Bücher, illustrated london news 1885 (26 Ergebnisse)

Folio. 678pp. Profusely ills., many plates. Without some advert. leaves. Light age toning, pencil ownership inscription, contemporary half calf with marbled boards, loss to corners, surface wear to boards, gilt lettered spine rubbed with loss to head and tail. With the double page colour lithograph 'Illuminations at the international inventions exhibitions.' US$146.

No Binding. Zustand: Very Good. Alfred Ward (illustrator). An original antique engraving, from the Illustrated London News of August 22nd 1885. This sepia engraving will be mounted (matted) and ready to frame.

No Binding. Zustand: Very Good. OVEREND (illustrator). An Original Antique Engraving, central fold, too large to post mounted (matted). Dramatic sea-lashed view of a ship fighting a storm in the Bay of Biscay.

No Binding. Zustand: Very Good. An Original Antique Engraving, central fold, too large to post mounted (matted). There is a very small tear at the bottom of the fold, with no loss, which has been mended with archival quality tape. This engraving is in full colour and shows the illuminations at the International Inventions Exhibition at Kensington, South London.

No Binding. Zustand: Very Good. Montbard/Barbant (illustrator). An Original Antique Engraving, central fold, too large to post mounted (matted).Small almost invisible tear with no loss at fold mended with archival quality tape. Composite view of Blenheim near Oxford showing the High Lodge (Rochester Tower), the bridge on the lake, the Grand North Front of the Palace and a corner of the lake.

No Binding. Zustand: Very Good. An Original Antique Engraving, central fold, too large to post mounted (matted). View of Balmoral Castle, the Highland Home of Queen Victoria.

No Binding. Zustand: Very Good. Montbard/Barbant (illustrator). An Original Antique Engraving, central fold, too large to post mounted (matted). View of Hatfield House, Hertfordshire, currently the home of Robert Gascoyne-Cecil, 7th Marquess of Salisbury.

No legatura. Zustand: discrete. Prima edizione. Carta policroma originale in formato cm.61x80. Minimi strappetti lungo le piegature. 50 gr.

No Binding. Zustand: Very Good. Henry Fawcett (illustrator). An Original Antique Engraving, central fold, too large to post mounted (matted). Engraving by Woodville from a sketch by Henry Fawcett, the British Consul-General at Constantinople.

