joan miro, Signiert (90 Ergebnisse)

Joan Miró (illustrator). The catalogue raisonné of the ceramics. 397 pp. 441 items reproduced, usually in color, and exhaustively described. Folio. Publisher's cloth. Dustjacket. FINE AND BRIGHT, Like new.

Softcover. Zustand: Near fine. 95 p. 27 cm. Colour and b&w illustrations. Inscribed by J. Punyet Miró.

Joan Miró (illustrator). First edition of this collection of short pieces relating to music. 59 pp. Cover art (front and back) by Joan Miró. Printed on very good wove paper. 8vo. Original wraps. A bit of wear to wraps, else uncut, fine and bright.

The standard catalogue raisonné of the sculpture. 391 pp. 396 items reproduced and exhaustively described. 440 plates, mainly in color. Folio. Publisher's cloth and dustjacket. FINE AND BRIGHT. Like new.

The long-awaited fourth and final volume of the catalogue raisonné. New, in dj and slipcase. Includes two original woodcuts.

FOUR VOLUMES, COMPLETE WITH ALL OF THE ORIGINAL WOODCUTS. The monumental catalogue raisonné of Miró s intagio and relief prints (and pochoirs). Folio. Dustjackets. FINE AND BRIGHT, in the original board slipcases. AS NEW.

Joan Miró (illustrator). Six volumes, COMPLETE. AN ABSOLUTELY FLAWLESS SET of the beautifully-produced and monumental catalogue raisonné of Miró s drawings. 392, 360, 368, 380, 368, 380 pp. 5385 drawings exhaustively described, each beautifully reproduced in color. Folio. Publisher's cloth with distjackets. FINE AND BRIGHT, WITH NO DEFECTS. AS NEW.

Zustand: 0. Erste Ausgabe. - Nr. 175 von 150 (ges. 175) vom Künstler im Druckvermerk eigenh. signierten Exemplaren sur vélin de Rives". - Schönes Künstlerbuch Mirós zu Gedichten von Yvan Goll, herausgegeben von Fernand Mourlot, bei dem auch die Lithographien gedruckt wurden. - Schuber tlw. leicht angestaubt bzw. fleckig, sonst schönes Exemplar. - Cramer 115; Mourlot 463-475 u. 477-481; Monod 5559. Sprache: Französisch Gewicht in Gramm: 4000 Fol. Mit (inkl. Umschlag) 19 tlw. ganzs. bzw. doppelblattgr. Orig.-Farblithographien von Joan Miró. 72 S., 6 Bll. (das erste u. die letzten beiden Bll. weiß), Lose Lagen in illustr. OKart.-Umschlag u. OLwd.-Decke in OLwd.-Schuber.

Hardcover. Zustand: Gut. 33,5 x 26 cm. 72, [12] S. Mit 18 Orig.-Farblithographien von Joan Miró, davon 3 doppelblattgroße und 4 blattgroße. Lose Doppelblätter in lithogr. Orig.-Umschlag in Orig.-Leinenchemise und Orig.-Leinenschuber. Im Druckvermerk von Joan Miro signiert. - Hrsg. von Claire Goll. - Exemplar Nr. 58 von 150 num. Exemplaren (Gesamtauflage 200 Expl.) auf Vélin de Rives. Typographische Gestaltung von Pierre Gaudin, gedruckt in hellem Grauton. - Schuber leicht angestaubt. Schönes Exemplar. Signed by Joan Miró. Edited by Claire Goll. Copy No. 58 of 150 numbered copies (total edition of 200 copies) on Velin de Rives. Typographic design by Pierre Gaudin, printed in light gray. - Slipcase slightly dusty. Nice copy. More photos available on request. 10625 [L] Sprache: Französisch Gewicht in Gramm: 2500.

Zustand: 0. Erstausgabe. - Nr. 85 von 150 vom Künstler im Druckvermerk eigenh. signierten Exemplaren auf Vélin de Rives. - Schuber tlw. leicht berieben, bestoßen bzw. angestaubt. - Cramer 112; Mourlot 439-442. Sprache: Französisch Gewicht in Gramm: 2000 Fol. Mit 10 (inkl. Umschlag; dav. 3 doppelblattgr. u. eine dreiblattgr.) Farblithographien von (4) bzw. nach (6) Joan Miró. 2 Bll., 25 S., 8 Bll., Lose Bogen in illustr. OUmschlag u. OPp.-Decke in OPp.-Schuber m. Deckelschild.

