andy warhol interview magazine, Erstausgabe (37 Ergebnisse)

First edition. Softcover. Summer 1999. 94 pages. This issue contemplates gender. Includes an interview with Madonna and a remembrance of Harry Callahan by Jonathan Williams and a remembrance of Raghhubir Singh by Max Kozloff. Also includes numerous color and black and white images by Richard Avedon, Cecil Beaton, Imogen Cunningham, Bruce Davidson, Elliot Erwitt, Paul Fusco, Nan Goldin, Peter Hujar, Annie Leibovitz, Man Ray, Mapplethorpe, Will McBride, Richard Prince, Herb Ritts, Lucas Samaras, Cindy Sherman, Paul Strand, Dennis Stock, Andy Warhol, Garry Winogrand, and many more. A very near fine copy in wrappers with publisher sticker to the front cover. A fresh copy.

Illustrierte Originalbroschur. Zustand: Sehr gut. Erstausgabe. 159 (61) Seiten mit vielen Abbildungen. 25,5 x 21 cm. Sehr guter Zustand. Frisches Exemplar. Wie ungelesen. Parkett ist eine der renomiertesten und ambitioniertesten Kunstzeitschriften im deutschsprachigen Raum mit zunächst vierteljährlichem Erscheinen. Zu jeder Nummer erschien geleichzeitig eine Vorzugsausgabe mit Objekten, Grafiken oder Multiples der Künstler, die für die jeweilige Nummer zur Zusammenarbeit gewonnen werden konnten. Zu der breiten Vorstellung eines oder zweier Künstler (Alighiero e Boeti), die auch gleichzeitig einen Originalbeitrag leisten - "Collaboration" - kommen jeweils aktuelle Themen mit Bezug zur Zeitgenössischen Kunst. Sprache: Deutsch Gewicht in Gramm: 866.

