andreas gursky images (38 Ergebnisse)

First edition. Softcover. Early issues of this important photography magazine are uncommon. This issue features images by Andreas Gursky, Candida Hofer, Hiroshi Sugimoto and others. A clean very near fine copy in photo illustrated wrappers.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 260 Seiten, 16,6 x 22,6 cm, included 2 Audio-CD - In this book the Düsseldorf-London-based artist group HobbyPopMuseum gives insight into their new work which mixes images, words, sound, and action, into an artistic reality that has resulted in invitations by institutions like the Tate Britain, and initiated collaborations with artists such as Andreas Gursky. The book contains 2 CDs with selected compositions from HobbyPopMuseum's 2001-2004 exhibitions.

Paperback. Zustand: Sehr gut. 240 p. , ill. In very good condition. - CONTENTS -- Foreword -- Acknowledgements -- Lenders -- Introduction -- Greg Hilty, Thrown Voices -- Bice Curiger, Epater le bourgeois-revisited -- Lynne Cooke, The Site of Memory -- An Analogical Anthology o Selections from: -- Jacques Attali, Noise, The Political Economy of Music -- Stefan George, A Child's Calendar -- Aldo Rossi, A Scientific Autobiography -- Italo Calvino Invisible Cities -- Robert Smithson, A Tour of the Monuments of Passaic, N.J.', in Blasted Allegories: -- An Anthology of Writings by Contemporary Artists -- Gabriel García Marquez, One Hundred Years of Solitude -- Dr. Judith Rapoport, 'Paul: Stuck in a Doorway', The Boy Who Couldn't Stop Washing -- Sigmund Freud, Totem and Taboo -- Mircea Eliade, Myths, Rites, and Symbols -- Herbert Marcuse, Eros and Civilization -- Jean Piaget, The Child's Conception of the Universe -- William Gibson, Mona Lisa Overdrive -- Carl Gustav Jung, Flying Saucers: A Modern Myth of Things Seen in the Skies -- Judith Williamson, 'Every Virus Tells a Story: The Meaning of HIV & Aids', -- in Taking Liberties: AIDS & Cultural Politics -- Anonymous, 'The Tar Baby', in Storytellers: Folktales and Legends from the South -- Toni Morrison, The Bluest Eye -- Georges Bataille, Visions of Excess -- Elfnede Jelinek, Lust -- Vladimir Voinovich, The Fur Hat -- Bruce Chatwin, Utz -- Federico Fellini, Toto -- Dave Hill, Prince, a Pop Life -- Jean Paul Sartre, Preface to Portrait of a Man Unknown by Nathalie Sarraute -- Rupert Sheldrake, The Presence of the Past: Morphic Resonance and the Habits of Nature -- Pinckney Benedict, 'Washman', The Wrecking Yard -- Elaine Scarry, The Body in Pain: The Making and Unmaking of the World -- Donna Haraway, An interview from Technoculture -- J. G. Ballard, 'The Ultimate City' Low Flying Aircraft -- William H. Gass, Monumentality /Mentality -- Juan Muñoz, 'A Stone', in Trans/Mission: Art in Intercultural Limbo -- Roberto Calasso, Le Nozze di Cadmo e Armonia -- Umberto Eco, Travels in Hyperreality -- Susan Stewart, On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection Primo Levi, 'The Mnemogogues', The Sixth Day -- Sources of texts and images -- Artists'plates: -- Stephan Balkenhol -- Sophie Calle -- Saint Clair Cemin -- Peter Fischli/David Weiss -- Katharina Fritsch -- Julio Galán -- Robert Gober -- Andreas Gursky -- Ann Hamilton -- Gary Hill -- Jenny Holzer -- Narelle Jubelin -- Mike Kelley -- Jon Kessler -- Jeff Koons -- Glenn Ligon -- Christian Marclay -- Juan Muñoz -- Simon Patterson -- Tim Rollins + K. O. S -- Philip Taaffe -- Boyd Webb -- Rachel Whiteread -- Index and captions to artists' plates -- Notes on the artists and biographies -- Doubletake installation photographs and list of works. ISBN 9781853320828 Sprache: Englisch Gewicht in Gramm: 595.

