art spiegelman maus, Erstausgabe (21 Ergebnisse)

First edition and first printing. Hardcover. 135 pages. Part two of Spiegelman's classic graphic novel. A clean and tight near fine copy in paper covered boards with cloth spine with some slight sunning to the edges of the boards and some very faint foxing to the top edge of the pages and in a very near fine dust jacket.

Softcover. Zustand: Fine. Advance reader's sample, with an excerpt of this allegorical comic-strip account of the Holocaust. Octavo. Fine.

Zustand: Used - Very Good. 1991. Hardcover. Cloth, dj. First Edition, Stated. 8vo. 136 pp. Minor shelf wear; light crease at head of jacket spine. Else a bright, clean copy. Very Good.

First edition thus. Small hardcover. A charming children's book from the author of the award winning classic "Maus." A fine copy in illustrated boards. Signed by Spiegelman who has added "Woof!" as well.

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 84 Seiten, 26 x 36 cm - In »Breakdowns« zeichnet Art Spiegelman sein Selbstportrait als junger wilder Mann, der als Kind die bunten Heftchen über alles liebt und ständig Comics zeichnet. In San Francisco entdeckt er den Kreis um Robert Crumb die Subversion eines Genres: Die Underground-Comics lassen den American Dream in sarkastischen Sprechblasen explodieren. Spiegelman wird Dick Tracy und die Katzenjammer Kids auseinandernehmen, von den Kamerafahrten und schnellen Schnitten des Experimentalfilms lernen, bis er schließlich in expressionistischen Schabkartons vom Selbstmord seiner Mutter erzählt. So erlernt er, alles in die kleinen Boxen zu packen und dem Leser Sehfabriken zu schenken, und findet den Erzählrhythmus, mit dem er die Geschichte seiner Eltern, die beide Auschwitz überlebten, aufzeichnen kann: »Maus« entsteht, das Buch, das aus Kult Kunst werden ließ.

Zustand: Sehr gut. 1. Auflage. 300 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden Sprache: Deutsch Gewicht in Gramm: 1192.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition UK. First UK edition hardcover with unclipped dust jacket, in very good condition. A graphic novel by American cartoonist Art Spiegelman. Jacket is scuffed and edges are creased and nicked. Board corners and spine ends are bumped. Boards are clean, binding is sound and pages are clear. LW. Used.

Paperback. Zustand: Fine. First Edition. New York/ Melbourne, Herausgeber/ Jewish Museum of Australia, 1999 (third printing). Folio; card covers; a fine copy with the laminated colour pictorial card covers. Text in English and German; exhibition catalogue.

Hardcover. Zustand: Very Good Plus. Stated First Printing. Folio (14" x 10.25"), glossy covered pictorial boards. Spiegelman's first actual book. Color illustrated boards, tall quarto.

Hardcover. Zustand: Wie neu. Zustand des Schutzumschlags: Wie neu. 1. Auflage. New York: Pantheon Books, 1991. First Edition, First Printing. A near fine copy, the boards of which are slightly faded and with a gift inscription on the verso of the front free endpaper, in a near fine dustwrapper, faded on the spine. Signed by the "author" on the title page. Actually, this copy is not "fine/fine and flawless" as it was described by the seller and the signature a total fake what a let-down. This item from our catalogue 14: Graphic Novels & Comics in English followed by a selection of works in German, which you can view at ygrbooks. This novel was listed in an article entitled "50 Essential Graphic Novels", which was published on AbeBooks on the 7th of November 2013.

Zustand: Very Good. First edition copy. . New York: Pantheon Books, 1986. 1st edition. 8vo paperback. Pictorial wraps. 159pp. Illustrations. Very Good book. (Jewish Holocaust, Holocaust Survivors, Comics).

Softcover. First Edition. Octavo, 159 pages. In Good plus condition. Grey-green spine aged blue with red and white lettering. Covers have mild shelving wear, chipping along the extremities, and mild bending wear along the fore corners. Textblock has stains on the cover interiors, mild age-toning along half the cover interiors, mild wear along the edges, and stains along the edges. Signed by Art Spiegelman "For Dick!" with a drawing of Spiegelman as depicted in the comic. DL consignment. Shelved Case 9. Stated "First Edition" on copyright page. "Maus: A Survivor's Tale" is a combination of the first 6 chapters of "Maus", a comic originally published in Itzhak Avraham ben Zeev Spiegelman, professionally known as Art Spiegelman, and his wife Françoise Mouly's magazine "Raw" chapter by chapter starting in 1980. It depicts Spiegelman's parents W?adys?aw and Andzia (Vladek and Anja in the comic) surviving as Polish Jews during the Holocaust, bouncing between the past and a present interview Art is conducting with his father. "Maus: A Survivor's Tale" would be held, alongside "Watchmen" and "The Dark Knight Returns", as one of the works to bring both the term "graphic novel" and comics as adult stories into the mainstream. It would go on to win a Pulitzer Prize, and has since been solidified as a hallmark of both comic and Holocaust literature. 1393723. Shelved Dupont Bookstore.