Illustrierte Originalbroschur. Zustand: Gut. Erstausgabe. 218, VII (2) Seiten mit vielen Abbildungen. 19,7 cm. Guter Zustand. - David Robbins (born 1957 in Whitefish Bay, Wisconsin) is an artist and writer who was one of the first to investigate the art world's entrance into the culture industry. For three decades, in artworks and writing David Robbins has promoted a frank, unapologetic recognition of the contemporary overlap between the art and entertainment contexts. His work Talent, eighteen "entertainer's headshots" of contemporary artists including Cindy Sherman, Jeff Koons, Jenny Holzer, Allan McCollum and others, is widely credited with announcing the age of the celebrity artist, and The Ice Cream Social (19932008), a multi-platform project comprising a TV pilot for the Sundance Channel, a novella, installations, ceramics, and performance, has been cited by curator Hans Ulrich Obrist as pioneering the "expanded exhibition." In its totality The Ice Cream Social represents an emphatically American version of some of the exhibition strategies employed by artists associated with relational aesthetics. Progressively evolving away from the prevailing model of the professional contemporary artist, in his books High Entertainment (2009) and Concrete Comedy: An Alternative History of Twentieth-Century Comedy (2011) he identified and advanced other categories of imaginative endeavor. In 2000 he withdrew from active participation in the art world in order to discover how his imagination performed when not formatted to produce art, and began using the term "independent imagination" in place of "artist." Subsequently relocating to Milwaukee he aligned his work with contexts and formats historically forsaken by the avant garde, positing the suburb as a frontier for art production and creating TV commercials for galleries. His work was featured in the 2014 Whitney Biennial.[1] Career: After attending Brown University, Robbins was employed in the early 1980s by Andy Warhol, George Plimpton, and Diana Vreeland, during which years he educated himself about art by interviewing emerging artists such as Richard Prince, Jenny Holzer, Keith Haring, and Allan McCollum. Robbins began exhibiting his art in the mid-1980s in New York, where he was closely associated with the neo-conceptual Gallery Nature Morte. In contrast to the Pictures generation (his immediate predecessors who maintained a critical distance from the mass advertising and entertainment imagery that fascinated them), Robbins pioneered an approach to art that unapologetically embraced entertainment culture.[2] His first solo exhibition, The David Robbins Show (1986) featured "guest" collaborators such as Richard Prince, Clegg & Guttman, and Jennifer Bolande.[3] He gained wider recognition for photographic works such as Talent and The Art Dealers' Optical Tests (1987), which treated the art context as material for comedy.[4][5][6] He actively promoted what he termed the "comic object"an object made with sophisticated comic rather than aesthetic intent. In later works such as The German Reunification Public Sculpture Competition (1991) and The Ice Cream Social (19932008), Robbins looked at political content through a comic lens.[7][8][9] In other works of the same period, such as the Situation Comedies (19942003), he emptied his comedy of all narrative and topicality, creating objects that explored comedy as a subject in itself. Robbins is also known for the theory and practice of what he refers to as "alternatives to art." Concrete Comedy is his term for a kind of non-fiction comedy of objects and gestures that surfaced in the early decades of the 20th century, first evidenced in the work of German comedian Karl Valentin and French artist Marcel Duchamp, and was subsequently recurringly manifested culture-wide, in fashion, architecture, music, film, television, art, advertising, and design.[10] In November 2006 Robbins' "Concrete Comedy" essay appeared in Artforum magazine.[11][12] From 19962006 he taught a course in the subject at The School of The Art Institute of Chicago, during which period he wrote Concrete Comedy: An Alternative History to Twentieth-Century Comedy, the first comprehensive consideration of materialist comedy. The book was published in 2011 by Pork Salad Press. His other "alternative to art," known as High Entertainment, argues for a category of imaginative production that balances art's emphasis on form-discovery with entertainment's emphasis on accessibility. Born of the new production and distribution opportunities of the digital era, High Entertainment encourages the "independent imagination" to apply art's experimentalism to mainstream forms such as commercial film and television.[13] Writing: Robbins was an early contributor to REALLIFE Magazine, Purple magazine, and Art issues. His books include Concrete Comedy; The Velvet Grind: Essays, Interviews, Satires 19832005, which collect several of his early interviews; a novella, The Ice Cream Social; High Entertainment; The Dr. Frankenstein Option; Foundation Papers from the Archives of the Institute for Advanced Comedic Behavior; and The Camera Believes Everything. Video work: Video work includes Lift (2006), which screened at the New York Video Festival; The Ice Cream Social (2004), winner of the Sundance TV Lab competition; and Something Theater (2009present), a broadcast television show created with Bobby Ciraldo and Andrew Swant. Since 2010 he has made television commercials for art exhibitions and galleries, occasionally purchasing time on broadcast TV to air them. His video Concrete Comedy: An Introduction premiered in 2014 as part of MOCAtv's Art + Comedy channel. That same year he created TV Family, a television show in Italian, for Museo MADRE in Naples, Italy. . From Wikipedia, the free encyclopedia Sprache: Englisch Gewicht in Gramm: 309.

Zustand: GOOD. First printing. Warhol's irreverent, funny, but also true comments and jibes on such topics as Love (puberty), Love (prime), Love (senility), Beauty, Fame, Success and Art and more. Dedicated to his frequent collaborator, Pat Hackett, and Interview magazine editor Bob Colacello, who helped him put this book together. SIGNED with his initials in the lower corner of the half title page. 241 pp. Good only in a very good dust jacket (minor damage from dampness affecting the lower corners nd bottom edges of the corners of both boards, but otherwise a clean, straight and tight copy) Reasonably priced due to condition.