Taschenbuch. Zustand: Neu. Neuware - New in the Art Essentials series, an introductory guide to the art of looking at and engaging with photography.Everything counts in a good photograph, even down to the smallest details. This introductory guide is structured to help you develop new and more in-depth ways of looking at images, whether as a viewer or practitioner - or just out snapping with your smartphone.Looking at Photographs outlines key approaches to help us understand why a photograph captures our attention and moves us. Across seven chapters, visual culture expert Laurent Jullier discusses themes and concepts that are essential to understanding the medium, including: photography as a reflection of reality; manipulation and defamiliarization; focus, perspective and space; time and the moment; identity, portraits and selfies; the power of images.With examples drawn from across the world and throughout the history of photography, from Louis Daguerre to Julia Margaret Cameron, László Moholy-Nagy, Dorothea Lange, Andreas Gursky, Hiroshi Sugimoto, Dayanita Singh, Aïda Muluneh and many others, as well as a helpful glossary of terms, this guide is not just about learning how to read' photographs, it is about knowing how to ask the right questions when you look at images.

First edition. Softcover. 384 pages. Exhibition catalog for a group show that ran November 16, 2002 through April 20, 2003. Foreword by Robert Fitzpatrick. Essay by Elizabeth A.T. Smith. Includes numerous color and black and white images after works from Carl Andre, Francis Bacon, John Baldessari, Larry Clark, Andreas Gursky, Jenny Holzer, Jasper Johns, Donald Judd, Sol LeWitt, Jim Nutt, Richard Prince, Robert Rauschenberg, Richard Serra, Cindy Sherman, Thomas Struth, Hiroshi Sugimoto, Kara Walker and numerous others. A clean and tight very near fine copy in French style wrappers. Signed and very warmly inscribed by Robet Fitzpatrick. Uncommon thus.

First edition. Hardcover. 384 pages. Exhibition catalog for a group show that ran November 16, 2002 through April 20, 2003. Foreword by Robert Fitzpatrick. Essay by Elizabeth A.T. Smith. Includes numerous color and black and white images after works from Carl Andre, Francis Bacon, John Baldessari, Larry Clark, Andreas Gursky, Jenny Holzer, Jasper Johns, Donald Judd, Sol LeWitt, Jim Nutt, Richard Prince, Robert Rauschenberg, Richard Serra, Cindy Sherman, Thomas Struth, Hiroshi Sugimoto, Kara Walker and numerous others. A tight near fine copy in a near fine dust jacket. This is a heavy and oversized book and will require extra shipping.

