marc chagall, lithograph, Signiert (10 Ergebnisse)

Softcover. Zustand: Very good to fine condition. First edition. Folio. [8] 23 [1]pp. Original color-illustrated stiff white wraps with black lettering on cover and spine. Fourteen Chagall renderings, thirteen of them offset reproductions of lithographs and one original color lithograph (double page 12/13). Twelve color, one b/w offset reproduction. English translation and illustration and Meaght advertisements on eight same size pages laid in. "To breathe, to paint, to invent for Chagall is not, today, to create icons or inopportune idols in iron and brimstone but it is simply to go towards dawn and the origin of things to recognize and to communicate to us the prodigy of each and every day's new shining dew." (Jacques Dupin, translated by Philip Adams). This is not the edition of 50 copies on vellum arches paper that were signed and numbered by the artist. Very light wear along edges of wraps.

Soft cover. Zustand: Very Good. Limited Edition. Paris, Art et Poesie, 1976, text by Georges Pompidou, Marc Chagall Illustrator. Limited edition in 150 numbered copies in Arches wove paper, with an original lithograph in color by Marc Chagall. Signed in colophon by the artist in pencil. Loose as issued in Arches wove decorated wrappers and secured in the original beige cloth slipcase and matching chemise. Ref: Cramer books#100, Mourlot#898. Please, ask for complete conditions report. Signed by Illustrator(s).

Original lithograph in colors on wove paper, hand-signed lower right and inscribed 'h.c.' (hors commerce) in ink. Original hand signed lithograph in colors, signed in the lower right corner Marc Chagall and inscribed h.c. (hors commerce) on the left, printed and published 1956 in Paris. The hand signed and numbered edition was 75 copies in addition some artist's, publisher's and printer's copies. Marc Chagall rose to popularity with his famous series of Bible lithographs, published by Verve Teriade in 1956. He is also known for his vibrant colors and poetic motifs, often reflecting biblical themes and life in his homeland. A signed and numbered original lithograph by Marc Chagall is a valuable collector's item. In very good to excellent condition. David and Bathseba is probably Chagall's most saught illustration of his famous bible series, which were published in 1956 in Paris. Overall a very well preserved example of this hand signed original color lithograph. Mourlot 132 In very good to excellent condition. 35.6 x 26,6 cm (14 x 10,5 inches).

Zustand: Fine. 35x25cm. Unframed. Printed in colours. Excellent condition. Verso: Black/white original lithograph by Chagall, signed in the stone 'Chagall Marc'. Published: Verve Vol. 1 / No. 3. - Marc Chagall (1887 - 1985), Russian-French artist.

HOMAGE TO MARC CHAGALL, with an original color lithograph by Marc Chagall Tudor Publishing Co. New York, Special Issue of XXe Siecle o.J., 132 SS. gebunden (Hardcover gr. 4°, rotes Oln. mit Golddruck) mit Schutzumschlag, mit vielen Fotos, Contributors : Mircea Eliade, Camille Bourniquel, San Lazzarro, Dora Valler, Manuel Gasser, Charles Marq, Maurice Cauchy, J.-J. LeVeque, Robert Marteau, Denis Milhau, Gilbert Lascault, Andre Verdet, Jacques Thirlon. - neben seinem ganzseitigem Titelfoto in blauer Fettkreide mit Widmung, Jahr eigenhändig signiert "Pour le Riskin MARC CHAGALL 1975".

Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered from the edition of 50, published by Maeght Editeur, Paris, image: 94 x 69.9 cm. (37 x 23 ½ in.), sheet: 116.8 x 75.6 cm. (46 x 29 ¾ in.) This piece comprises some of Chagall's more well-known and loved compositional elements. Taking up the majority of the image is a beautiful bouquet of flowers, which is admired by a woman in a vibrant, red dress in the foreground. The presence of the cockerel, thought to symbolise the artist's alter-ego, appears to look longingly up at the small town in the distance. We know this town to be Saint Paul de Vence, in the hills above the French Riviera, a mecca for many artists including Matisse, Picasso, Magnelli, Léger. Chagall returned to the town many times throughout his life and just before turning 80, he had a home built there in 1966. Upon his death in 1985, Chagall was buried in the cemetery of Saint Paul de Vence, further highlighting the significant impression this place had on the artist's life. M.979.

Lithograph in colours, 1980, on Arches paper, signed in pencil, numbered 36/50 from the edition of 50, published by Maeght Editeur, Paris, image: 92.1 x 60.3 cm. (36 ¼ x 23 ¾ in.), sheet: 115.6 x 74.9 cm. (45 ½ x 29 ½ in.) This piece comprises some of Chagall's more well-known and loved compositional elements. At the centre of the image is a monumental bouquet of lilacs in a vase, surrounded by floating figures and animals. The presence of the horse and the cockerel allude to the artist's self-representation, with the former often thought to depict himself and the latter to symbolize his alter-ego. At the left of the bouquet are distant traditional wooden Russian dwellings typical of Chagall's childhood home in Vitebsk (now in Belarus), which the artist made the subject of his art from his very earliest creations. According to Jean-Michel Foray, the former director of the Marc Chagall Museum in Nice, however, we shouldn't push too hard in trying to 'decrypt' what the scenes mean: 'We cannot interpret them, because they are simply part of Chagall's world, like figures from a dream.' M.975.

Paris, Muséé des Arts Décoratives, 1961. 88 pp. Ills. Lithographed frontcover. - Attractive copy.* One of the 300 numbered copies with a original lithograph. Signed and numbered in pencil by Marc Chagall.

Original Farblithographie, auf Arches Papier bei Mourlot in Paris gedruckt. 1960. Unten rechts mit Bleistift signiert und links nummeriert 24/50. Original colour lithograph, printed on Arches paper by Mourlot in Paris. 1960. Signed in pencil lower right and numbered 24/50 on the left. 35,5 x 26,5 cm. 52 x 37,5 cm auf Arches Papier. Sehr gut erhalten. Das Blatt wurde professionell gewaschen da es unter altem nicht säurefreiem Passepartout lag. Very well preserved. The sheet was professionally washed because it was under an old passepartout which was not acid-free. Sorlier 248 & Cramer 42. Das Blatt liegt unter säurefreiem Passepartout, 65 x 50 cm. The sheet is under an acid-free passepartout, 65 x 50 cm.

Original Lithografie auf Japon nacré. Unten rechts handsigniert und links nummeriert. Exemplar 19 von 50. Bei Fernand Mourlot in Paris gedruckt, 1975. Original lithograph on Japon nacré. Signed by hand lower right and numbered left. Copy 19 of 50, printed by Fernand Mourlot in Paris, 1975. 26 x 33 cm. 44 x 56 cm. Prima erhalten. Well preserved. Sorlier 744 & Lithograph V. In Schöner Silber Leiste eingerahmt. Framed in a beautiful silver moulding.