ed van der elsken jazz (32 Ergebnisse)

paperbound, flaps, 4to oblong 10 pp tekst, 190 plates h.t. 190 jazzfoto's van Ed van der Elsken, geven de sfeer van de jazz-scene in Nederland in de jaren 1950 perfect weer; good condition (lijmrug heeft losgelaten, geen beschadiging); ZELDZAAM.

Zustand: As New. Original pictorial boards, illustrated with numerous (full page) b/w photographs, 8vo. Facsimile from the 1959 De Bezige Bij Amsterdam edition.

Hardcover. Zustand: As New. Limited Edition Facsimile. Still shrinkwrapped! 116 pages in laminated boards, together with a 40pp. DUTCH TEXT with English translation booklet. This facsimile is limited to 1000 copies. Jazz was originally published in 1959, and since then it has become one of the most collectible photography books of the mid-twentieth century, ranking alongside the more widely known work of Christer Stromholm and Robert Frank. Like William Claxton's Jazzlife and Dennis Stock's Jazz Street, van der Elsken's entry into the niche of music photography appeared just before the decisive moment when rock cemented its place as the popular music of choice for young people. It is perhaps the most successful of the era's many photographic attempts to capture the essence of jazz, because it is more than just a succession of musicians' portraits or even a documentary record of performance, but a book that visually echoes the music itself. Van Der Elsken's work is that of both an authentic jazz fan and an experienced creator of photography books, who improvises in ways perfectly hooked in to both fields. Vince Aletti, writing in Artforum in 2000, said, "His jazz photos, made without flash in Amsterdam nightclubs, are gorgeous fields of grain, as moody and soulful as a sax riff," and called Jazz "utterly original." This special limited edition is made from a copy of the first edition found in van der Elsken's library, in which the name of each performing artist--Ella, Louis, Chet--was written on every page in the artist's hand in silver ink. 9783865214010 Small Square 8vo Limited Edition.

Zustand: good. Elsken Ed Van Der (illustrator). Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Broschiert. 120 S. ca. Buchklappen berieben und verfärbt, Buchblock löst sich vom Einband, Seiten nachgedunkelt, sonstiger Zustand gepflegt und sauber. 9789065790866 Sprache: Englisch Gewicht in Gramm: 1100.

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque. Edition 2007. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2007. Ammareal gives back up to 15% of this item's net price to charity organizations.

Illustrierter Hartkartoneinband. 116 Seiten mit 109 s/w Abbildungen. Format 14,4 x 18,4 cm. Inliegend Booklet. Sehr gutes Exemplar, wie ungelesen. Special edition, limited to 1000 copies. Faksimile der 1. Ausgabe von 1959, zusätzlich mit handschriftlichen Bezeichnungen von Ed van Elsken der abgebildeten Musiker (gedruckt). Das Booklet enthält die englische übersetzung. Booklet in English language.

hardbound, pictorial boards, square 8vo 120 pp., 79 photogr plates in photogravure famous picturebook of Jazz by Ed van der Elsken; good condition (small piece of spine loose, 0,5 cm; interior clean, without annotations, stamps or underlining).

Zustand: Wie neu. Steidl, 7L. 2007. Martin Parr, The Photobook vol 1, page 246. Excellent reprint of the original dutch edition. Mint, new, unread, flawless; still originally shrink-wrapped in plastic foil. Originally published in 1959 in the Netherlands and Germany (Nymphenburger Verlagshandlung, Munich. 1959). Hardback without jacket (as issued). Black and white photographs. 168 x 178 mm. 116 pages, 109 black & white plates.Texts by Jan Vrijman, Hugo Claus, Simon Carmiggelt, Friso Endt and Michiel de Ruyter. Perfect condition! Collector`s copy! "Originally published in 1959, Jazz has become one of the most collectible photography books from the mid-twentieth century. Like William Claxton's Jazzlife and Dennis Stock's Jazz Street, Van Der Elsken's entry in the niche of jazz photography was published just prior to the moment when rock'n'roll cemented its place as the popular music of choice for young people. This book is perhaps the most successful of numerous attempts to capture photographically the essence of jazz because it is more than just a succession of musicians' portraits, or even a documentary record of performance, but a book that visually echoes the music itself. Other photographers, perhaps closer to the jazz community, have made books on the subject, but Van Der Elsken's is the work of an authentic jazz fan and a maker of authentic photobooks." (from the publisher) Ed van der Elsken (19251990), the "enfant terrible" of Dutch photography, was a talented photographer and filmmaker who expressed his meetings with people in photos, photo books and films for more than 40 years. Strolling through cities such as Paris, Tokyo, Hong Kong and Amsterdam or travelling through Africa and Japan, he preferably took photographs of striking individuals with character. His first photo book Love on the Left Bank was published in 1956, which instantly made him world-famous. Some 20 photobooks followed. He also made several television films, mostly about subjects regarding his own life.***************Steidl, 2007. Martin Parr, The Photobook vol 1, Seite 246. Fantastischer Reprint des holländischen Originals von Steidl. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Erschien ursprünglich 1959 in den Niederlanden und Deutschland (Nymphenburger Verlagshandlung, München. 1959). Hardback ohne Schutzumschlag (wie erschienen). 168 x 178 mm. 116 Seiten, 109 schwarz-weiß Fotos. Texte von Jan Vrijman, Hugo Claus, Simon Carmiggelt, Friso Endt und Michiel de Ruyter. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