Zustand: Gut. 449 p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Gutes Exemplar / Good copy. - Contents 'The Renaissance' (1873) i Sidney Colvin, review in the 'Pall Mall Gazette', 1873 2 J. A. symonds, on Pater, 1872, 1873, 1875, 1877 3 j. a. symonds, review in the 'Academy', 1873 4 JOHN Wordsworth on Pater's Philosophy, 1873 5 JOHN morley on Pater, 1873 6 mrs Pattison, notice in the 'Westminster Review', 1873 7 z : Modern Cyrenaicism, 1873 8 f. g. stephens, review in the 'Athenaeum', 1873 9 w. j. stillman, review in the 'Nation', 1873 10 mrs Oliphant, review in 'Blackwood's Magazine', 1873 11 George eliot on Pater, 1873 12 w. j. courthope: Modern Criticism, 1874 13 bishop of oxford on Scepticism, 1875 14 sarah wister on Pater, 1875 15 Notice in the 'Art-Journal', 1877 16 havelock ellis on Criticism, 1885 17 Review in the 'Oxford Magazine', 1889 'Marius the Epicurean' (1885) 18 william sharp, review in the 'Athenaeum', 1885 19 Review in the 'Pall Mall Gazette', 1885 20 j. m. gray, review in the 'Academy', 1885 21 j. a. symonds on Pater, 1885 22 Notice in 'The Times', 1885 23 mrs ward, review in 'Macmillan's Magazine', 1885 24 Notice in 'Harper's New Monthly Magazine', 1885 25 julia wedgwood, review in the 'Contemporary Review', 1885 26 G. E. woodberry, review in the 'Nation', 1885 27 c. E. Norton on Pater, 1886 28 george moore on Pater, 1888 29 ernest dowson on Pater, 1889, 1890, 1892 JO RICHARD LE GALLIENNE On Pater, 1892 'Imaginary Portraits' (1887) 31 OSCAR WILDE, review in the 'Pall Mall Gazette', 1887 32 lady dilke, review in the 'Athenaeum', 1887 33 E. price, review in the 'Spectator', 1887 34 G. e. woodberry, review in the 'Nation', 1887 35 Arthur symons, review in 'Time', 1887 36 SELWYN IMAGE on Pater's Virtues, 1888 37 Notice in the 'Oxford Magazine', 1888 38 george sturt on Pater, 1890, 1892 'Appreciations' (1889) 39 clement shorter, review in the 'Star', 1889 40 WILLIAM sharp, review in the 'Glasgow Herald', 1889 41 Unsigned review, 'Pall Mall Gazette', 1889 42 ARTHUR SYMONS, review in the 'Athenaeum', 1889 43 william watson, review in the 'Academy', 1889 44 c. L. graves, review in the 'Spectator', 1889 45 mrs Oliphant, review in 'Blackwood's Magazine', 1890 46 Lionel Johnson on Pater, 1890 47 L. c. moulton, notice in Boston 'Sunday Herald', 1890 48 j. a. symonds on Pater, 1890 49 agnes repplier, review in the 'Catholic World', 1890 50 oscar wilde, notice in the 'Speaker', 1890 51 w. J. courthope, review in the 'Nineteenth Century', 1890 'Plato and Platonism' (1893) 52 j. r. thursfield, review in 'The Times', 1893 53 Richard le Gallienne, review in the 'Star', 1893 54 e. j. ellis, review in the 'Bookman', 1893 55 edmund GOSSE, review in the 'New Review', 1893 56 paul shorey, review in the 'Dial', 1893 57 R. h. button, review in the 'Spectator', 1893 58 ARTHUR SYMONS on Pater's Style, 1893 59 lewis Campbell, review in the 'Classical Review', 1893 Obituary Notices and Tributes 60 Obituary Notice in 'The Times', 1894 61 'michael field', poetic tribute, 1894 62 Richard le gallienne, obituary notice, 1894 63 f. w. bussell, Sermon on Pater, 1894 64 HUGO VON HOFMANNSTHAL On Pater, 1894 65 henry james on Pater, 1894 66 'vernon lee' on Pater, 1895 67 Theodore de wyzewa on Pater, 1895 68 GEORGE saintsbury: Pater as Prose Architect, 1896 69 p: Pater's Reputation Reconsidered, 1898 70 Roger fry on Pater, 1891, 1898 71 rev. A. d. malley: A Study of Pater, 1900 72 Lionel Johnson: Two Poems, 1894, 1902 73 G. b. SHAW- on Pater, 1903 Posthumous Publications 'Greek Studies' (1895) 74 Review in the 'Saturday Review', 1895 75 f. g. kenyon, review in the 'Athenaeum', 1895 76 Andrew lang, review in the 'Illustrated London News', 1895 77 w. m. ramsay, review in the 'Bookman', 1895 78 agnes repplier, review in the 'Cosmopolitan', 1895 79 w. worrall, review in the 'Spectator', 1896 'Miscellaneous Studies' (1895) 80 Notice in 'The Times', 1895 81 agnes macdonell, review in the 'Bookman', 1895 82 c. milman, review in the 'Spectator', 1895 83 Review in the 'Outlook', 1896 84 Review in the 'Nation', 1896 'Gaston de Latour' (1896) 85 g. s. street, review in the 'Pall Mall Gazette', 1896 86 T. b. saunders, review in the 'Athenaeum', 1896 87 Review in the 'Saturday Review', 1896 88 agnes macdonell, review in the 'Bookman', 1896 89 Theodore de wyzewa: Pater's Confession, 1896 90 Notice in the 'Catholic World', 1896 91 Review in the'Critic', 1896. ISBN 9780710003805 Sprache: Englisch Gewicht in Gramm: 711 Hardcover mit Schutzumschlag / with dust jacket.

No Binding. Zustand: Very Good. An Original Antique Engraving, central fold, too large to post mounted (matted). View of the arrival of Queen Victoria and Princess Beatrice at Whippingham Church on the Isle of Wight.

Two half page wood engravings on a single leaf, each approx. 16.4 x 23.2 cms; 40.6 x 30.8 cms (sheet including captions), related text on the verso, small chip from a lower corner and from the inner margin, small edge tear (no loss), faint edge-toning, but the images in very good condition. Engravings published months after the close of the Third Anglo-Burmese war in 1885. The short-lived war led to the annexation of the Konbaung Dynasty into British India, by the proclamation of the Viceroy and Governor-General of India, Lord Dufferin on January 1, 1886 (whose visit is recorded in these engravings). The engravings are captioned: 'Presentation of an Address from Moollah Ismail and the Suratee Community, Read by Mr Melton Prior" and the other "Mandalay Under British Rule: Street Sweepers Going to Work".