Holzbox: H 44 x B 25.5 x T 32 cm; die 7 Bände: 37 cm hoch., Kart-Bde. in Transport Holzkoffer m. ausziehbaren Traggriff, Tadell. Nr. 1046 von 2000 Exemplaren.VOLUME 1 : The covers VOLUME 2 : The Pictures, VOLUME 3 The Interviews, VOLUME 4 The Andy Warhol Interviews, VOLUME 5 The Fashion, VOLUME 6 The Directors, VOLUME 7 I cover the water front. Dimension des 7 Volumes.- Interview ist eine monatlich erscheinende US-amerikanische Lifestyle-Zeitschrift die aus einer Mischung von Features und Interviews von und mit Berühmtheiten aus Kultur und Unterhaltung (30 % redaktioneller Anteil) und einem hohen Anteil gewerblicher Anzeigen (70 ) besteht, wobei redaktioneller Teil und Anzeigen gestalterisch ineinander übergehen. Interview wurde 1969 vom Pop-Art-Künstler Andy Warhol und dem Journalisten John Wilcock im Eigenverlag der Firma Andy Warhol Enterprises Inc. in New York gegründet. Die Zeitschrift gilt als Vorläufer heutiger Zeitgeist-, Lifestyle- und Fashion-Publikationen. Seit 2011 gibt es auch eine russische und seit 2012 eine deutsche Ausgabe der Zeitschrift.Eines Tages brachte der Journalist John Wilcock, der zu der Zeit eine Setzerei betrieb, Warhol auf die Idee, aus den Manuskripten eine Zeitschrift zu machen. Warhol erklärte die Entstehung folgendermaßen: ?[?] Tonbänder eröffnen tolle Möglichkeiten für Interviews mit den verschiedensten Berühmtheiten. Ich begann über eine Zeitschrift mit nichts als Interviews nachzudenken. Dann kam John Wilcock eines Tages vorbei und fragte mich, ob ich eine Zeitung mit ihm gründen würde. Ich sagte ja.? Wilcock zeichnete für den Satz verantwortlich, die Kosten wurden geteilt. Die erste Ausgabe erschien im Herbst 1969 mit dem in Kleinbuchstaben gesetzten Titelkopf inter/view. Warhol und Wilcock änderten den Namen bald in Interview. 1970 stieg Wilcock aus dem Projekt aus und Warhol setzte seinen Namen in den Titel: Andy Warhol?s Interview. Die Titelseite wurde anfangs von dem Grafiker Richard F. Bernstein gestaltet, der Warhols signifikant grelle Bildsprache in einem pastellfarbenen Stil imitierte. Chefredakteur war zuerst Warhols langjähriger Assistent Gerard Malanga der allerdings nach einer Diskrepanz mit Pat Hackett von Warhol durch Paul Morrissey ersetzt wurde. Als weiteren Redakteur engagierten Warhol und Morrisey den jungen Filmstudenten Bob Colacello. In der Anfangszeit führte Warhol die meisten ?Interviews? noch selbst, indem er auf Partys oder in Diskotheken wie dem Studio 54 einfach das Tonband mitlaufen ließ. Die Beiträge wurden oft unredigiert ins Blatt übernommen. Während der 1970er Jahre erlebte die Publikation mit der aufkommenden Yuppie-Generation einen Boom. Neben Warhol und seinen Redakteuren verfassten im Laufe der Jahre zahlreiche Berühmtheiten wie Bianca Jagger oder Truman Capote eigene Beiträge in Interview.GegenwartIn den 1980ern zog sich Warhol weitgehend aus dem Magazin zurück und überließ Bob Colacello die Leitung, der das Blatt zunehmend in eine Modezeitschrift verwandelte. Bekannt ist, dass sich Warhol bis zu seinem Tode auf seine eigene Art um den Vertrieb seiner Zeitschrift ?kümmerte?, indem er oft signierte Freiexemplare in den Straßen von Manhattan verteilte.Nach Warhols Tod 1987 wurde das Magazin von Brant Publications Inc. übernommen. 32000 gr. Schlagworte: Kunst - 20 Jht. nach 1945.