Zustand: Wie neu. Steidl, 7L. 2007. Deluxe limited edition! (only 1000 copies were printed). Each plate has the musicians` names hand written in silver ink by Ed van der Elsken! Martin Parr, The Photobook vol 1, page 246. Excellent reprint of the original dutch edition. Mint, new, unread, flawless; still originally shrink-wrapped in plastic foil. Originally published in 1959 in the Netherlands and Germany (Nymphenburger Verlagshandlung, Munich. 1959). Hardback without jacket (as issued). Black and white photographs. 168 x 178 mm. 116 pages, 109 black & white plates.Texts by Jan Vrijman, Hugo Claus, Simon Carmiggelt, Friso Endt and Michiel de Ruyter. Perfect condition! Collector`s copy! "Originally published in 1959, Jazz has become one of the most collectible photography books from the mid-twentieth century. Like William Claxton's Jazzlife and Dennis Stock's Jazz Street, Van Der Elsken's entry in the niche of jazz photography was published just prior to the moment when rock'n'roll cemented its place as the popular music of choice for young people. This book is perhaps the most successful of numerous attempts to capture photographically the essence of jazz because it is more than just a succession of musicians' portraits, or even a documentary record of performance, but a book that visually echoes the music itself. Other photographers, perhaps closer to the jazz community, have made books on the subject, but Van Der Elsken's is the work of an authentic jazz fan and a maker of authentic photobooks." (from the publisher) Ed van der Elsken (19251990), the "enfant terrible" of Dutch photography, was a talented photographer and filmmaker who expressed his meetings with people in photos, photo books and films for more than 40 years. Strolling through cities such as Paris, Tokyo, Hong Kong and Amsterdam or travelling through Africa and Japan, he preferably took photographs of striking individuals with character. His first photo book Love on the Left Bank was published in 1956, which instantly made him world-famous. Some 20 photobooks followed. He also made several television films, mostly about subjects regarding his own life.***************Steidl, 2007. Limitierte Luxus-Version! Nur 1000 Exemplare weltweit! Das Foto eines jeden Musikers mit dem Silberstift von Ed van der Elsken betitelt! Martin Parr, The Photobook vol 1, Seite 246. Fantastischer Reprint des holländischen Originals von Steidl. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Erschien ursprünglich 1959 in den Niederlanden und Deutschland (Nymphenburger Verlagshandlung, München. 1959). Hardback ohne Schutzumschlag (wie erschienen). 168 x 178 mm. 116 Seiten, 109 schwarz-weiß Fotos. Texte von Jan Vrijman, Hugo Claus, Simon Carmiggelt, Friso Endt und Michiel de Ruyter. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

hardcover. Zustand: Perfetto (Mint). Facsimile del volume pubblicato per la prima volta nel 1959 dall'Autore e pubblicato dalla casa editrice De Bezige Bij di Amsteram. Fotografie in bianco e nero di Ed Van Der Elsken. Allegato fascicolo sciolto con contributi in inglese di Jan Vrijman, Hugo Claus, Simon Carmiggelt, Friso Endt e Michel de Ruyter . 16mo (17x18 cm). pp. 79. . Perfetto (Mint). . . . Jazz fu originariamente pubblicato nel 1959 e da allora è diventato uno dei libri di fotografia più collezionati della metà del XX secolo, collocandosi accanto al lavoro più noto di Christer Stromholm e Robert Frank. È forse il più riuscito dei numerosi tentativi fotografici dell'epoca di catturare l'essenza del jazz, perché è più di una semplice successione di ritratti di musicisti o anche di un documentario di performance, ma un libro che riecheggia visivamente la musica stessa. Il lavoro di Van Der Elsken è sia quello di un autentico fan del jazz che di un esperto creatore di libri di fotografia, che improvvisa in modi perfettamente collegati a entrambi i campi. Book.

