eckersberg, Erstausgabe (14 Ergebnisse)

Hardcover. Zustand: Wie neu. 1. Auflage. Das Buch ist ohne Einschränkung wie neu - Geschenkqualität. Der Buchblock, Buchschnitte und Ecken sind perfekt. Innen ohne Namenseintrag, ohne Widmung, keine Anstreichungen. Alle Fotos des Angebots sind eigenhändig vom Anbieter. 176 Seiten im Format 280 x 210 mm. Auf Wunsch sende ich gern weitere Fotos. Kein Versand nach Frankreich und Österreich. Grenzüberschreitende Lieferung kann abweichende Versandkosten verursachen.

Softcover. Zustand: gut. EA. seltener Nachdruck , Ostpreußen In deutscher Sprache. 137 pages.

SOFTCOVER. Originalheft, 20 x 14 cm. Vollständig mit den Seiten 65 - 96 der fortlaufenden Jahrgangspaginierung, mit einigen Fotos. Durchgehend am linken Rand gelocht, gut erhalten. Aus dem Inhalt: Leopold Ahlsen: Kommentar zum Zeittheater / Gert Weymann: Eh' die Brücken verbrennen / Else Eckersberg: Reinhardt und Charlie Chaplin / Felix Henseleit: Martin Held / Karl Wittlinger: Der Tisch ist abgeräumt / Walther G. Oschilewski: Der Abschied ist kein Abschied / Im Spiegel der Presse: Hubalek ,Die Festung" // -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! -- Genießen Sie den Frühling mit einem guten Buch ! K01291-200375.

8°, OBrosch. 1. Aufl. 138 S. Signatur. Stempel auf Titel, sonst schönes Ex. Sprache: Deutsch Gewicht in Gramm: 0.

Katalog der Ausstellung in der Hamburger Kunsthalle (sowie in Kopenhagen & Paris). Erstausgabe, knapp 2 Kilo schwer. Hardcover, gebunden, 296 Seiten mit zahlreichen Abbildungen, leichte Gebrauchsspuren, sammelwürdig Da es sich um ein begehrtes Buch handelt bezahlen Sie diese Position bitte per Kreditkarte o. Vorauskasse (Banküberweisung) * Shipping outside of Germany commands higher shipping charges (large & heavy book).

1st edn. 4to. Original gilt lettered brown cloth (Fine), dustwrapper (Fine in protective cover). Pp. 335, illus with coloured photos (no inscriptions). [French text].

Paperback/ingenaaid. Zustand: Net exemplaar. 1e druk. Typografie: D. Elffers. Catalogus tentoonstelling Rijksprentenkabinet / Rijksmuseum / Amsterdam / in samenwerking met Thorvaldsens Museum / Kopenhagen. Inhoud: 1). K. G. Boon: Voorwoord. 2). Keth Andrews: Inleiding. 3). J. W. Niemeijer: Hollandse kunstenaars. 4). J. W. Niemeijer: Duitse kunstenaars. 5). Dyveke Helsted: Scandinavische kunstenaars. Met literatuur, index van persoonsnamenen index van plaatsnamen in Italië. 85 z/w platen. 92 pag. tekst. Size: 26cmx21cm.

Lahde, (1806 - ca. 1814) + (ca. 1818-20 for the final three plates). Small folio (binding: 31,7 x 20,6 cm). Bound in an elegant pastiche half calf by Anker Kyster, with lovely gilt spine, old marbled paper boards and beautiful hand-made patterned end-papers. Bound with four of the exceedingly scarce title-pages/front wrappers for issues one, one/two three, and five, stating which plates were in the issue in question. Complete with all 34 magnificent engraved plates of costumes, all on large, good paper and in exquisite, precise original handcolouring. Most of the leaves measure 31 x 20,2 cm, one (En Brand Officer) measures 28x19,5. At the end are withbound the three final plates that were issued a bit later, with the complete ediiton of 1820. Thus making the final plate count 37. The three final plates all measure 28x20 cm. The two first plates have been neatly restored at upper right corner, far from affecting image. Otherwise, the copy is in magnificent condition. With the ex-libris of Oskar Davidsen to verso of front free end-paper. The exceedingly scarce first edition of Senn and Lahde?s (with the possible collaboration of Eckersberg) magnificent ?Klædedragter i Kjøbenhavn? (Costumes in Copenhagen), which is the first work devoted to costumes of the Danish capital and thus of seminal historical importance to the understanding of Copenhagen folklore at the brink of the golden age. The magnificent plates are of unusually high quality and differ from those of other works of this kind in being more artistically ambitious. The plates show attempts at depicting action and movement and portraying a certain situation. They are much less stiff than other costume plates of the period, and the features of the persons in the pictures show an intentional individualization. In short, they are much more closely related to the genre painting than would be expected. This highly important and extensive collection of Copenhagen costumes was made in Denmark, by foreigners and with an international aim. The Swiss painter and engraver Johannes Senn (1780-1861) spent 15 years in Denmark, from 1804 till 1819, and the German-born Gerhard Ludvig Lahde (1765-1833) came to Copenhagen in 1787 in order to attend the Art Academy and later became a Danish citizen. The two artists find themselves at the beginning of a period, in which national feeling, the strengthened sense of nationality, and a romantic view of nature are rapidly growing a period in which the interest in ?common? man and the people of a nation are becoming the centre of attention. Out of this grows the need to represent the people, the ?real? population, to the rest of the world and to claim a specific sense of what it is to be, in this case, a Copenhagener. ?Klædedragter i Kjøbenhavn? began appearing in 1806, and we know that by 1810, three issues with six plates in each (i.e. 18 plates) had appeared. The following three issues appeared shortly after, though not all containing six plates (the fifth issue, as is evident from the exceedingly scarce title/wrapper bound in the present copy, only contained four plates), amounting to 34 plates in all. These plates later appeared in Lahde?s ?Elementarværk I Tegnekunsten (1817-18), and a selection of 12 plates were issued separately under the title ?Karakteristiske Figurer eller Det daglige Liv i Hovedstaden? (1812). A further three plates were issued later (these three plates have been added to the present copy), and in 1820, all 37 plates appeared together. In 1830, the work appeared again, this time with 35 plates, under the title ?Kjøbenhavns Klædedragter eller Det Daglige Liv i Hovedstaden? Provenance: Oskar Davidsen, one of the most significant Danish book collectors, whose collection included virtually all illuminated and coloured Danish books. (Colas: 1721 for the later edition, not having the original).