En feuilles, couverture illust. Zustand: Très bon exemplaire. MIRO, Joan (illustrator). Edition originale. PREMIER TIRAGE de ce numéro édité pour l'exposition de sculptures de MIRO à la Galerie Maeght Textes d'André Balthazar et de Jacques Dupin. 2 LITHOGRAPHIES originales en couleurs de Joan MIRO, en couverture et à double page. Six autres lithographies en couleurs hors texte sont réalisées d'après des compositions de l'artiste. Reproductions et liste des 53 oeuvres exposées in fine. >>Couvrant la première page blanche, ENVOI autographe signé au crayon de MIRO avec le dessin d'une étoile. Dédicacé par l'illustrateur.

8°, 159 Seiten. mit 36 teils farbige Phototafeln, 8 montierte farbige Abbildungen und 32 s/w. Tafeln sowie 11, meist farbige Textabbildungen. Orig.Leinen mit OSU. Mit eigenhändiger Widmung des Verfassers. - Schutzumschlag wasserrandig, die hinteren Seiten am Vorderschnitt schwach wasserrandig. Gewicht (Gramm): 1050.

22 x 23cm. Hardcover in paper-covered illustrated boards, 48pp [+7pp]. Text in Spanish. Copy stamped as number 581 of the standard edition (of 600). Contains nine colour illustrations (one spread across two pages). Preface and interview with the artist conducted by Yvon Taillandier. Published by Gustavo Gili. Rear colophon reads (in Spanish): "This print run was completed September 10, 1964 on the presses of the G.E.A. printing company, in Milan, Italy. Of this Spanish edition 600 copies have been printed: 15 copies numbered from i to xv, which contain an original lithograph in various inks and a proof of the black condition of the same, both signed by Miro; 30 copies numbered from 1 to 30, which contain the same lithography in various inks, signed by the artist; and 555 copies numbered from 31 to 585 of current edition." (This copy falls into the latter numbered print run.) Rare. Spine lightly sunned with some slight shelfwear at edges. Internally very good.

couverture souple. - Le Soleil Noir, Paris 1971, 14,5x19,5cm, broché sous étui. - Edition originale, un des 300 exemplaires numérotés sur offset sirène. Ouvrage illustré de dessins de Joan Miro. Agréable exemplaire bien complet, ainsi qu'il l'est stipulé à la justification du tirage, de la lithographie originale en couleur de Valerio Adami montée en tryptique qu'il a justifiée et signée. . [ENGLISH DESCRIPTION ON DEMAND].

4°. 131 S., 1 Bl. Mit vielen teils farb. Abb. Okart. mit lithografiertem Deckelbild über beide Deckeln. Etwas gebräunt und fingerfleckig. Text in Spanisch, Englisch, Französisch und Deutsch. - Beiliegend: Menukarte ebenfalls in Farblithographie (gleiches Motiv wie Deckelbild des Kataloges) vom 18. Juni 1976 im Innnhof des alten Krankenhauses von Santa Creu, diese mit einer schwungvoller handschriftlicher Signatur von Miró. Vorsatz mit handschriftlichem Eintrag von Alfred Roth "von K.H. Krämer & Frau von Barcelona mitgebracht 10.Okt.79".

A collection of poems by Leiris with a cover illustration by Joan Miró. AN HORS-COMMERCE COPY ON FINE MARAIS WOVE PAPER, SIGNED IN RED INK BY JOAN MIRÓ. 4to. Original wraps. FINE AND BRIGHT. Signed copies are of the greatest rarity.

Limited edition, number 6 of 20 copies on Japon, numbered & signed by the artist and author on the justification, from a total edition of 300, 4to (32.3 x 24.3 cm); illustrated with eight full-page pochoir plates coloured by Saudé, with an extra suite in black; original illustrated cloth portfolio wrapper bound in, black calf by Miguet with cut-outs showing coloured morocco spots of the suede guards inspired by plate V, text in red, blue and green gilt to spine, chemise and slipcase, a fine copy. Miro's first artist's book. One of 20 copies on Japon with an extra suite in black. Lise Deharme is widely known for being a Surrealist muse after André Breton referred to her as 'La Dame au Gant' [The Lady with the Glove] in his book Nadja. She was also photographed Man Ray and hosted salons popular with the leading artists and writers of the time such as Joyce and Picasso. Although her legacy mainly remains in the shadow of the prominent male members of the Surrealist movement she was not merely a hostess but a prominent writer and editor of the magazine, Le Phare de Neuilly. Colette and Jean-Paul Miguet, who were active between 1951 and 1981, were among the most prolific designer bookbinders of the second half of the twentieth century. 'Their productions range from the purest classic to the most modern original creation, without ever falling into the binding-object which for them is a heresy. (.) Boundless advocates of high quality book binding, these two craftsmen argue that the bookbinder must never betray the author in the design of a set, or, possibly, the illustrator, but must define graphics and colours that will interpret them best, and this, in a perfection of execution' (Julien Fléty, Dictionary of French Binders, 1988).

