abramovic the lovers (7 Ergebnisse)

Paperback. Zustand: Good. 204 pages : illustrations (some color) ; 26 cm Ulay, 1943-2020. Abramovi{97}c, Marina, 1946- Performance art--Europe. Great Wall of China in art. China in art. Text English Catalogue of an exhibition held in Amsterdam, Paris, Dusseldorf, Stockholm, Sydney, Montr{97}eal and Columbus. Includes bibliographical references.

Buch. Zustand: Neu. Neuware - Unpacking the history of performance art and celebrating the work of contemporary practitioners, a must-read for both art lovers and students alike. Stunningly beautiful, deeply puzzling, powerfully moving, or intensely unsettlingperformance art can evoke a wide variety of responses. In this important survey, Catherine Wood, one of the world's leading curators and writers in this field, provides the broadest and most up-to-date insight into the subject yet published. Wood proposes performance not as a genre separate from object-making but as a medium that has profoundly influenced the shape of contemporary art. From the spectacular forms of intimacy performed by Marina Abramovic to the painting processions initiated by Ei Arakawa and the social activism of Tania Bruguera, hugely divergent practices have emerged in the past 30 years that embrace the worlds of sculpture and painting, spectacle, and protest. Shifting the focus from "I" to "We" and then "It," Performance in Contemporary Art is divided into sections that examine the perspective of the individual, the social, and the object. Wood looks at histories of performance through the lens of contemporary practitioners: the Japanese avant-garde group Gutai in the 1950s, Brazilian neo-concretism in the 1960s, and the feminist performance at Womanhouse in the United States in the 1970s are key examples of historical precedents that have been revisited, reformed, or rejected by contemporary artists in the 21st century.Includes color photographs.

Zustand: Sehr gut. 4°. 26 x 22 cm. 204 Seiten. Catalogus / Stedelijk Museum Amsterdam, 728. 1. Auflage. Zweisprachige Ausgabe in Englisch und Deutsch. Mit zahlreichen Abbildungen in Farbe und Schwarz-Weiß. Publikation zur Ausstellung "The Lovers, The Great Wall Walk, Marina Abramovic and Ulay", unter anderem im Stedelijk Museum, Amsterdam, im Museum van Hedendaagse Kunst, Antwerpen und in der Städtischen Kunsthalle, Düsseldorf. Broschur an den Kanten minimal berieben, ansonsten sehr gutes Exemplar. 1st edition. Bilingual edition in English and German. With numerous illustrations in colour and black-and-white. Publication for the exhibition "The Lovers, The Great Wall Walk, Marina Abramovic and Ulay", held at the Stedelijk Museum, Amsterdam, the Museum van Hedendaagse Kunst, Antwerp, and the Städtische Kunsthalle, Düsseldorf, among others. Softcover with minimal rubbing to the edges, otherwise fine copy.

Buch. Zustand: Neu. Neuware - How many female artists can you name Frida Kahlo, Georgia O'Keefe, Marina Abramovic How about female artists who lived prior to the Modern era Maybe Artemisia Gentileschi and then. even a regular museum-goer might run out of steam. What about female curators, critics, patrons, collectors, muses, models and art influencers This book provides a 360 degree look at the role, influence, and empowerment of women through art including women artists, but going beyond those who have taken up a brush or a chisel. In 1971, Linda Nochlin published a famous essay, 'Why Have There Been No Great Women Artists This book responds to it by showing that not only have there been scores of great women artists throughout history, but that great women have shaped the story of art. The result is a book that sheds light on the art world in a very new way, finally celebrating the great women artists and influencers who deserve to be much better known. The entire history of art can be told as a herstory of art.

kartoniert. Zust: Gutes Exemplar. mit Abbildungen, 204 Seiten Englisch 870g.

Exh.cat. Amsterdam (Stedelijk Museum), 1989. 4to softcover in good condition; with contributions in English by various authors, b/w and color ill.

Stedelijk Museum, Amsterdam 1989. 4to. 204 pages. Illsutrations in b/w and colour. Orig. softcover. Spin discreetly sunned and light wear. Very good.