.Nr.: kA - Sprache: de - Einband: nicht zugeordnet - Gewicht: 80 - Illust.: kA - Zustand: Sehr gut - kaum Gebrauchsspuren, DVD.

Zustand: Wie neu. Standard Version. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Datenträger ohne Kratzer. Sprache: Französisch Gewicht in Gramm: 77 DVD, Maße: 13.6 cm x 1.7 cm x 19.3 cm.

Couverture souple. Zustand: bon. RO40105254: 1949. In-8. Broché. Bon état, Couv. convenable, Dos frotté, Intérieur bon état. 95 pages. Photos en noir et blanc en (pré) frontispice. Illustré de photos en noir et blanc hors texte. . . . Classification Dewey : 791.43-Cinéma.

Geh. 4°, o. P.: 16 Bl., tlw. farbige Abb. Tadellos. Anlässlich der Vorführung am «Festival de Cannes 2008, Sélection Officielle, Hors compétition» erschienene Presseinformationen (als französisch- und englischsprachiges Wendebuch), enthaltend eine «Note d'intention», Filmografien und Produktionsangaben.

Broché. Zustand: Bon. 4 Tomes en 4 volumes - Grands In8 - brochés - 1912 a 1925 - 479 , 61 , 144 et 147 pages - Petit manque de papier au 1er plat du tome 4 - dos brunis . La Bibliothèque Forney fut fondée en 1886 , Henri Clouzot fut son conservateur de 1908 à 1920 - Ce catalogue est le premier imprimé par cette bibliothèque réputée - Rare ensemble .

CD-Video-LP. Zustand: Sehr gut. PAL, 85 min Spieldauer, extended play CLV, FSK 0. Sehr gut erh.!! Sprache: Deutsch Gewicht in Gramm: 1550.

Draft script for the 1957 film. Text in English. Loosely based on Egon Hostovsky's 1954 novel "The Midnight Patient." In order to finance his failing private clinic, a psychiatrist accepts a bribe to temporarily shelter a defecting Soviet scientist hotly pursued by a number of international secret agents. Set and shot in Maisons-Laffitte, Yvelines, France. Teal titled wrappers. 132 leaves, with last page of text numbered 132. Carbon typescript on onionskin stock, rectos only. Pages Very Good plus, wrapper Very Good plus overall, bound with two silver clasps.

Collection of 19 original French programs for French, German, Italian, and Spanish films, with a single US film, here under the original French titles, 1946-1964. All feature color wrappers, some illustrated with color stills from the film, and highlights include "Madame du Barry" (1954, Christian-Jaque), "Madame Butterfly" (1954, Carmine Gallone), "Les Diaboliques" (1955, Henri-Georges Clouzot), US film "Untamed" (1955, Henry King), "Elena et les hommes" (1956, Jean Renoir), "Le Voyage en Ballon" (1960, Albert Lamorisse), and "La Princesse de Cleves" (1961, Jean Delannoy). From "Patrie" (1946, Louis Daquin) to "Cyrano et d'Artagnan" (1964, Abel Gance). Earliest film programs date to the 1920s, produced as studio giveaways and souvenirs for sale. Most programs consisted of 10 to 20 pages, color photographs by the 1950s, biographies, film synopsis. Supplemental pressbooks would occasionally be laid, showcasing ad mat campaigns for potential theater owners and press agencies. Several sizes are present, as are various design techniques, including folded single sheets, perfect-bound and saddle-stapled books, and comb bindings. Other programs included are "Les Hussards" (1955, Alex Joffe), "Marguerite de la nuit" (1955, Claude Autant-Lara), "Marie Antoinette Reine de France" (1956, Delannoy), "Resurrection" [Auferstehung] (1958, Rolf Hansen), two variant styles for "Le bourgeois gentilhomme" [Would-Be Gentleman] (1958, Jean Meyer), "les Noces Venitiennes" (1959, Alberto Cavalcanti), "L'Amant de cinq jours" (1961, Philippe de Broca), "Salvatore Giuliano" (a supplemental pressbook, 1962, Francesco Rosi), "Le voyage a Biarritz" (1963, Gilles Grangier). An impressive scope of French and Italian actors and actresses, filmmaking, and French design. Very Good plus overall, with scattered creases, small tears and light stains.