Cloth. Zustand: Very Good. John Sturgess (illustrator). A brightly illustrated collection of essays on hunting and field sports, in a delightful pictorial cloth binding. The second edition of this collection of articles from Captain Edward Penell-Elmhirst, originally published in 'The Field' magazine, with each article pertaining to hunting and field sports.Illustrated with a colour frontispiece, three further colour plates, and in-text illustrations. Collated, complete.These illustrations are the work of John Sturgess, a hunting and racing artist and lithographer who worked mainly for the Illustrated London News at the time of the publication of this work.With four pages of publisher's adverts to the rear, and the contemporary owner's inscription of Philip Lee Brocklehurst to the front pastedown. Sir Philip Brocklehurst is known for being a member of Ernest Shackleton's Expedition to Antarctica aboard the Nimrod. In the publisher's original pictorial cloth binding. Fading to back strip, with bumping to spine head and tail. Boards bright. Front hinge slightly tender, with boards holding firm. Contemporary inscription to front pastedown. Internally. Firmly bound. Pages clean and bright. Very Good. book.

Hardcover. Zustand: Fair-Good+. First edition. Folio. [20], XV, [15], 245, [5]pp. Original green cloth, with gold lettering and illustration on front cover, and gold lettering on spine. Illustrated endpapers. Frontispiece photogravure portrait of the artist protected with a tissue-guard. Title page in red and black lettering. Published shortly after Phil May*'s death, this volume contains a selection of some of the best caricature drawings and sketches produced by the artist. The illustrations are divided into 14 groups: I.- Celebrities and Personages; II.- Costers and Cockney; III.- Brother Brushes; IV.- In the Bars and Streets; V.- Studies and Sketches; VI.- Within and Without the Ghetto; VII.- "Types I have Met," and "Things we see when we go without our Gun"; VIII.- Among the Thespians; IX.- Studies and Sketches Abroad; X.- With the Children; XI.- By the Sea; XII.- On the Country-side; XIII.- Sporting Characters; XIV.- Irish and Scottish. Binding, sunned, discolored, and rubbed along edges. Offsetting on endpapers. Binding in overall poor to fair, interior in good+ to very good condition. * Philip ('Phil') William May (1864-1903) was a draftsman, caricaturist and illustrator greatly influenced by Edward Linley Sambourne. He began his career as a scene painter, actor and pantomime costume designer, and contributed drawings to the Yorkshire Gossip, before he was 'discovered' by the actor Lionel Brough and worked for Society and St Stephen's Review. In Australia from 1885 to 1888 he contributed to the Sydney Bulletin. He then moved to Paris to study art. By 1890 he had returned to London and was anxious to join James Whistler's Chelsea Arts Club. He was elected in 1891. From 1892 to 1903 May produced Phil May's Winter Annual, which established his reputation as a caricaturist of Bohemian life and urban culture. He also worked for the Daily Graphic, Graphic, Illustrated London News, Sketch, Punch, English Illustrated Magazine and Pick-Me-Up. In 1895 he published Phil May's Sketch Book: Fifty Cartoons and in 1896 Guttersnipes: Fifty Original Sketches. In 1896 May was elected to the Royal Institute of Painters in Water Colours and was appointed Chair of Punch.

Cloth. Zustand: Very Good. Edward Hull (illustrator). First edition. The first edition of this Shakespeare-centric guide to Stratford-on-Avon, illustrated throughout by Edmund Hull. The first edition of the work. Folio. With thirteen plates and numerous other illustrations by Edward Hull. Collated complete. Graingerised, with additional plate tipped to front free endpaper, Illustrated London News plate from 1929 showing the Stratford Wall Painting tipped in before half title and additional engraving tipped in opposite leaf two. An interesting guide to Stratford on Avon, from the origin of the town, to the death of Shakespeare as well as a reference to his descendants. Includes reference to Dugdale's mention of Shakespeare in his Antiquities of Warwickshire. In the publisher's blue cloth binding. Externally generally smart with rubbing to the boards and extremities. The odd mark to the board. Front hinge slightly strained but firm. Internally firmly bound. Pages bright and clean with marginal age toning and the odd spot, heavier to the tissue guards. Very Good. book.