Hardcover. Zustand: Very Good. Limited Edition. Paris, Éditions Georges Visat, 1968-1971. Limited to 160 copies (N. 12), with 35 reserved for artists and collaborators, printed on velin Arches and velin pur fil Lana. The portfolio includes 13 original etchings (10 in color, 3 in black-and-white), each signed and numbered in pencil by the artists: Pierre Alechinsky, Arman, Enrico Baj, Hans Bellmer, Camille Bryen, Max Ernst, Raoul Hausmann, Man Ray (2 etchings), Roberto Matta, Joan Miró, Hans Richter, and Dorothea Tanning. Each print is housed loose in an Arches paper folder embossed with the artist's name, inside of each folder dedication words from the artist to Marcel Duchamp, to complement the artwork. This edition, a tribute to Marcel Duchamp, one of the most revolutionary and influential artists of the 20th century. His legacy had a lasting impact on the Surrealist movement and beyond, and his influence is felt in the works of many artists included in this portfolio. The artists featured in this portfolio represent a diverse group, including figures associated with Surrealism, Dada, and Abstract Expressionism, among other movements. Some of them, like Max Ernst, Man Ray, and Joan Miró, were close collaborators of Duchamp, and their involvement speaks to the deep respect and influence Duchamp had on his contemporaries. Others, like Pierre Alechinsky and Arman, were part of the CoBrA movement, which sought to revitalize art through experimentation and spontaneity. The portfolio was initiated in September 1968, just one month before Duchamp death, and completed in March 1971. The work is presented loose as issued, housed in its original blue cloth slipcase and folder chemise, decorated with Marcel Duchamp's initials in silver. Complete and in very good condition, Miro prints with minor waviness at the edges. Dimensions: 38.5 x 29 cm. Signed by Illustrator(s).

Limited edition, one of 90 copies, from a total edition of 146, large folio (64 x 53 cm); complete set of 13 etchings with aquatint (12 in colours, five signed in pencil), in- and hors-texte, title, text in French and justification, on various papers, signed in pencil on the justification by the artist and poet, loose (as issued), original acetate-covered paper wrapper printed with the first etching, beige cloth-covered portfolio box with title in white to spine, the additional suite loose within paper wrappers, a fine copy. A fine example of the complete portfolio of 13 etchings - five of which are signed. This is an incredibly fresh copy of Miro's impressive and large-scale work, preserved in the original illustrated wrappers and publisher's box. The frontispiece of Passage de l'Egyptienne is signed as well as the four plates of Minutes Conjointes. André Pieyre de Mandiargues was a prominent French writer born in Paris in 1909. During the war he retreated to Monaco where in 1943 he published, Dans les annees sordides. He returned to Paris at the end of the war and in 1947 after meeting André Breton, he became involved in the activities of the Surrealists. As well as being a poet and novelist, Mandiargues has written plays, essays and art criticism. He won the Prix des Critiques in 1951 for Soleil des Loups and the Prix Goncourt in 1967 for La Marge.

Soft cover. Zustand: Very Good. 1st Edition. Joan Miró, Alice Paalen. Editions Sagesse, 1938. The Reclining Hourglass, a collection of poems by surrealist poet and painter Alice Paalen and one original red etching on a yellow cut-out background in frontispiece by Joan Miró. It is signed and numbered in pencil by him. limited, numbered edition of 75 copies signed by Alice Paalen in pen on justification page. Uncut copy in original gray handmade paper cover. Signed by Illustrator(s).

Hardcover. Zustand: Very Good. 1st Edition. Bordas, Paris, 1949. The complete three-volume anthology of poems by Tristan Tzara, comprising of 23 etchings in color. Eight colored etchings by Max Ernst (Volume I), Seven by Yves Tanguy (Volume II), Eight by Joan Miro (Volume III) encased in a black box with large geometric mosaic decorations adorning the covers. It took Tzara 16 years to complete the poems for all three volumes, starting in 1916 and finishing in 1932. Limited edition of 200 copies, of which this is one of 169 in Auvergne. The volumes are signed by the artists and Tzara. Signed by Illustrator(s).