Pictorial paper wrappers. Zustand: Very good condition. First printing. The cover of this issue of the magazine is a closeup portrait of Fred Dryer, Defensive End, Los Angeles Rams Football Team. The cover is flourishingly signed in black marker by Warhol. Interview Magazine was founded by Andy Warhol and John Wilcock in late 1969, and featured interviews with celebrities, designers, artists, and creative thinkers. Warhol interviews in this issue include Fred Dryer, Raquel Welch, Marianne Tatum. There is also an interview with Kyra Nijinsky and an article by Fran Lebowitz, "I Cover the Waterfront". 11 x 17", 32pp, color covers, b&w internal pages. Newspaper format, arts magazine.

Pictorial wrappers. Zustand: Near Fine. A very sharp copy of this May 1983 issue, with Chris Atkins ("Blue Lagoon") on the cover. A BOLD, LARGE INSCRIPTION BY ANDY WARHOL adorns the top of the front cover. Crisp and Near Fine in its stapled wrappers. Just a bit of light soiling along the rear panel's top-edge, one tiny chip at the front panel's fore-edge, otherwise very clean.

Complete portfolio of magazines plus wooden suitcase in the original shipping box, one of only 2000 examples. Book 1: The Covers. A facsimile reproduction of every cover from Interview's first decade; metallic cloth hardcover / 160 pages / color printing. Book 2: The Pictures. A selection of Interview photo-shoots from the first decade; printed fabric hardcover / 192 pages / tritone and color printing. Book 3: The Interviews. A selection of Q&As from the first decade; plastic-bound hardcover / 400 pages / Audio CD. Book 4: The Andy Warhol Interviews. A selection of interviews conducted by Warhol, with an introduction by Sandy Brant; clothbound hardcover / 192 pages. Book 5: The Fashion. A selection of interviews with fashion designers and great fashion photography from the first decade; clothbound hardcover / 192 pages / tritone printing. Book 6: The Directors. A selection of interviews with movie tycoons and related photos from the first decade; aluminum casebound hardcover / 192 pages. Book 7: The Back of the Book. A selection of columns by Fran Lebowitz and Bob Colacello, with photos; clothbound / 96 pages. In fine condition.

Pictorial boards. Zustand: Fine. A major Association copy: INSCRIBED BY BILLY NAME --THE PRINCIPAL PHOTOGRAPHER OF ANDY WARHOL'S FACTORY AND ITS ARCHIVIST FROM 1964 TO 1970-- TO VICTOR BOCKRIS, THE GREAT WARHOL AND VELVET UNDERGROUND BIOGRAPHER AND FREQUENT CONTRIBUTOR TO WARHOL'S INTERVIEW MAGAZINE on the half-title. A pristine copy to boot of the 1997 1st edition. Tight and Fine in its wild pictorial boards. Quarto, Essay ("Naming the Colours") by Dave Hickey, Interview ("A Talk with Billy Name") by Collier Schorr. Famously, Warhol was once quoted as saying of Victor Bockris: "He's a brilliant young writer who only writes about three people: William Burroughs, Muhammad Ali and me. Victor Bockris has more energy than any person I know. He types like Van Cliburn plays the piano. He's always tape-recording and taking pictures. I can't keep up with him.".

Zustand: Wie neu. Taschen, Los Angeles, Cologne. 2017. First edition, first printing. New, mint, unread; still in original box, originally shrink-wrapped in publisher`s plastic foil. Portfolio with 7 faksimiles in a box. 346 x 475 mm. 284 pages. 56 page booklet. Text in english. Perfect condition! Collector`s copy! Andy Warhol, born Andrew Warhola in Pittsburgh, Pennsylvania in 1928, moved to New York in 1950 where he started his career as a commercial artist. Appropriating images from popular culture, Warhol created many paintings that remain icons of 20th-century art, such as the Campbell's Soup Cans, Disasters and Marilyns. Many of his films have become underground classics. At the start of the 1970s, Warhol began publishing Interview magazine. Firmly established as a major artist and international celebrity, Warhol exhibited his work extensively in museums and galleries around the world. He died in 1987.***************Taschen, Los Angeles, Cologne. 2017. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Portfolio mit 7 Faksimiles im Original-Karton. 346 x 475 mm. 284 Seiten. 56-seitigem Begleitheft. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