Zustand: very good. Zaandijk : J. Heijnis Tsz.,1958. Orig. cloth binding. No dustjacket. 110 pp. With 45 rpm single with fragments by Blind Willy Johnson, Louis Armstrong, Billy Holiday etc. Photography by Ed van der Elsken, Frits Müller, Gerrit Schilp & Carel de Vogel. Binding some wear on edges. - First edition without dustjacket. Condition : very good copy. Keywords : PHOTOGRAPHY, Elsken, Ed van der.

Laminate boards. Zustand: Fine. A pristine copy of this 2007 facsimile reissue of Ed Van Der Elsken's beloved 1959 classic. Filled with evocative gravures, the Dutch photographer beautifully captured the frantic rhythms of the American jazz scene. The facsimile of course retains the original Dutch text but luckily for English-only readers, there's a laid-in caption booklet providing a full English translation. Square 12mo, published by Edition 7L of Paris.

Illustrierter Hartkartoneinband. 118 Seiten mit 109 s/w Fotoabbildungen. Format 17,4 x 18,4 cm. Gut erhalten. Good condition. Faksimile des 1959 erschienenen Titels bei De Bezige Bij Amsterdam. Klassiker der Fotoliteratur. Das Buch ist in niederländischer Sprache. Beiliegend ein Booklet mit der englischen Übersetzung. Booklet in English language.

Pappe. Zustand: Gut. Erstausgabe. 110 S. mit 116 Fotos, 8°, ill. OPappband. Sehr ordentliches, fleckenfreies Exemplar. Erstausgabe. 15GWK75-REIII-F1 In deutscher Sprache. 0 pages. 17x18,5cm.

8°. 22 S., [4] Bl. u. 79 Tafeln. Illustr. Orig.-Pappband. Heidtmann 18809. Gierstberg/Suermondt 52 f. Vgl. Auer 390. Kotzle 128 f. Roth, The Book of 101 Books 156 f. The Open Book 184 f. (Alle niederl. Ausgabe mit dem Titel "Jazz"). - Erste deutsche Ausgabe, die niederl. Orig-Ausgabe erschien im selben Jahr. - Ed van der Elsken (1925-1990), "bekanntester niederländischer Kamerakünstler der Nachkriegszeit" (H.-M. Koetzle), "gilt was die 50er, 60er und 70er Jahre betrifft als einer der großen Straßen- und Reportagefotografen. Man könnte ihn einen Chronisten der Jugendkultur dieser Zeit nennen, einen Zeitgeist-Fotografen vor und nach Woodstock: den Bohémien der Fotografie" (T. Honickel in Koetzle). - "Van der Elsken pushes the contrast dramatically here, going for pitch blacks, dense grain, glinting highlights, and blur; intensity, emotion, and total engagement. Glimpses of the audience are spliced into jump-cut montages with close-ups and wide shots of the performers, who include Duke Ellington, Chet Baker, Gerry Mulligan, Louis Armstrong, Miles Davis, Ella Fitzgerald, Count Basie, and an ecstatic Sarah Vaugham, who closes the book mid-song but with a sweeping gesture that suggests the show will go on and on" (A. Roth). - Sehr gutes Exemplar. - Dazu: Berendt, Ernst Joachim. Photo-Story des Jazz. Zürich, Buchclub Exlibris (1980). 4°. 356 S. mit zahlr. Abb. Illustr. OPbd. - Lizenzausgabe des W. Krüger Verlags, Frankfurt a. M. - Sehr gutes Exemplar. - Und: Berendt, Ernst Joachim (Musikjournalist und Musikproduzent, 1922-2000). Orig.-Photographie (Silbergelatine-Abzug, 24 x 18 cm.). Frankfurt a. M. Juli 1963. - "Herr Joachim E. Berendt, vor dem Abflug mit KLM (Royal Dutch Airlines) nach Ney York zum Newport Jazz Festival, und weiter zu den Karibischen Inseln (Informationsreise), Paramaribo und am 5. August zurück nach Frankfurt. Verabschiedet wurde er von unserem KLM Public Relations Manager, Herrn Neuert" (handschr. Pressetext auf der Rückseite). - Die Aufnahme wurde in den Frankfurter Nachrichten veröffentlicht. - Mit seinem Standardwerk "Das Jazzbuch" prägte er (J.-E. Berendt) seit den 50er Jahren für Generationen von Hörern und Musikern vor allem im deutschsprachigen Raum die Kenntnis und die Auffassung von Jazz. Er war über vierzig Jahre lang Redakteur beim damaligen Südwestfunk in Baden-Baden und damit der dienstälteste Jazzredakteur der Welt. Mit der (zeitweise) wöchentlichen Fernsehsendung mit Jazzkonzerten und einem damals noch täglich gesendeten Hörfunkprogramm über Jazz leistete er große Pionierarbeit zur Förderung und Verbreitung des Jazz im Nachkriegsdeutschland" (Wikipedia). - Zus. 2 Bände und 1 Orig.-Foto. Sprache: deutsch.