Originalpappband. Zustand: Gut. 43, 260 S. : zahlr. Ill. ; 32 cm Ein gutes und sauberes Exemplar. - This publication focuses on the dialectical phenomenon of motion and rest in art, from the Romantic period to the present. Modern art has been equated primarily with acceleration, from William Turner, Impressionism and Futurism to abstraction, kinetics and media art. However, less attention has been paid to the fact that, from the very outset, this fascination with speed has been accompanied by an aesthetic of slowness- an examination of the dynamics of stillness and the depths of existence-as is to be found, for instance, in the images of yearning produced by the Romantics and the Symbolists, in Surrealism, and in the profound Slow Paintings of a Mark Rothko or Franz Gertsch. The Kunstmuseum Wolfsburg investigates this -- modernist dialectic for the first time in a comprehensive catalogue, distilling a theme that touches a nerve with society. The consequences of acceleration in modern life are becoming increasingly evident: lack of time, burnout, stress and collective loss of control resulting from ecological disasters and financial crises. In a separate section of the catalogue, renowned scholars and authors from diverse disciplines, such as the sociologist Hartmut Rosa and the cultural scientist Hartmut Böhme, discuss the problems resulting from technological and economic acceleration, and also examine the growing desire for deceleration. -- 304 pages, 402 illustrations, 335 in color -- Josef Albers Nobuyoshi Araki Roberto Baldessari Giacomo Balia Joseph Beuys Cecily Brown Balthasar Burkhard Alexander Calder Hussein Chalayan Giorgio de Chirico Francesco Clemente Tullio Crali Honoré Daumier Edgar Degas Robert Delaunay Oscar Dominguez Marcel Duchamp Viking Eggeling Max Ernst -- Caspar David Friedrich Naum Gabo Franz Gertsch -- Fritz Glarner -- Johann Wolfgang von Goethe -- Douglas Gordon -- Karl Otto Götz -- Andreas Gursky -- Jeppe Hein -- Ferdinand Hodler -- Johannes Itten -- On Kawara -- Anselm Kiefer -- Stanley Kubrick -- Frantiäek Kupka -- Raoul Lärche -- El Lissitzky -- Aristide Maillol -- Kazimir Malevich -- Man Ray -- Christian Marclay Kris Martin Adolph Menzel Gerhard Merz Mario Merz -- Aernout Mik Tatsuo Miyajima Läszlö Moholy-Nagy Giorgio Morandi Eadweard Muybridge Maurizio Nannucci Bruce Nauman Roman Opalka Julian Opie George Osodi Nam June Paik Panamarenko Jackson Pollock Julius Popp Odilon Redon Gerhard Richter Hans Richter Bridget Riley Auguste Rodin Alexander Rodchenko Medardo Rosso Mark Rothko -- Thomas Ruff Walter Ruttmann David Salle Jonathan Schipper Jesús Rafael Soto Beat Streuli Sam Taylor-Wood Jean Tinguely William Turner James Turrell Cy Twombly Günther Uecker Lee Ufan Fabienne Verdier Dziga Vertov Bill Viola Andy Warhol Ai Weiwei Zhou Xlaohu. ISBN 9783775732420 Sprache: Englisch Gewicht in Gramm: 1944.

Broschur / Softcover. 1. Aufl. Subtitle: Imagen y cultura. / Text: Spanish, English. - / Christina Garcia Rodero, Yutaka Sone, Andreas Gursky, Paul Smith, Miguel Trillo, Massimo Vitali (Sehr gut erhalten - neuwertig / in very good condition - as new) Sprache: Englisch Gewicht in Gramm: 1300.

First edition. Hardcover. 158 pages. Features text in English and German with an essay by Thomas Weski and also includes Don Delillo's "In Yankee Stadium." Includes 65 color images. A very fine copy in illustrated boards. No dust jacket as issued. As new and still in the publisher's shrinkwrap. This is a heavy and oversized book and will require extra shipping.

Taschenbuch. Zustand: Neu. Neuware - In Digital Image Systems, Claus Gunti examines the antagonizing reactions to digital technologies in photography. While Thomas Ruff, Andreas Gursky and Jörg Sasse have gradually adopted digital imaging tools in the early 1990s, other photographers from the Düsseldorf School have remained faithful to film-based technologies. By evaluating the aesthetic and discursive preconditions of this situation and by extensively analyzing the digital work of these three photographers, this book shows that the digital turn in photography was anticipated by the conceptualization of images within systems, and thus offers new perspectives for understanding the »digital revolution«.

Buch. Zustand: Neu. Neuware - In the last century, photography was always novel. Now, it feels like our world is over-saturated with images. In the 21st century, what can photography do that is new This extensively illustrated survey answers that question, presenting fifty photographers from around the world who are defining photography today. Their styles, formats, and interpretations of the medium vary widely, but in each case, the work featured in this book represents photography doing what it has always done best: finding new ways to tell stories, and new stories to tell.Artists featured include Nan Goldin, Wolfgang Tillmans, Hassan Hajjaj, Andreas Gursky, Juno Calypso, Ryan McGinley, Zanele Muholi, Shirin Neshat, Catherine Opie, Martin Parr, Cindy Sherman, Hiroshi Sugimoto and Juergen Teller.