Folio. (395 x 305 mm). [32 bifolia = 64 leaves; pp. 111, (i), (i), (i), (i)]. Half-title with copyright verso, leaf with original lithograph verso as frontispiece, printed title and Tzara's verse illustrated with a further 71 original colour lithographs (including the wrapper, the chemise and the slipcase), all by Joan Miró, 'Table', justification and final leaf with achevé d'imprimer. Loose as issued in original publisher's wrappers with a collage after Miró to front wrapper, original decorated chemise and slipcase with designs after Miró. One of Miró's greatest illustrated books. From the edition limited to 253 copies, with this one of 200 on Malacca pure rag paper, signed by the author and the artist o the justification. Also included, inserted loose, is the original publisher's prospectus for the book. Printed recto verso on a sheet matching the leaves of the book, the prospectus details the edition and is illustrated in monochrome with examples of three of the original lithographs in the book. 'This book represents a particularly effective collaboration between artist and author. Miró's brilliantly spontaneous and amorphous images, drawn directly on the stone with very few preparatory sketches, have the inventive verve of Tzara's random verses.' (The Artist & the Book). [Cramer 17; The Artist & the Book 206].

3 vols. 12mo. (142 x 118 mm). [86 leaves; 52 leaves; 70 leaves; pp. 172, (i); 103, (i); 137, (i), (i)]. Half-titles with justifications verso, titles with copyright verso, Tzara's texts and the following illustration: 8 original colour etchings by Max Ernst for vol. I (Monsieur AA, l'Antiphilosophe), 7 original colour etchings with aquatint by Yves Tanguy for vol. II (Minuit pour Géants), 8 original colour etchings with additional pochoir by Joan Miró for vol. III (Le Désespéranto), all printed by Lacourière, final leaves to each vol. with 'Table', final leaf to final vol. with achevé d'imprimer. Stitched as issued in original publisher's printed paper wrappers with Yapp edges, title to spine and contributors to each vol. to front cover in black, additional vellum jacket with title to front cover and vol. number to spine for each vol. in argent, black card board slipcase. An excellent copy, completely unsophisticated as issued, of the second edition - the first in this form and with these illustrations - of Tristan Tzara's triple anthology of works. From the edition limited to 200 copies, with this one of 169 copies on Auvergne with each volume signed by Tzara and the relevant artist in the relevant volume. 'By reading L'Antitête, which brings together, in book form, three anthologies written between 1916 and 1932, one can follow the development of Tzara. 'Monsieur AA l'Antiphilosophe' consists of texts written in the Dadaist manner. Tzara has dropped the consonants of 'Dada' and now one finds M. AA attacking not only the metaphysical systems intending to explain everything from A to Z, but also language itself . The second part of L'Antitête, 'Minuits pour Géants', makes the transition between Dadaist destruction and the free inspiration of Surrealism. In the third part, Tzara proposes a new language, 'Le Désésperanto', which would be capable of expressing the automatism of thought which reveals the subconscious in all its forms; now anxiety, even despair, characterize the collective images of the unconscious.' (Cramer, Picasso Illustrated Books, pg. 66, discussing the first edition of 1933). [Berggruen 33; Spies-Leppien 27/F (Ernst); Wittrock 17, A - C (Tanguy); Wember XII (Miró); see Cramer 20].

12mo. (124 x 128 mm). [6 bifolia: 12 unnumbered leaves]. Two blank leaves, leaf with title recto, leaf with Miró's signed engraving as frontispiece recto, four leaves with Char's verse recto and verso (final verso blank), leaf with Miró's second engraving recto, leaf with justification recto, two blank leaves. Loose as issued in original cream printed wrappers with titles in black to front cover. René Char's De Moment en Moment published by PAB and illustrated by Miró. From the edition limited to 42 numbered copies on Auvergne à la main with this one of 36 numbered in Arabic numerals and signed by PAB in pencil; the first of Miró's engravings (the frontispiece) is signed by the artist in pencil. Miró's original prints for the book are burin engravings on celluloid. Char's prose poems were written in 1948 and 1949 respectively. [Montpellier 287; Cramer 42].

A spectacular triple issue of Derrière le Miroir, published to commemorate Miró's 60th birthday. With 12 original color lithographs on 17 pages, including one measuring 37.7 x 148.8 cm. Printed on fine wove paper. Folio. Original wraps. FINE AND BRIGHT, WITH NO DEFECTS. Cramer 26; Mourlot 125-136.