First edition, first printing, no. 1,479 of 2,000 copies. Contains selected interviews and photos from those that defined the seventies from the original Interview magazine, reprinted the same size as the original format. 7 vols. Illustrated by Robert Mapplethorpe, Francesco Scavullo, Herb Ritts, Ara Gallant, Peter Beard, Bruce Weber, Perry Berenson and others. folio. 1 vol. quarto. Original illustrated boards, lettering to covers and spines in white. All housed in a silkscreened wooden box with extendable carrying handle and wheels, designed by Karl Lagerfeld. Box lightly marked and rubbed, books fine.

2°. 54 S. Illustr. OBr. Unter der Redaktion von Bob Colacello erschienen, auf dem cover Alexander Godunov von Richard Bernstein nach Foto von Bruce Weber. Schönes Exemplar der bedeutenden Zeitschrift, die für Mode- und Gesellschaftberichte Vorbild in der ganzen Welt geworden ist, wobei das Film- und Nachtleben eine große Rolle spielt. Weiters über Kristine Oulman, Chris Atkins, Kevin Haley, Price Alexander d'Orléans, Erich Segal u.a . Anzeigen von Elephant & Castle, einem Restaurant, dessen Ausstattung Kiki Kogelnik entworfen hat u.a. Sprache: Englisch.

2°. 54 S. Illustr. OBr. Unter der Redaktion von Bob Colacello erschienen, auf dem cover Tatum O'Neil von Richard Bernstein nach Foto von Ara Gallant. Schönes Exemplar der bedeutenden Zeitschrift, die für Mode- und Gesellschaftberichte Vorbild in der ganzen Welt geworden ist, wobei das Film- und Nachtleben eine große Rolle spielt. Weiters über Suzanne Harris (David Seidner), Jerzy Kosinski, Marianne Faithfull, Yousuf Karsh u.a. Anzeigen von Elephant & Castle, einem Restaurant, dessen Ausstattung Kiki Kogelnik entworfen hat u.a. Sprache: Englisch.

folio. 48 unnumbered pages w. black&white photos throughout, newspaper tabloid format, horizontal crease present, moderate browning to the (poor) paper; else a good copy. (Rare) first edition of this arts magazine with an interview of Marisa Berenson conducted by Andy Warhol. With other articles on Lily Tomlin, Suni Agnelli, Robert Motherwell, Bruce Dern and others. Sprache: Englisch.

Paperback. Zustand: Good. First Paperback Edition. 8vo. pp 74. Cinema magazine. Original publisher's illustrated blue covers, lettered white on spine and front cover. Illustrated in b/w throughout. AFTERIMAGE was a UK film magazine which was published between 1970-1987. Including an interview with Andy Warhol. h Very good indeed.

Erstausgabe, 4°, 118 S. mit zahlr. s/w und Farbabbildungen (Text: Englisch), farbig illustr. original Heft, knickspuriger Einband aus Klemmheftung gelöst und dort und an innerer unterer Ecke angerissen, Einbanddeckel mit kleinem Preisschild, einige Seiten an den Ecken minimal bestoßen, sonst schönes, sauberes Exemplar (hhgla) u.a. mit: John Graff:"The Coca-Cola Conspiracy" / Glenn O'Brien: "Interview - Andy Warhol" / Paul Hoffman: "Great Grass Trials" / Gilbert Shelton: "The Fabulous Freak Brothers" Sprache: Englisch.