Geh. 4°, o. P.: 8 Bl., Abb. Min. gebrauchsspurig, allg. tadellos. Presseheft zur Wiederaufführung in Deutschland (und auch der Schweiz: im Impressum gestempelt von der Film-Cooperative Zürich), mit Texten von Edward Quinn, François Truffaut, Henri-Georges Clouzot und André Bazin; im Anhang Filmografie.

Collection of ten vintage studio still photographs from the US release of the 1968 French film. An avant-garde artist's wife begins an affair with the owner of the modern art gallery which shows her husband's work. Director Henri-Georges Clouzot's final film, and his first completed film following his eight-year hiatus after the release of "La Verite" in 1960. Set and shot on location in Paris and Finistere, France. 10 x 8 inches. Near Fine. Grant US.

Eight vintage black-and-white still photographs from the set of the 1956 French film, here under the original French title, "Si tous les gars du monde." Featured are images of the caste and crew on the fishing boat seen in the film, including director Christian-Jaque and cast family members. All crediting photographer "le grand" on the recto, housed in an original French Kodak paper envelope, with annotations on the front of the envelope in manuscript ink. A poignant postwar imagining of collaborating countries, beliefs, and religions, about twelve fishermen out on the North Sea. Most of them eat spoiled ham and food poisoning incapacitates all but one, a Muslim who abstains from eating pork. The crew manages to send an S.O.S. using a radio, before all of them succumb. Photographs 7 x 9.25 inches. Near Fine overall, slight curling. Envelope Near Fine.

. Plaquette in-4 agrafée de 20 pages. Très belle plaquette publicitaire imprimée en hélio, les deux plats sont illustrés par Siné. Film de Henri-Georges Clouzot. Scénario, adaptation et dialogues d'H.-G. Clouzot et J. Geronimi d'après le roman " Le vertige de minuit " de Egon Hostovsky. Avec Curt Jurgens, P. Ustinov, Vera Clouzot, Gérard Sety, etc. Musique G. Auric. Très belle plaquette imprimée en noir et rouge, texte, photos. Complet du feuillet : Avec " Les Espions ", H.G. Clouzot entraînera le public dans un inquiétant " Voyage au bout de la nuit ". E.O. Très bel exemplaire.

Vintage studio still photograph from the 1953 film. Based on the 1950 novel by Georges Arnaud. Henri-Georges Clouzot's breakthrough masterpiece, a tense and literally volatile thriller. Four luckless Europeans are hired by an American oil company to drive two trucks of nitroglycerine through the South American wilderness to extinguish a fire in the oil fields. Winner of the Palme d'Or. Shot on location in Gard and Bouches-du-Rhone, France. 10 x 8 inches. Very Good plus. Criterion Collection 36. Godard, Histoire(s) du cinema. Grant France. Rosenbaum 1000. Selby France.

Vintage reference photograph from the UK release of the 1955 French film noir. Printed mimeo snipe affixed to the verso. Based on the 1952 novel "Celle qui n'etait plus" by Pierre Boileau and Thomas Narcejac. The wife and mistress of a cruel, brutish school principal orchestrate the perfect murder, but their plans are thrown into confusion when his body disappears. Set in Saint-Cloud, Hauts-de-Seine, and shot on location in Yvelines, Deux-Sevres, and Hauts-de-Seine, France. 10 x 8 inches. Very Good plus, lightly curled. Criterion Collection 35. Grant France. Selby Masterwork. Spicer France. Vogel, Film as a Subversive Art.

Vintage borderless reference photograph of director Henri-Georges Clouzot talking with actors Michel Auclair and Cécile Aubry on the set of the 1949 film. Mimeo snipe and stamp of Keystone Press Agency on the verso. Loosely based on Antoine François Prévost's 1731 novel "Manon Lescaut." During World War II, a French Resistance fighter begins a relationship with a woman, soon souring as they become involved in prostitution and murder. Shot on location in Calvados, Val-de-Marne, Paris, and Alpes-Maritimes, France, and in Erfoud and Ksar Es-Souk, Morocco. 7.25 x 5 inches. Very Good plus, lightly age toned.