Taschenbuch. Zustand: Neu. Neuware - Son, vision, film et un détruit !Qu'arrive-t-il lorsque des musiciens s'orientent selon des idées et stratégies venues du monde de l'art Et quels tableaux voit-on apparaître lorsque des peintres sont influencés par la musique S'intéresser à la vie des autres, suivre l'inconnu, le copier, l'introduire dans son propre travail et l'utiliser - en bref, croiser les correspondances entre les univers de la musique et des arts plastiques, c'est ce que font l'exposition organisée par le rédacteur en chef d'Ex-Spex- et d'Electronic-Beats Max Dax et le catalogue HYPER! A JOURNEY INTO ART AND MUSIC. Ce dernier réunit des classiques comme la pochette du chef d'oeuvre du nouvel ordre « Power, Corruption and Lies » de Peter Saville qui a ouvert la voie en 1983 ou les images narratives-minimalistes d'Emil Schult qui ont servi de modèle à la célèbre pochette « Autobahn » de Kraftwerk en 1974, ou encore la fameuse installation 3D « Night Life » de Cyprien Gaillard en 2015. L'influence de Richard Wagner sur l'oeuvre de l'artiste actionniste décédé en 2010 Christoph Schlingensief y est abordée, de même que sur le « Minutenoper » d'Alexander Kluge spécialement composé. Les influences réciproques entre musique et art sont mises en lumière avec l'exemple d'Albert Oehlen et Scooter, de Thomas Scheibitz et les Melvin ou de Daniel Blumberg, ou encore des travaux photo et vidéo de Sven Marquardt et Andreas Gursky ; des travaux de The KLF, Mark Leckey, Bettina Pousttchi et Wolfgang Tillmans élargissent la perspective au documentaire avec une longue série de photos. Le livre doit sa cohésion narrative à un grand nombre d'interviews à l'arrière-plan, réalisées par Max Dax avec les protagonistes d'HYPER! depuis 30 ans. Interlocuteurs de Max Dax :Kim Gordon, Alexander Kluge, Mark Leckey, Sven Marquardt, Michaela Melián, Olaf Nicolai, Albert Oehlen, Bettina Pousttchi, Daniel Richter, Peter Saville, Thomas Scheibitz, Bettina Scholz, Andrea Stappert, Britta Thie et al. Exposition :Deichtorhallen Hamburg, 1st March -11th August 2019.

71 S. Edited by Fiona Bradley. This book is published to accompany an exhibition entitled Andreas Gursky: images, held at the Tate Gallery Liverpool, 1 July to 28 August, 1995. *-*-*-*-*- SHIPPING COSTS to other EU-COUNTRIES occasionally may be less than indicated. To OTHER COUNTRIES IN THE WORLD they may be different (often less or rarely more, according to the weight and wether you wish insurance). -*-*-*-*-* Sprache: Englisch OBr.; Einband vor allem an den Ecken und Kanten etwas berieben und an den Ecken etwas gestaucht; mit Bibliotheksstempel auf dem Titelblatt; sonst in gutem Zustand.

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 84 Seiten, 33 x 33 cm, durchgehend illustriert, mit Text-Beiheft, 20 Seiten - Oversize hardcover without dustjacket as issued; 84 pages, with 20 page stapled booklet laid in - German photographer Andreas Gursky has developed one of the most unique styles of any of the Becher's students. His concern for contemporary sites of architecture and urban planning and their scaling effect on humanity has engendered a beautiful body of rigorously composed and somewhat troubling landscape photographs. This handsome, oversized monograph presents images from the years 1994 1997. -.

First edition. Oblong hardcover. Exhibition catalog for a show that ran March 28 through May 24, 1992. Text in German with an interview of Gursky by Bernhard Burgi. Includes 12 color plates along with several small black and white images. A very near fine copy in paper covered boards. No dust jacket as issued. Uncommon.