Softcover. Zustand: Very good +. First edition. Quarto. 98 unnumbered pages. Black & white photo illustrated wrappers front cover lettered in blue. Illustrated throughout with black & white photos, including 3, 3-page fold outs. Subjects include Halston, John Paul Getty, William Burroughs, Andy Warhol, Iggy Pop, Marilyn Chambers, Alice Cooper, Mick Jagger and David Bowie, to name a few. Wrappers very slightly soiled. "As a staff photographer for Interview Magazine Makos has influenced photography to a startling degree." Andrew J. Crispo, Crispo Gallery.

Folio (36,5 x 29 cm.). 343, (1) S. mit teils doppelblattgr. Farbtafeln. Farbig illustr. OPbd. in farbig illustr. Orig.-Buchkassette. Koetzle, Fotografen A-Z 218 f. - Erste Ausgabe. - Von D. LaChapelle auf dem Titelblatt signiert. - "David LaChapelle bekam noch in der Highschool von Andy Warhol seinen ersten professionellen Job angeboten: ein Shooting für die Zeitschrift Interview. Seitdem widmeten zahlreiche Galerien und Museen seiner Fotografie Ausstellungen, darunter die Tony Shafrazi Gallery und Deitch Projects in New York und die Barbican in London. Seine Bilder von Prominenz und zeitgenössischer Popkultur prangten auf den Titeln und Seiten unzähliger Zeitschriften wie der italienischen Vogue, der französischen Vogue, Vanity Fair, Rolling Stone und i-D. In den vergangenen Jahren hat LaChapelle sein Werk um Musikvideos, Livetheater und Dokumentarfilme erweitert" (Taschen). - "Er hat wenig gemein mit der Tradition einer visionären Fotografie, lieber zieht er alle Register des Traums und richtet sich ein in einer Welt aus Dadaismus, Surrealismus, kitsch und Cyberspace, ja sogar bloße politisch inkorrekte Geschmacklosigkeiten macht er sich zunutze" (G. Calvenzi in Koetzle). - Buchkassette an einer Ecke angeplatzt, sonst sehr gut erhalten. Sprache: englisch.

2°. 113 S. Illustr. OBr. Besonders umfangreiche Weihnachtsnummer (Royalty, Real and Fantastic). Unter der Redaktion von Bob Colacello erschienen, auf dem cover Diana Vreeland von Richard Bernstein nach Foto von Cris Alexander. Schönes Exemplar der bedeutenden Zeitschrift, die für Mode- und Gesellschaftsberichte Vorbild in der ganzen Welt geworden ist, wobei das Film- und Nachtleben eine große Rolle spielt. Weiters über Hans-Adam von Liechtenstein, Lee Radziwill, Nina Hagen, Louis Malle u.a. Anzeigen von Elephant & Castle, einem Restaurant, dessen Ausstattung Kiki Kogelnik entworfen hat u.a. Sprache: Englisch.

4°. 127 S. mit zahlr. Abb. auf Tafeln. OHln. mit illustr. OU. Erste Ausgabe. - "Chistopher Makos grew up in California during the 1960s, then moved to Paris to study architeture and to work as an apprentice with artist Man Ray. Since the early 70s he has worked at developing a unique style of boldly graphic photojournalism. His first book was "White Trash". He is a contributing photographer to Interview magazine, and his work has also appeared in People, Esquire, Rolling Stone, The Los Angeles Times, and The Daily News" (Klappentext). - Tadellos. Sprache: englisch.

Softcover. Zustand: very good. First edition. Magazine.