Hardcover. Zustand: Very Good. Editiones de la Difference, Paris 1976. This album was published coinciding with the publication of the book, Les Demeures d Hypnos, by Patrik Walberg. Portfolio with 11 original prints (8 lithographs and 3 etchings), all signed and numbered by the artists: Max Ernst, Jacques Herold, Philippe Labarthe, Felix Labisse, Wilfredo Lam, Alain le Yaouanc, Andre Masson, Joan Miro (Ref Mourlot 1088), Meret Oppenheim, Man Ray, Dorotea Tanning. Limited edition, one of the numbered copies from 1 to 99. Complete of Title, colophon, and 11 prints, all guarded in the original protective cloth folder. Signed by Illustrator(s).

Limited edition, one of 15 copies with two additional etchings, from a total edition of 83, folio (53.6 x 28 cm); complete example with 8 plates after Miro (plus one etching to the vellum covers), signed and numbered in pencil, signed by Miro on the justification, loose as issued; original printed vellum wrappers designed by Miro, housed in the publisher's beige cloth with title printed in black, a fine copy. Fine example of the complete portfolio with 8 plates (two more than the regular edition), all signed and numbered by Miro. In the original printed vellum wrappers. Gualtieri di San Lazzaro was an Italian writer and art publisher. For the majority of his life, he resided in Paris where he published monographs focusing on the work of contemporary French and Italian artists. He was the founder of the periodical XXe Siècle. Angel Juncosa has been on the board of trustees of the Miró Foundation since 1983. The eight plates are titled: 1. Signe Premier (etching); 2. Le Miroir secret du feu et du froid (linocut with intaglio over-printing in colour); 3. Retour à la position primitive (etching with aquatint printed in colour); 4. Le Demi-Sommeil de l'attente (etching with aquatint printed in colour); 5. La Destruction du Miroir (etching with aquatint printed in colour); 6. Hommage à San Lazzaro (etching with aquatint printed in colour); 7. Incertitude prolongée (etching with aquatint printed in colour); 8. L'Ultime Menace (etching with aquatint printed in colour). Cramer 229.

Soft cover. Zustand: Near Fine. 1st Edition. Le Tablier blanc was published by P.A.B (Pierre-André Benoit) in February 1958, in Alès, in two series of 25 and 50 copies each for a total of 75, this copy is one of 25, number IV/XXV signed by the publisher in pencil. Poetic work in a very limited edition Le Tablier blanc by Lise Deharme, is illustrated with an original etching signed in pencil by Joan Miró printed in green on the title page, and an unsigned linocut by Joan Miró in black. Mirò imaginary, poetic and surrealist, visualizes the verses of Deharme with quick strokes to evoke the images of an evanescent dream, in which a bird, a snowflake, a sheep, and an edelweiss are the only and lonely actors. Small square format 3 ¼ x 3 ¼ miniature book printed in Arches paper. Ref: PAB, 314 -- Cramer, Miró, 48. Signed by Illustrator(s).

Soft cover. Zustand: Very Good. 1st Edition. Mano, Guy Le vis, Greek author, Illustrated by Miro. GLM, Paris, 1966. Nr. 27 of 60 numbered copies. Illustrated with an aquatint in color by Joan Miro. Signed in the bottom right corner Miro. Original soft cover. Very good conditions. Signed by Illustrator(s).

8vo. (202 x 135 mm). Half-title with 'Du Mème Auteur' verso, leaf with Miro's original colour lithograph as frontispiece verso, title with justification verso and Péret's text illustrated with reproductions on glossy paper throughout, two leaves with 'tables' and final leaf with achevé d'imprimer. Original publisher's printed wrappers with titles in red to front cover and spine, front cover with repeated reproduction in relief in pink of a drawing by Ambroise Paré. A very good copy of Péret's 'Anthologie de l'Amour Sublime' with Miro's signed colour lithograph. From the édition de tête limited to 37 numbered copies on vélin du Marais with the original colour lithograph signed and numbered by Miro as frontispiece, with this one of seven hors commerce copies numbered in Roman numerals; an ordinary edition without the frontispiece was also issued. Miro's original colour lithograph, printed by Mourlot, Paris, is numbered from the edition of 40. Also included, inserted loose, is a card for 'Editions Jean-Jacques Pauvert' to be filled out and sent in order to receive the 'Catalogue Illustré'. [Cramer 35; Miro Lithographe 175].