First Edition. 30 x 27cm. As new hardcover in slipcase. Unpaginated. Contains a foreword by Ralph Rugoff, and the essays 'Andreas Gursky: Four Decades', 'The Authentic Image of the Rhine: A Photographic Icon' by Gerald Schroder, 'Andreas Gursky in Conversation with Jeff Wall', 'The Order of Things' by Brian Sholis, 'Andreas' by Katharina Fritsch, and a works list and biography. From the text on rear of slipcase: "richly illustrated, beautifully produced and featuring never-before-published photographs, Andreas Gursky is an indispensable survey of four decades of work from one of the world's most influential artists. Gursky has been widely celebrated his monumental, extraordinary detailed pictures, which often explore contemporary global themes. This volume takes a fresh look at the artist's iconic images. In a landmark conversation between two major figures in contemporary photography, Gursky talk [sic] to Jeff Wall about the sources for his photographic vision, while an essay by Ralph Rugoff explores important but often neglected areas of the artist's work. Gerald Schroder and Brian Sholis contribute essays that provide new insight into key pictures, and Katharina Fritsch shares personal recollections of her Dusseldorf colleague." Some editions are seen without the text on the slipcase. A lavish production. Near fine, shrink-wrapped.

paperback. Zustand: near fine. Andreas Gursky (illustrator). Limited. A long, shallow, silver printed box (very lightly edgeworn), containing two 4to booklets in silver wrappers: "Texte" contains an essay by Hans Irrek and interviews with Dubuisson and 3 residents of Montparnasse. "Images" contains grainy full-page voyeuristic details of interiors of individual apartments seen from the outside. 41 + 32 pages, with text in German. The 3rd piece is a silver folder printed inside with the names of the more than 750 families living in the massive housing project, BUT LACKING THE ORIGINAL PHOTOGRAPH which was once laid inside. Frankfurt: Portikus & Oktagon, (1995). First edition, limited. Booklets are in fine condition within a very good solid box. Published in conjunction with a 1995 exhibition at Portikus Frankfurt am Main, this unusually-designed, over-sized publication is devoted to Andreas Gursky's monumental photograph of architect Jean Dubuisson's quarter-mile long Montparnasse housing block. -- Martin Parr and Gerry Badger's "The Photobook: A History Volume II, page 275.

Hardcover. Zustand: Sehr gut. Limitierte Ausgabe. Mit dem signiertem Offset-Print signiert von Andreas Gursky. Bilderbuch 24 x 26 cm, 40 Seiten; Textbuch 24 x 26 cm, 32 Seiten. 2 Paperback Bücher und 1 lose, farbige Fototafel als hochwertiger Offset-Druck (26 x 47,5 cm) im Original-Portfolio; alles zusammenliegend in der Original-Box. - A long, shallow, silver printed box (very lightly edgeworn), containing two 4to booklets in silver wrappers: "Texte" contains an essay by Hans Irrek and interviews with Dubuisson and 3 residents of Montparnasse. "Images" contains grainy full-page voyeuristic details of interiors of individual apartments seen from the outside. 41 + 32 pages, with text in German. The 3rd piece is a silver folder printed inside with the names of the more than 750 families living in the massive housing project. Signatur des Illustrators.

Hardcover, 136 pages/seiten, Eng/Deutsch, 290 x 220 mm, book in fine condition/buch in guten zustand, with coloured illustrations, Signature of the author Devlin). ISBN 9783883753683. Devlin presents images American prison of execution rooms; Gursky photographs stock exchanges, hotels, banks, and companies; Hofer concentrates on libraries, the places where knowledge is formulated, systematized, and stored. 0 g.