Paperback. Zustand: Good. First Edition. 50 pages. Features: Photo-illustrated interview of Rock Hudson; Los Angeles International Film Exposition 1976; Dangerous Games - Part One of 'The Golden Age of Terror' - some aspects of the Horror-Fantasy film from 1930 to 1936; 'Bobbie Gentry's Ode to Billy Joe' - photos; Reviews - 'Robin and Marian', 'Poachers', 'All the President's Men', 'Benji', 'The Travelling Players', 'Dunderklumpen', 'The Slipper and the Rose', 'Order to Kill', 'Sky Riders', 'Moses', 'The Duchess and the Dirtwater Fox', 'Peeper', 'Diamonds', 'Shout at the Devil'; ad for 'Conduct Unbecoming'; Photos on location with George Cosmatos's 'The Cassandra Crossing'; Review of 'From A to B & Back Again, The Philosophy of Andy Warhol'; 'Vampyres' - photos; 'The Count of Monte Cristo' - photos; and more. Average wear. Unmarked. A sound vintage copy.; Magazine; 4to - over 9¾" - 12" tall; Films and Filming Magazine, June 1976 - Cover Photo from'Vampyres' interview of Rock Hudson; Los Angeles International Film Exposition 1976; Dangerous Games - Part One of 'The Golden Age of Terror' - some aspects of the Horror-Fantasy film from 1930 to 19.

Softcover. Zustand: Fine. First edition. Quarto. Stapled wrappers illustrated by George Maciunas. Ownership stamp of Charles Leslie, a little sunning on front wrap, about fine. Issue of an important magazine on film, this issue features an interview of Jack Smith by Gerard Malanga. Also many photo strip still of stars and articles about the films of Andy Warhol and his crew including Edie Sedgwick. A very nice example of this scarce magazine.

Softcover. Zustand: Very Good. Vol. 1, No. 10. Slim small quarto. Illustrated in black and white. Stapled self-wrappers. Paper evenly tanned, lower wrap with a couple of nicks and small tears, very good. Most notable for the piece "Andy," with words and photographs by Gretchen Berg. In it, Berg poetically describes her time spent with Warhol in 1965 (before what she calls the "mass-media takeover"). In 1967, Berg had published a famous interview with Warhol that featured some pithy Warholian quotes that scholar Matt Wrbican much later discovered, comparing the tapes to the transcripts, she had likely fabricated. ("The artificial fascinates me, the bright and shiny"; "If you want to know all about Andy Warhol, just look at the surface.").

Softcover. Zustand: Fine. First edition. Quarto. Stapled wrappers illustrated by George Maciunas. Fine. Issue of an important magazine on film, this issue features an interview of Jack Smith by Gerard Malanga. Also many photo strip still of stars and articles about the films of Andy Warhol and his crew including Edie Sedgwick. A very nice example of this scarce magazine.

First edition, signed in silver pen on title-page; 8vo (235 x 158 mm, 9¼ x 6¼ in); black-an-white photographs and contact sheets, letter from Moriyama to Andrew Roth, excerpt from James Baldwin's Another Country, interview with Moriyama, and an essay by Neville Wakefield, all in English and Japanese, design by Alexander Gelman; blue and white printed wrappers, die-cut black dust-jacket, publisher's cardboard slipcase with spine and upper side stamped in white, light wear, fine; [428]pp. Moriyama visited New York for the first time in 1971, accompanying his friend Tadanori Yokoo who was preparing for a one-man exhibition at the Museum of Modern Art. New York was the city of Moriyama's cultural heroes Andy Warhol, William Klein, and Weegee. He turned down Yokoo's offer to introduce him to Warhol (a decision he now regrets), preferring to maintain the illusion of adoration. The trip lasted one month, and during this time, Moriyama took around 50 rolls of half-frame film, 72 images to a roll. A small selection of 10 photos from the series appeared in the Japanese periodical Asahi Camera in 1972. In 1974, he created his landmark photocopy book Another Country in New York, reproducing 80 of the photographs, for which he installed a Xerox machine in a Tokyo storefront for two weeks and assembled copies which were staple-bound into screenprinted covers on demand, selling around 100 copies.' 71-NY is an expanded version of Another Country in New York, and whilst discussing revisiting this New York work, he stated, 'I am completely uninterested in nostalgia. And although, in fact, it was 30 years ago that I made these pictures, to look at it another way, it was only 30 years ago, and, in essence, it is merely the raw material for a book I'm making now.' The Photobook: A History I, p301; The Open Book p396-7.