Leather. Zustand: Very Good. H. Hope Crealocke (illustrator). A handsomely rebound new edition of this charmingly illustrated work regarding hunting. A new edition. First published in 1885. Handsomely rebound in half calf with marbled boards. With a page of publisher's advertisements to the front of the work. Profusely illustrated throughout by Lt Gen H. Hope Crealocke. Henry Hope Crealocke was a British soldier, artist and author, best known for his wartime sketches published in the periodical The Illustrated London News. This charming work details the author's experiences regarding foxhunting, salmon fishing, covert shooting and deer stalking, also containing a number of charming poems on the subject. In a half calf binding with marbled boards. Externally very smart with slight rubbing to the joints, extremities and spine. Slight cracking to the spine. The odd mark to the boards. Front hinge slightly strained. Internally firmly bound. Pages bright and clean with just the odd spot and marginal age toning. Very Good. book.

Leather. Zustand: Good. Various (illustrator). An uncommon to see set of Clement Scott's theatrical periodical, an illustrated set including striking Woodburytype photographs. Sixteen volumes, being Volumes I to VI of the 1880 to 1882 'New Series', and Volumes I to VIII of the 1883 to 1886 'New Series'.'The Theatre' monthly review of drama, music and the fine arts of the 19th century.The magazine was originally published in 1877 and 1897, and was edited by Clement Scott from 1880 to 1889. The articles in the magazine included reviews of theatre productions from around the world, theatrical news, short stories, poetry, and biographical sketches of important theatrical and artistic figures of the day.Many of the plates are Woodburytype photographs of eminent actors and actresses of the day, including Ellen Terry, Henry Irving, Marion Hood, Helen Maud Holt, George Grossmith, Ada Cavendish, Maurice Barrymore, and more.Volume I, January to June 1880. Illustrated with fifteen plates.Volume II, July to December 1880. Illustrated with seventeen plates.Volume III, January to June 1881. Illustrated with thirty-two plates.Volume IV, July to December 1881. Illustrated with seventeen plates.Volume V, January to June 1882. Illustrated with sixteen plates.Volume VI, July to December 1882. Illustrated with fifteen plates.Volume I, January to June 1883. Illustrated with twelve plates.Volume II, July to December 1883. Illustrated with twelve plates. Collated, bound without one plate.Volume III, January to June 1884. Illustrated with a frontispiece, and eleven plates. Collated, complete.Volume IV, July to December 1884. Illustrated with a frontispiece, and twelve plates. Collated, complete.Volume V, January to June 1885. Illustrated with a frontispiece, and eleven plates. Collated, complete.Volume VI, June to December 1885. Illustrated with a frontispiece, and eleven plates. Collated, complete.Volume VII, January to June 1886. Illustrated with a frontispiece, and thirteen plates. Collated, complete.Volume VIII, July to December 1886. Illustrated with a frontispiece, and eleven plates. Collated, complete.Bookplate to the front paste downs, 'Keverstone Library, Leveson Scarth'. In a half morocco binding with marbled paper to the boards. Externally, a little rubbed, heavier to the volumes for 1880 to 1882. Rubbing has resulted in marginal loss of leather, and a little loss of paper. Light bumping to the extremities. Spines are a little faded, more so to the volumes for 1880 to 1883. Front board of the volume for July to December 1886 is faded. Bookplate to the front paste downs, blind stamp to the front endpaper. Internally, firmly bound. Pages are bright and clean, with the occasional spot to the plates. Good. book.

Double page engraving 31.3 x 47cms (image only); 40.7 x 58.3cms (sheet including caption and full margins), central fold, edges age-toned and a small chip from a lower corner but overall in good condition, unrelated text on the verso. Panorama published in "The Illustrated London News" newspaper depicting the fall of Minhla, (Tharrawaddy District, in the Bago Region of southern-central Myanmar) one of the final battles of the Third Burma War (1885-87), following which Burma came under the rule of the British Raj as one of its provinces. The engraving has full margins (not shown).

Hard Cover. LIMITED EDITION, number 241 of only 1000 copies. Quarto, pp [127]; [2], 103; [2], 104; 2, [103], [2], 104; [2], 104. Mainly printed recto only. Illustrated throughout. Cream faux-leather with gilt titles to spine, in cream dust-jackets with cream titles to brown panel to upper board and brown titles to spine. Limitation number to each verso title page (all No 241). Ownership inscriptions to 3 volumes (partially erased to single volume) and surface tear to foredge ffep Vol 2 without loss, otherwise clean and crisp. Jackets lightly spine sunned and surface soiled with creases and a few nicks to edge, and associated small loss to Vol 4 lower front corner. Overall a very good set. Collection of work by sporting artist George Moore, covering the period 1885-1914, the Golden Age of cycling. Most of the images appeared in periodicals "Bicycling News" and "Cycling", including coverage of races and competitions. Scarce, particularly as a complete numbered set. Heavyweight so a contribution towards extra postage costs will be requested for overseas delivery.