Softcover. Zustand: Sehr gut. Künstler: Struth, Thomas ; Et Al. ; Abbott, Berenice ; Huette, Axel ; Gursky, Andreas ; Tillmans, Wolfgang . Verleger: Exit ; Olivares & Ass. . Herausgeber: Olivares, Rosa . Datum: 2005. 200 Seiten mit zahlr., teils ganzs. Farbabb. Spanisch . 4to. (Quartformat). OKarton. Zeitschirft. EXIT, Image & Culture is a quarterly, thematic and bilingual (Spanish / English) magazine published by Rosa Olivares & Associates, S.L. (Madrid). It is devoted to the most characteristic visual arts of the 21st century: photography, video and film. Its contents portray the images of the most contemporary artists -the brief yet complex history of a new and different language-and essays by theorists, specialists and writers who touch on the themes and obsessions of contemporary man. sehr gutes Exemplar.

Hardcover, 468 pages, ENG, 240 x 195 x 48 mm, in good condition, illustrated in colour / b/w. ISBN 9783865214805. The Centre Pompidou in Paris houses the largest collection of Modern art in Europe, and one of the greatest collections of twentieth-century photography in the world. This comprehensive catalogue of the photo collection features 350 images, reproduced in tritone and duotone, by nearly 300 of the most famous artists and photographers to engage with the medium--from Franti ek Drtikol, Paul Strand, Walker Evans, Constantin Brancusi, Alexander Rodchenko and Berenice Abbott, via Manuel Alvarez Bravo, Man Ray and Edouard Boubat, to Robert Mapplethorpe, Cindy Sherman, Thomas Struth, Andreas Gursky, Nan Goldin, Vik Muniz, Gregory Crewdson and Thomas Demand. It is divided into six sections, each of which is prefaced by a brief essay. Contributing scholars include Herbert Molderings (on Modernist photography), Alain Sayag (on Dada and Surrealist photography), Clement Cheroux (on "Poetic Realism"), Christopher Phillips, and Agnes de Gouvion Saint-Cyr and Quentin Bajac (on contemporary photography). This substantial and lavishly produced volume offers an authoritative perspective on twentieth-century photography as viewed through the contents of one of the greatest photographic archives in the world. 1830 g.

Zustand: Wie neu. Richter Verlag. Frey Verlag. Museum Kunstpalast, Dusseldorf. 2013. First edition, first printing. Mint, new, unread; still originally shrink-wrapped in publisher`s plastic foil. Hardcover (as issued). 230 x 297 mm. 192 pages. 166 photos (109 in colour). Edited by: Gunda Luyken, Beat Wismer. Language: english. Perfect condition! Collector`s copy! Beautiful photobook by the pupil of the first Becher class. "Candida Höfer creates meticulously composed images of public and institutional spaces marked with the richness of human activity, yet largely devoid of human presence. Whether a photograph of a national library or a lounge at Volkswagen`s headquarters, Höfer`s images ask us to conduct distanced, disengaged examinations through the windows she creates. The collected images present a universe wholly constructed by human intention, unearthing patterns of order and logic imposed on these spaces by their absent creators and inhabitants. The Architecture of Absence examines Höfer`s oeuvre and its relationship to the work of other noted students of renowned professors Bernd and Hilla Becher. An exhibition of this work will open at the University Art Museum at California State University, Long Beach in January 2005, and travel to the co-organizing museum, the Norton Museum in Florida, among other venues."***************Richter Verlag. Frey Verlag. Museum Kunstpalast, Düsseldorf. 2013. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweißt in der Plastikfolie des Verlags. Hardcover (wie erschienen). 230 x 297 mm. 192 Seiten. 166 Fotos (109 in Farbe). Herausgegeben von: Gunda Luyken, Beat Wismer. Sprache: englisch. Perfekter Zustand! Sammler-Exemplar! Großartiges Fotobuch der berühmten Becher-Schülerin, die zu den herausragenden Foto-Künstlern ihrer Zeit zählt. "Candida Höfer, geboren 1944 in Eberswalde, gehört wie Andreas Gursky, Thomas Ruff und Thomas Struth zur ersten Generation von Bernd und Hilla Bechers FotoKlasse an der Staatlichen Kunstakademie Düsseldorf. Seit ihrem Studium (1976-1982) hält Höfer zu ihren Motiven, die sie in ihrer unmittelbaren Umgebung oder auf ihren unzähligen Reisen findet, respektvollen Abstand, seien es vereinzelte Dinge, architektonische Räume oder Menschen. Deutlich wahrt sie die Würde der Fotografierten, wie die 1968 inszenierten Porträts von Menschen aus Liverpool oder türkischen Gastarbeitern in Deutschland aus den siebziger Jahren verdeutlichen. Die meist menschenleeren Aufnahmen öffentlicher Räume, von Interieurs, Bibliotheken, Museen oder Foyers, sind durch kühle Sachlichkeit und präzises Erfassen von Details sowie die Architektur transformierende Ordnungssysteme geprägt. Dabei wird den vereinzelten Dingen durch die Lichtführung eine fast malerische Qualität, ja sogar magische Präsenz verliehen. Diese Publikation von neuen und älteren Werken aus den letzten vier Jahrzehnten widmet sich insbesondere den Arbeiten, die seit ihrer Zeit an der Düsseldorfer Akademie, insbesondere aber seit 2011 an Orten in Düsseldorf entstanden sind." (Verlagstext) Sprache: Englisch Gewicht in Gramm: 1600.