First edition. Square octavo. 80 pages of black and white Jazz photographs with unpaginated texts in Dutch by Jan Vrijman, Hugo Claus, Simon Carmiggelt, Friso Endt and Michiel de Ruyter. Miles Davis, Lester Young, Louis Armstrong, Duke Ellington, Ella Fitzgerald, Oscar Peterson, Chet Baker, Art Blakey, Dave Brubeck, etc etc. Pictorial glossy boards.The spine is completely intact which is unusual for this title. Fine. Not issued in dustwrapper.

First edition, first printing. Original laminated pictorial boards. Square 8vo. An excellent near fine copy with some rubbing and light bumping at the extremities. The contents are complete and without inscriptions or stamps. The fragile spine remains complete, scarce thus. An excellent example. A superb collection of photographs shot at concerts in Amsterdam and the Hague. Images include Count Basie, Lionel Hampton, Dizzy Gillespie, Horace Silver, Sonny Rollins Trio, Ella Fitzgerald, Duke Ellington, Chet Baker and Louis Armstrong. (Roth p.156; Hasselblad p.184,185; Parr p. 246.) Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

110 S. Mit 116 s/w Fotoabbildungen von Ed van Elsken. Erste deutsche Ausgabe - Gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 1200 18,5 x 17,3 cm. Illustrierter Orig.-Pappband (Kapitale etwas berieben).

Amst. & Zaandijk, 1959. 108 pp. B./w. ills (photographs) by Ed van der Elsken, a.o. Pictorial boards, d./j. - Top of spine & edges/corners sl. dam.; dustjacket won along the edges.Complete with the 45 rpm gramophone record.

OPappband. 22(4) Seiten Text, 79 Seiten Fotografien, 116 Bilder. . Zustand: Titelblatt und Seite 21 mit Stempel: Stiftung Axel Dick. Abgesehen hiervon ist das Buich in gutem Zustand- Size: 8°.

First Dutch Edition, having previously published in Japan. Square octavo, with 190 photographic plates. Bound in publisher's printed softcovers with striking pictorial jacket. A clean, fine copy, with a signature to half-title 'Joost Divend'. Ed van der Elsken was a prolific Dutch artist, photographer, and filmmaker, whose influence can be felt in the work of celebrated photographers of the late twentieth and early twenty first centuries, including that of Wolfgang Tillmans and Larry Clark. This collection of black and white photographs features legends such as Louis Armstrong, Miles Davis, Chet Baker, Count Basie, Stan Kenton, Ella Fitzgerald, Dizzie Gillespie and Duke Ellington, all mid-performance, and often in extreme close-up. It is an extraordinary record of Jazz history, by an extraordinary photographer. The accompanying text, which is in Dutch, is by J. Bernlef.

Den Haag, Nederlandse Boekenclub, [1959]. 10 pp & 79 plts. Orig. pictorial boards, spine ends sl. dam. - Loose.

Den Haag, Nederlandse Boekenclub, [1959]. 10 pp & 79 plts. Orig. pictorial boards, spine ends sl. dam. - Name on french title-page.