Reinbek, Rowohlt, 1993. First edition. 8°. 135(1) Seiten, 1 Bl. Illustr. OKarton. "Wir sind bekannt für solideste Verpackung!" Tadelloses Exemplar. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

New York, Raw Books & Graphics, 1983. 2°. 42 Seiten. Illustr. OKarton. Erste Ausgabe. - Eins der berühmten Raw-Hefte; befaßt sich mit der Situation in Südafrika. Art Spiegelmann ("Maus Comix") heutiger Illustrator von "The New Yorker". Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

New Yor, Raw Books & Graphics, 1986. First edition. 2°. 78 Seiten. Farbig illustr. OKarton. Erste Ausgabe. - Legendäres Comic-Magazin! Herausgegeben von Art Spiegelman (dem heutigen Illustrator von "The New Yorker"). Beiträge u.a. Art Spiegelman, Kim Deitch, Kiki Picasso, Paul Boyer, Gary Panter, Theofile-Alexandre Steinlen. - Mit eingeheftetem Maus-Comic (Chapter Seven, Seite 151-179). Folio sized magazine in stiff pictorial wraps; 78 pages including covers. Various artists including Spiegelman, Kiki Picasso, Kim Deitch, Paul Boyer, Gary Panter. B/W pages. Separate booklet by Art Spiegelman Chapter Seven of the Maus series: "Mauschwitz" is stapled within. Fresh near fine copy. Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

New York, Raw Books, 1983. 2°. 50 Seiten. Mit großteils farbigen Abbildungen. Farbig illustr. OKarton. Legendäres Comic-Magazin! Herausgegeben von Art Spiegelman (dem heutigen Illustrator von "The New Yorker"). Comics von Tardi, Katz, Munoz u.a. - Mit eingeheftetem Maus-Comic (Chapter Four, Seite 63-85). Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

New York, Raw Books, 1983. 2°. 50 Seiten. Mit großteils farbigen Abbildungen. Farbig illustr. OKarton. Legendäres Comic-Magazin! Herausgegeben von Art Spiegelman (dem heutigen Illustrator von "The New Yorker"). Comics von Tardi, Katz, Munoz u.a. - Mit eingeheftetem Maus-Comic (Chapter Four, Seite 63-85). Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Hardcover. First Edition, First Printing. Large Octavo, 135 pages. In Very Good minus condition with a Very Good condition dust jacket. Faded red spine with white and black lettering. Dust jacket is wrapped in a mylar covering, price uncut "$18.00 U.S.A./$23.50 Can.", has minor shelving wear. Boards have mild plus age toning along the head and tail edges, small stains along the rear tail edge, and mild bending along the spine head and tail edges. Textblock is splitting along the gutter between pages 135 and the rear end-page, and has light age toning and foxing along the edges. Signed flat by Art Spiegelman with a drawing on the half-title page. DL consignment. Shelved in Case 9. 1393526. Shelved Dupont Bookstore.