First edition. Hardcover. 127 pages. Exhibition catalog for a show that ran February 4 through April 10, 1994 in Hamburg and then May 20 through July 4, 1994 in Amsterdam. Edited by Zdenek Feliz and with text by Rudolf Schmitz. Includes numerous color images. An about very good copy with some staining to the top of the spine and edges of the front and rear panels near the spine. Otherwise, a tight and internally clean copy of this early catalog. No dust jacket as issued. Uncommon.

0. hobbypopMUSEUM. Werte schaffen. Köln 2004. 262 S. mit über 500 meist farb. Abb., davon 1 doppelseit. Falttafel, Ausst'verz., brosch. - Mit einer Audio-CD: "6 Compositions" (125 min) - Vorwort in dt., engl. & franz. Sprache. Mit ihrem neuen Buch gibt die Düsseldorf- Londoner Künstlergruppe hobbypopMUSEUM Einblicke in ihr Schaffen der letzten drei Jahre. Der Entwurf einer künstlerischen Wirklichkeit, bei der Bild, Wort, Klang und Aktion ineinanderspielen, hat die Gruppe in dieser Zeit auf Einladungen an so unterschiedliche Orte wie die Tate Britain oder die Mnüchner Kammerspiele gebracht und zu Kollaborationen mit so unterschiedlichen Künstlerpositionen wie der von Andreas Gursky oder der der Warschauer Foksal Gallery Foundation geführt. Eine Doppel-CD mit ausgewählten Kompositionen aus Ausstellungen der letzten drei Jahre liegt dem Katalog bei. ***** In their new book the Düsseldorf-London based artist group hobbypopMUSEUM gives insights into their new work which combines images, words, sound and action to an artistic reality that resulted in invitations by institutions like the Tate Britain, Münchner Kammerspiele and initiated collaborations with artists such as Andreas Gursky and the Warzaw based Foksal Gallery Foundation. The catalog contains a CD with selected compositions from exhibitions of the last three years.