Vintage borderless black and white still photograph from the 1947 film. In this image, Simone Renant is questioned by a polite but relentless Louis Jouvet at the police station whose address is the film's title. 7.5 x 5.75 inches. Fine condition. Criterion Collection 193. Buss, French Film Noir. Grant US. Selby Masterwork US. Spicer US.

Vintage borderless portrait photograph, with bottom margin, of Henri-Georges Clouzot, circa 1955, by photographer Sam Levin, with photographer credit, "H -G Clouzot," and "unifrance film" imprinted on bottom margin. Award winning French film director, screenwriter, and producer, Henri-Georges Clouzot's output spanned nearly four decades, with his most acclaimed films being his relentless suspense thrillers of the 1940s and 1950s, most notably 1953's "The Wages of Fear," one of the greatest thrillers ever made, which brought Clouzot international acclaim, and the groundbreaking 1955 psychological horror/thriller "Les Diaboliques," which was not only a major influence for Alfred Hitchcock's 1960 macabre masterpiece "Pscyho", but for generations of filmmakers that followed. His 1956 documentary "The Mystery of Picasso," documenting the artist in the act of creating, was declared a national treasure by the French government. 5 x 7.25 inches. Light edgewear, else Near Fine.

Vintage borderless portrait photograph, with bottom margin, of Henri-Georges Clouzot, circa early 1950s, by photographer Lucienne Ghevert, with "H.-G. Clouzot," and "unifrance film" imprinted on bottom margin. Photographer Lucienne Ghevert stamp, Spanish provenance stamp "Editorial Ramon Sopena, S.A.," and "Biblioteca del Cinema Delmiro de Caralt" stamp, all on verso. Award winning French film director, screenwriter, and producer, Henri-Georges Clouzot's output spanned nearly four decades, with his most acclaimed films being his relentless suspense thrillers of the 1940s and 1950s, most notably 1953's "The Wages of Fear," one of the greatest thrillers ever made, which brought Clouzot international acclaim, and the groundbreaking 1955 psychological horror/thriller "Les Diaboliques," which was not only a major influence for Alfred Hitchcock's 1960 macabre masterpiece "Pscyho", but for generations of filmmakers that followed. His 1956 documentary "The Mystery of Picasso," documenting the artist in the act of creating, was declared a national treasure by the French government. 5 x 7. inches. Near Fine.

Vintage reference photograph of (L-R) Henri-Georges Clouzot, Charles Vanel, unidentified woman, and Vera Clouzot on the set of the 1953 French film. Based on the 1950 French novel by Georges Arnaud. Remade in 1958 as "Violent Road," directed by Howard W. Koch starring Brian Keith and Efrem Zimbalist, Jr. and again in 1977 as "Sorcerer," directed by William Friedkin, and starring Roy Scheider and Bruno Cremer. Henri-Georges Clouzot's breakthrough masterpiece, a tense and literally volatile thriller. Four luckless Europeans are hired by an American oil company to drive two trucks of nitroglycerine through the South American wilderness to extinguish a fire in the oil fields. Winner of the Palme d'Or. Shot on location in Gard and Bouches-du-Rhone, France. 9.5 x 7.25 inches. Near Fine. Criterion Collection 36. Godard, Histoire(s) du cinema. Grant France. Rosenbaum 1000. Selby France.

Vintage oversize borderless reference photograph from the 1960 French film, showing actors Charles Vanel and Brigitte Bardot. With manuscript pencil and ink annotations on the verso regarding layout, along with the stamp of Parimage agency and ICI Paris. A young woman finds herself standing trial for the murder of her lover, forcing her to reflect on her memories of their turbulent relationship. Set in Paris. 11 x 7 inches. Very Good plus, with a few touch-ups on the recto for press use.