Softcover. Zustand: vg to near fine. First edition. Folios. 14 1/4 x 10 1/2". Eight issues with inventive illustrated color printed wrappers, one cover is die-cut. This is a complete run of Volume 1 of Raw. Our set includes all seven of the separately inserted original parts of Spiegelman's "Maus: A Survivor's Tale." The first part of Maus appears in the second issue of Raw, as a bound in 15-page insert (7 x 5 1/4") printed in black & white. In the following issue the size format is the same, but going forward the inserts have covers printed with color, and they have continuous running pagination. Starting in Raw #4 (Maus chapter 3) and continuing until the final issue, the inserts are printed in a larger format of 9x6". Our copy of Raw issue #7, which was intentionally issued with a torn upper left corner of the front cover, is the best looking example of this issue that we've seen. The torn piece has been mostly restored and glued back on. You can still see the torn effect, but it preserves more visual content on the front cover and the comic on the verso than any other copy that we are aware of. Our set is lacking 3 additional inserts not related to Maus (Spiegelman's "Two Fisted Painters" inserted in No. 1, the gum and cards inserted in No. 2, and the vinyl record inserted in No. 4). This collection is special as it includes not only the original serialization of Art Spiegelman's Maus in Raw (in it's final form), but also the earliest proto-version from "Funny Aminals" (1972). This version displays a more detailed artistic style, with more expressive character depictions than the later version, and is very abbreviated, being only 3 pages long. Maus is considered a powerful and groundbreaking work in the history of comics. Being inspired by Spiegelman's family history of survival and loss during the Holocaust, the work took the form of the graphic novel into the new arenas of the memoir, biography, and historical drama genres. The initial 6 parts (chapters) of the work, here serialized in Raw, were subsequently collected together into a single volume, and published in 1986 as "Maus, a Survivor's Tale." Upon release, the work reached a much wider audience, changing both the popular acceptance of the comics medium and the perception of its literary possibilities. Notably for the genre, it became the subject of much academic and literary analysis, and in 1992 it became the first graphic novel to win a Pulitzer Prize. It is still commonly used as text to examine Holocaust literature, and to teach about the history of the Holocaust. Raw, an anthology running eleven issues from 1980 to 1991, was founded Art Spiegelman and his wife French designer and publisher Françoise Mouly. It is considered among the leading underground American comic series of the era, and emblematic of the so-called Alternative Comics movement of the 1980s. This movement was a natural progression from the pioneering first wave of self-published "Underground Comix" in the 1960s-70s, and took influences and irreverent style from the punk rock era. Spiegelman, a veteran of the earlier era, sought to move into more highbrow, artistic and avant-garde directions with this new series. Contributors included many acclaimed previous collaborators such as R. Crumb, Bill Griffith, Lynda Barry, Kim Deitch and Justin Green, as well as other newer visionary artists and writers including Ben Kachtor, Charles Burns, Gary Panter, Mark Beyer, Kaz and Mark Newgarden. Under the influence and auspices of Mouly, the series also provided a platform and exposure for noted international comic creators such as Ever Meulen, Pascal Doury, Jacques Tardi and Javier Mariscal. The Japanese manga tradition is also here represented by the inclusion of of Yoshiharu Tsuge's "Red Flowers" (originally published in "Garo"), as a 16 page insert in issue #7 - in a rare English translation of the author's work. The series is noted for its idiosyncratic and highly artistic large format covers and artwork. Other credited contributors to this first series include include Bruno Richard, Geoff Robinson, Joost Swartz, Jerry Moriarty, Patricia Cairee, Lynne Tillman, George Griffin, Gerry Capelle, Mark Caro, Paul Boyer, Norman Dog, Sue Coe, and many others. The first six chapters of Maus, with slight modifications, were collected and published in book form by Pantheon in 1986. Chapter Seven, noted above in Vol. 1, #8, is the beginning of Maus II, collected and published later as "Maus II: And Here My Troubles Began", in 1991. See below for bibliographic details. "Raw" / "Maus" bibliography: Raw #1, (4), 8, (15)-36pp. Though "Maus" does not begin until the next issue, it still contains a double-spread of drawings by Spiegelman. Raw #2, 34pp. w/ "Maus, a Survivors Tale" Chapter One. (1)-16pp. Tipped in on the inside back wrapper. Raw #3, 50pp. w/ "Maus, the Honeymoon" Chapter Two. (17)-31pp. Stapled at inner margin of page 28. Raw #4, (4), 42pp. w/ "Maus, Prisoner of War" Chapter Three. (32)-61pp. Tipped in on the inside back wrapper. Raw #5, (8), (15)-38, (8)pp. w/ "Maus, The Noose Tightens" Chapter Four. (62)-85pp. Tipped in on the inside back wrapper. Raw #6, 74pp. w/ "Maus, Mouse Holes" Chapter Five. (86)-120pp. Stapled at inner margin. Raw #7, 49, (1)pp. w/ "Maus, Mouse Trap" Chapter Six. (121)-152pp. Stapled at inner margin. [Also with] (16)pp. booklet of the "Red Flowers" comic by Yoshiharu Tsuge, stapled to the inside back wrapper). Raw #8, 78pp. "Maus, Mauschwitz" Chapter Seven. (2), (153)-179pp. Stapled at inner margin. Some of the covers in the collection with minor to light rubbing to extremities, and some with minor smudging, and/or minor creasing near extremities. Interiors overall very clean. Issue #1 with a few light stains to the front and back covers. #2, with a tiny stain near the bottom of the front cover. #4 with a minor stain to the top of the back cover. #6 with a minor stain to the bottom of the back cover. Issue #7 has its intentional tear, as issued on the front cover, and a small instance of ta.

Hardcover. Zustand: Very Good. Quarto. Orange cloth board with an illustration of the sun on the front board. Very good or better with moderate rubbing at the edges and some fraying to the cloth. The senior class yearbook of Pulitzer Prize-winning cartoonist Art Spiegelman, a graduated of the High School of Art in Manhattan. Spiegleman appears in two different senior photos, first as part of the Advertising Art & Illustration class and a second time in the Cartooning class. His illustrations appears in four places in the yearbook, accompanying the class awards and in a page featuring his *Uncle Artie's Feeble Fables* comic strip. After college Spiegelman illustrated *Wacky Packages* trading cards for Topps, published the landmark high-art comic book *RAW* (with his wife Franciose Mouley), won the 1992 Pulitzer for his graphic novel *Maus* and contribute to *The New Yorker* for more than a decade.

Zustand: Very Good+. First Edition. First edition, first printing. Signed by Art Spiegelman on the title page with a sketch of a smoking mouse. Very Good+ with slight lean to binding, light wear and toning to wraps. Contents toned and with sporadic foxing. The contentious and often banned graphic novel that was initially serialized in RAW comics. It was the first graphic novel to win a Pulitzer Prize; signed copies of the first printing are scarce.