Illustrierte Klappenbroschur. Zustand: Wie neu. Deutsche Erstausgabe. 399 Seiten mit vielen, überwiegend farbigen Abbildungen. 29,7 x 25,5 cm. Sehr guter Zustand. Frisches Exemplar. Wie ungelesen. - Christen Schiellerup Købke (* 26. Mai 1810 in Kopenhagen; 7. Februar 1848 ebenda) war ein dänischer Maler. Er wuchs auf als eines von elf Kindern des Bäckers Peter Berendt Købke und dessen Gattin Cecilie Margrete. 1822, im Alter von 12 Jahren, begann Købke seine Ausbildung an der Königlich Dänischen Kunstakademie in Kopenhagen. Hier studierte er zunächst bei Christian August Lorentzen und nach dessen Tod 1828 bei Christoffer Wilhelm Eckersberg. Werk: Neben Porträts malte Købke zahlreiche Landschaftsansichten seiner Heimatstadt Kopenhagen und deren Umgebung. Købke ist einer der meistbekannten Maler des "Goldenen Zeitalters" der dänischen Malerei. Von 1838 bis 1840 hielt er sich in Italien auf. Großformatige Ansichten mit italienischen Motiven gehören zu den Bildern seiner letzten Lebensjahre. Bilder von Købke hängen u. a. in der Ny Carlsberg Glyptotek und, in der Heinrich Hirschsprung Sammlung in Kopenhagen sowie in der National Gallery of Scotland in Edinburgh, welche 2010 die Ausstellung Christen Købke. Danish Master of Light durchführte. . . . Aus: wikipedia-Christen_K%C3%B8bke. Sprache: Deutsch Gewicht in Gramm: 2450.

1. Auflage,. Überwiegend Illustriert, 182 Seiten, Schönes Exemplar. Beiträge dänisch und englisch da Gewicht in Gramm: 501 4°, braun illustrierte englische OBrosch.

D. Lizars, Edinburgh 1824. [Second Edition]. Engraved titlepage. XXXVI+(6)+85+(1)+116+64+74+(2) pages. With 23 engraved plates, showing landmarks of Copenhagen and Northern Zealand. Rebound untrimmed in modern brown clothbacked boards. Armorial bookplate on verso of flyleaf. The bookblock is printed on high-quality paper. * First edition came 1823 and is identical to this edition. Parts of the pagination in the first chapters have been changed from Arab into Roman numerals. A. Andersen Feldborg was a Dane living in England right from the beginning of the 19th century. He made large efforts to open his new countrymens' eyes for the qualities of his native country, despite the Anglo-Danish wars of 1801 and 1807-14. Among the artists behind the plates are C.W. Eckersberg, the founder of Danish Golden Age painting.

Baues Orig.-Leinen Steckalbum mit vergoldetem Deckeltitel: Unsere Bühnensterne. Vorhanden sind: Otto Sommerstorff (4), Carl Clewing (5), Viggo larsen, Lola Artot de Padilla (6), Waldemar Staegemann (4), Arthur Kraussneck, Toni Zimmerer, Rudolf Berger (2), Elisabeth Boehm van Endert (2), Erna Denera, Hermann Böttcher, Käte Haack, Adele Schönfeld, Henny Porten, Lisa Weiss + Oscar Sabo (5), Valdemar Psilander (4), Albert paulig, Calire Dux, Ferdinand Bonn, Else Eckersberg, Hermine Körner (3), Maria Fein, Molly Wessely + Albert Kutzner (4), Lisa Weiss + Josepf Plaut + Else Kenter, Lillebil Christensen, Carl Beckersachs, Max landa, Guido Thielscher (3), Käte Dorsch + Paul Harden (2), Carl Clewing + Helene Thiemig, Carl Clewing + Paula Conrad, Betty Nansen, Gunnar Tollnäs (4), Erich Kaiser Titz, Maria Carmi, Paul Wegener, Lisa Weise, Dora Hirsch + Lotte Werkmeister + Ferry Sikla + Käte Dorsch, Gustav matzner (2), Paul Westermeier, Else Berna + Victor Danger, Pepl Zampa, Else Berna (2); Michael Bohnen, Else Heims, Olaf Föns, Mizzi Fink (2). - Insgesamt schöner Erhaltungszustand.

D. Lizars, Edinburgh 1824. Second Edition. XXXVI+85+116+64+74 pages. With engraved frontispiece and 23 engraved plates (showing landmarks of Copenhagen and Northern Zealand. Uncut in publishers cased binding. Lower spine-end cracked. A few plates with foxing due to paper quality. Otherwise a remarkably fresh copy of this attractive book. * First edition came 1823 and is identical to this edition. Parts of the pagination in the first chapters have been change from Arab into Roman numerals. A. Andersen Feldborg was a Dane living in England right from the beginning of the 19th century. He made large efforts to open his new countrymens' eyes for the qualities of his native country, despite the Anglo-Danish wars of 1801 and 1807-14. Among the artists behind the plates are C.W. Eckersberg, the founder of Danish Golden Age painting.