Steidl Gerhard Verlag Feb 2018, Neuware - Andreas Gursky has been widely celebrated for his monumental, extraordinarily detailed pictures, often exploring contemporary global themes. This comprehensive book takes a fresh look at the artist's iconic images from the past four decades. In a landmark conversation between two of the most significant figures in contemporary photography, Gursky talks to Jeff Wall about the sources for his photographic vision, while an essay by Hayward Gallery director Ralph Rugoff explores important but often neglected areas of the artist's work. Essays by art historian Gerald Schröder and writer-curator Brian Sholis provide new insight into key pictures, and artist Katharina Fritsch offers personal snapshots of her Düsseldorf colleague, creating a portrait of the artist in the round. Presenting the artist's most well known works - including Paris, Montparnasse (1993), 99 Cent (2001) and Chicago Board of Trade III (2009) - as well as new, previously unpublished photographs, this is an indispensible survey of forty years of work from one of the world's most influential artists. 168 pp. Englisch. Neu. Original publishers wrappers Tadellos ! Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Hardcover. Zustand: Fine. First Edition. Hardback. 8vo. Ornage and brown printed box in sliding card case also printed and very dark brown and orange. Inside is a chamois pouch with dark brown draw- string ties and the Hermes symbol (horse and cariage) in the Hermes saddle leather tri-fold envelope designed by Jean-Louis Dumas, head of House of Hermes, Paris. 'Made in France' in the signature Hermes orange box w/ slipcase. Ltd edition #2612/ 3500 with the 15 cm Hermes wood pencil & (50) 4x7" colour postcards plus a fold-out 5-panel 'horizontal skyline' by Fabien Baron. Featuring: Corsica/ France/ Miami Beach/ East & Southampton, N.Y/ & Borrby, Sweden Jean-Louis Dumas, former president of Hermes, carries around a little sketchbook wherever he goes and uses it to record all of his various travel experiences. Jean-Louis himself designed the travel pouch that houses 32 WHERE? Contributors include Andreas Gursky, Mary Ellen Mark, Wolfgang Tillmans, Lauren Greenfield, Peter Lindbergh, and Jeff Burton. The postcards illustrate the original graphic treatment on the reverse side of each of the 55 silver-edged images. Faint rubbing at corners of outside box else fine.

Hardcover. Zustand: Fine. First Edition. Hardback. Lucite Box. Oblong 8vo. Illustrated with 24 Color / Black and White Plates. First Edition/First Printing. One of 3300 numbered copies. 5 _ x 15 x 2 _" sliding black Lucite case with a silver plaque that contains 24 transparencies and a light box operating on ten AAA batteries (removed) Number 1987 of 3300 limited numbered copies. Loose plates in hard plastic case-- unopened. No ownership marks present. Text and boxis completely clean and free of marks. Designed by Tom Ford. Publisher says: "Visionaire No. 24: "Light" is one of the most highly prized issues of everyone's favorite deluxe fashion quarterly. For it "Visionaire teamed up with fashion luminary Tom Ford and Gucci on an issue devoted to the theme - Light. This was our most ambitious project to date in terms of content and production. There was a conscious effort on the parts of both Visionaire and Ford to steer clear of fashion and to focus on what we considered to be fine-art images. It introduced a new cast of contributors to the Visionaire fold: artists such as Sam Taylor-Wood, Andreas Gursky, and Christopher Bucklow; art director Peter Saville; animator Hayao Miyazaki; and architect Toyo Ito". The transparencies are housed in an elegant 5 _ x 15 x 2 _" sliding black Lucite case affixed with a silver plaque that contains a Lumigraphics light-emitting sheet operating on ten AAA batteries. Fine.

4°, gebunden. 71 pp Einband auf Rückseite (wohl durch Abziehen eines Etiketts) an einer Stelle etwas wellig. An Oberkante minimal verblaßt. Sprache: Deutsch Gewicht in Gramm: 0.

First edition. Hardcover. 127 pages. Exhibition catalog for a show that ran February 4 through April 10, 1994 in Hamburg and then May 20 through July 4, 1994 in Amsterdam. Text in German. Edited by Zdenek Feliz. Essay by Rudolf Schmitz. Includes numerous color images. An about very good copy in boards that are lightly soiled, with some other minor wear, a gallery sticker to the front free endpaper and some light bumping to the spine ends and corners. No dust jacket as issued. Despite the litany flaws this is still a nice copy that is internally clean.

No Binding. Zustand: As New. 1st Edition. Small box with 20 images on postcard format produced on occasion of Gursky's exhibition in the Serpentine Gallery, London in 1999. Only in English. Very rare. Excellent condition. As new.