xix, 262 pp. 1 vols. 8vo. First edition, one of 50 specially inscribed copies for friends of the author; the standard signed, limited edition was 350. xix, 262 pp. 1 vols. 8vo. "Barbara / This is one of 50 copies printed especially for me, for those few that are special to me. Love / Truman / July 1980" Walters interviewed Capote multiple times over the years first in 1967 when she said that though he was brilliant and witty, it was a push to get him on the air, as producers did not sit easy with his effeminate manners and "odd" voice, all the way through to the end of his life. His last collection published before his death, it was based partly on the columns he wrote for Andy Warhol's Interview Magazine. A very touching association between two of New York's most famous journalists. Brick cloth. In publisher's slipcase. Fine First edition, one of 50 specially inscribed copies for friends of the author; the standard signed, limited edition was 350.

Softcover. Zustand: Fine. Magazine. Folio Cover image of Nancy Reagan by Cris Alexander, designed and painted by Richard Bernstein. Newsprint faintly toned, cover with a few tiny edge tears, else fine. Warhol has Signed the cover across Mrs. Reagan's forehead. A nice copy, and visually striking.

First edition, first printing. Signed twice by Andy Warhol and inscribed by Bob Colacello. Original black cloth with silver titles to the spine, in dustwrapper. Illustrated with photographs by Andy Warhol throughout. Text by Andy Warhol and Bob Colacello. A very good or better copy, the binding square and firm with light rubbing at the extremities. The contents, with a neat owner's surname to the top right of the front endpaper are otherwise clean throughout. Complete with the rubbed and nicked dustwrapper which has a couple of short tears to the upper edge and some erosion to the rear spine fold. Not price-clipped ($25.00 to the upper front flap). Signed by Andy Warhol in black ink on the right edge of the upper panel of the dustwrapper, and again across the half title of the book. Inscribed by the executive editor, writer, photographer and Warhol's "right-hand man" Bob Colacello in black biro on the title page "To Steve / its always great [underlined] / to meet a fanatic / love / Bob C". Andy Warhol signed hundreds if not thousands of copies of this title, examples signed by Bob are distinctly less common. Colacello was for 12 years editor of Warhol's Interview magazine and directly involved in all aspects of life and business at The Factory, as he developed the magazine into one of the best-known lifestyle magazines of the time. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

Softcover. Zustand: Near Fine. Magazine. 104pp. Stapled paper wrappers with handwritten price at lower left corner ($1.00), likely as issued, and numbered #163 on the front flap. Tiny closed tear on the front wrap, small chip on rear wrap that has pulled at the staples and toning to the pages, near fine. A literary magazine produced by luminaries of the New York Sixties avant-garde movement and Warhol's Factory scene. This issue features a poem by Andy Warhol and Gerard Malanga ("Date in Tunis"); an eight-page excerpt from *Tarzan of the Flicks* by Theatre of the Ridiculous co-founder, Ronald Tavel; an essay from avant-garde film expert Jonas Mekas; a three-page interview with Pete Seeger; a three-page profile of painter Ben Shahn; a two-page interview with Edward Albee. Additional contributors include Ed Sanders, Ted Berrigan, Tuli Kuferberg, The Fugs, Joan Baez, Diane Wakoski, Jules Feiffer, Kirby Congden, Paul Krassner, Roland Stone, Les Peer, David Henderson, Allen Katzman, Eric Von Schmidt, Erik Viviat, Gerald Dooher, Sotere Torregian, Mari Parcell, Danny Boyarin, Mordecai, Barney McCaffrey, Cohn, Jeff Broadbent, Winstan Brooks, Gari Youree, Joan Gilbert, Norman, Ken Weaver, John Wilcock, Elaine Statman, Dov Seeger, Calvin Herton, John Cornillon, Calvin Forbes, Ronnie Billet, Jack Smith and John Keys. Scarce. *OCLC* locates five copies.