Amsterdam, Landshoff, 1985. Small 8vo (15.1 x 10.6 cm). 92 pp.; numerous black-and-white photos. Original laminated pictorial paperbound. = An archetypal work by the Dutch photographer and cinematographer Ed van der Elsken (1925-1990). Signed and illustrated in ink on the title page, "1985 Ed van der Elsken", below a simple flower motif. "His imagery provides quotidian, intimate and autobiographic perspectives on the European zeitgeist spanning the period of the Second World War into the nineteen-seventies in the realms of love, sex, art, music (particularly jazz), and alternative culture. He described his camera as 'infatuated', and said: 'I'm not a journalist, an objective reporter, I'm a man with likes and dislikes'." (Wikipedia). La Grande Parade was Edy de Wilde's farewell exhibition as director of the Stedelijk Museum in Amsterdam in 1984. Highlights from the post-1940 painting were exhibited until mid-April, 1985. The exhibition was visited by around 400,000 people. There were masterpieces by such artists as Karel Appel (featured on the front cover of Van der Elsken's book), Francis Bacon, Georg Baselitz, Max Beckmann, Georges Braque, Alberto Giacometti, Jasper Johns, Asger Jorn, Ellsworth Kelly, Anselm Kiefer, Yves Klein, Willem de Kooning, Fernand Léger, Sol LeWitt, Robert Mangold, Henri Matisse, Joan Miró, Piet Mondrian, Barnett Newman, Pablo Picasso, Sigmar Polke, Jackson Pollock, Mark Rothko, Frank Stella, Cy Twombly and others. At this event, Van der Elsken acted as journalist, asking smart questions and noting remarkable quotes whilst photographing. Slight wear to front joint, otherwise an excellent, clean copy. Added: a second clean and unmarked copy, in also in near mint state.

First edition, first printing, Dutch text. "The 1950s constituted a golden age for jazz music. The decade was also renowned for classic small-camera photography, much of it as rough and ready as the best experimental jazz. The two art forms combine to perfection in Ed van der Elsken's gem of a book, Jazz. The result is not just a succession of musician's portraits, or even a documentary record of performance, but a book that visually echoes the music itself. Other photographers, perhaps closer to the jazz community, have made books on the subject, but Van der Elsken's is the work of an authentic jazz fan and maker of authentic photobooks" (Parr & Badger). Superb copy of this influential work. Parr & Badger, I, p.246; Roth p.156. Small square octavo. Over 100 illustrations from Elsken's photographs. Original photographic glossy laminated boards, black endpapers. With the glassine jacket. A spectacularly well-preserved copy, slightly shrinkage of the glassine which is faintly browned and mildly crumpled at the corners, but the boards retain an almost freakishly high gloss, near fine.

22 S. Text, 79 S. mit 116 Fotos, Illustr. OPp. Erste Ausgabe.- Kleine Absplitterung (0,3 x 0,5 cm) des Rückenbezuges, sonst tadelloses Exemplar.

Zustand: Wie neu. Ludion, Antwerpen. 2015. Wonderful reprint of the original dutch photobook classic (. Ed van der Elsken is also famous for other important photobooks like "Sweet life" or Jazz" (Martin Parr, The Photobook vol 1, page 246). Hardback with jacket. Black and white photographs. 168 x 178 mm. 118 pages, 109 black & white plates. Texts by Jan Vrijman, Hugo Claus, Simon Carmiggelt, Friso Endt and Michiel de Ruyter. Text: dutch. Condition: Book inside and outside new, mint, unread. Dustjacket with slightest trace of use; like new. Overall fantastic condition! Collector`s copy! Ed van der Elsken (19251990), the "enfant terrible" of Dutch photography, was a talented photographer and filmmaker who expressed his meetings with people in photos, photo books and films for more than 40 years. Strolling through cities such as Paris, Tokyo, Hong Kong and Amsterdam or travelling through Africa and Japan, he preferably took photographs of striking individuals with character. His first photo book Love on the Left Bank was published in 1956, which instantly made him world-famous. Some 20 photobooks followed. He also made several television films, mostly about subjects regarding his own life.***************Ludion, Antwerpen. 2015. Martin Parr, The Photobook vol 1, Seite 246. Fantastischer Reprint des holländischen Originals von Steidl. Erschien ursprünglich 1959 in den Niederlanden und Deutschland (Nymphenburger Verlagshandlung, München. 1959). Hardback ohne Schutzumschlag (nur so erschienen). Hardback without jacket (as issued) 168 x 178 mm. 118 Seiten, 109 schwarz-weiß Fotos. Texte von Jan Vrijman, Hugo Claus, Simon Carmiggelt, Friso Endt und Michiel de Ruyter. Text: niederländisch. Zustand: Buch innen wie aussen neu, ungelesen, verlagsfrisch. Schutzumschlag minimalst berieben. Insgesamt fantastischer Zustand! Sammler-Exemplar! Sprache: Niederländisch Gewicht in Gramm: 1600.