An attractive double page 'montage' of 11 assorted views of the Swiss city of Lucerne, and its environs. Central to this wonderful set of wood block engravings is a delightful panorama of Lucerne with the lake and the Alps in the background. Lucerne is a city in north-central Switzerland, in the German-speaking portion of that country. Size: 400 x 575 mm. Wood engraving with hand colour. Central fold, good condition.

Zustand: Otherwise very good condition. A Cadbury's Cocoa full page ad in both newspapers. "Cadbury's Cocoa is absolutely pure. Sustains against fatigue. Increases muscular strength. Gives physical endurance and staying power." Antique woodblock print, later hand color, 10 x 14 1/2" matted in gray mat board 14 3/4 x 20".

An atmospherically illuminated poem, written as a tribute to Shackleton after his death and kept in the Shackleton family for over 65 years. The Shackleton-Rowett Expedition (1921-2), Shackleton's fourth and the last of the heroic age, set out with the goal of circumnavigating Antarctica. When Quest reached Rio de Janeiro, Shackleton's health started declining. "Although he appeared in high spirits, buoyed by the prospect of a new adventure, his surgeons remained fearful that his heart would not withstand the pressure" (Howgego). The ship reached Grytviken, South Georgia, in January 1922, where Shackleton suffered a heart attack and died within minutes. When the sad news was cabled to his wife Emily (1886-1936), she decided that her husband should not be brought home. He was laid to rest alongside the whalers in the Norwegian cemetery, facing south rather than the traditional east, in recognition of his lifelong Antarctic aspirations. Quest proceeded to Antarctic waters under Frank Wild's command, returning to England in August 1922. The Epiphany was written as a sonnet in honour of Shackleton immediately after he died in 1922 by the elusive Charles Darling, and it was published in the London Times in the same year. Darling was enamoured with the last words written by Shackleton the day before he died and incorporated them into his elegy: "In the darkening twilight I saw a lone star hover. Gem-like above the bay" (Wild p. 59). Shackleton, himself a poet, had a private library on the Endurance from which he lent freely to his crew. Poetry was a source of solace and motivation on his expeditions. He valued works on heroism, and greatly admired Robert Browning. The illuminator, who signs himself Hodge, was perhaps the Australian Alfred James Hodgeman (1885-1964), an architect, cartographer, sketch artist, and member of the Australian Antarctic Expedition (1911-1914) under Douglas Mawson. Provenance: the illuminated poem remained in the possession of the Shackleton family until 2001, when it was sold at Christie's in the "Polar Sale including the Shackleton Collection" (25 September 2001, lot 115). Howgego IV S25. Frank Wild, Shackleton's Last Voyage, 1923. Manuscript poem on vellum framed by two watercolours top and bottom, signed "Hodge" in lower left corner, within silver gouache border (215 x 125 mm), mounted, framed, and glazed (framed size 342 x 250 mm). Vellum slightly creased. A very good example.

2 Bände. Gr. 4° (40 x 30 cm). S. 1-704; 705-1124 + 1-200. Mit zahlreichen Abbildungen. Marmorierte Bibliotheks-Pappbände mit aufmontiertem bedruckten Rückenschild. Die erfolgreiche illustrierte Wochenzeitung erschien erstmals 1842. Die Berichte über technische Neuentwicklungen, Kriege, Unglücke (Schiff, Eisenbahn etc.), Kolonien, Hochzeiten der königlichen Familie sorgten für hohe Auflagen. Das 2. Halbjahr 1885 enthält unter anderem Berichte über den Krieg zwischen Serbien und Bulgarien, sowie in Fortsetzungen den kompletten Roman "The Master of the Mine" von Robert Buchanan, der im selben Jahr in erster Auflage erschien. - Deckel berieben und bestoßen. Die ersten Blätter am Rand bestoßen und leicht beschädigt. Ein Blatt im hinteren Bereich mit Einriss. Sonst gut erhalten. Sprache: Deutsch.

*: Bruxelles, 1870 - 1914, complete set ( all published ), bound in 44 volumes , in-folio, issues of 8 pp with minimum 4 woodcut illustrations, from year 17 (1886-1887) onwards issues of 16 pages and mostly photoreproduction illustrations. In all over 28.000 pages. Bound in 44 volumes, mostly nearly uniform half leather bindings, three volumes and the last 6 years in half cloth, some foxing at first and last leaves of some volumes, all volumes with an index bound in, except year 1912 which lacks the index and the Christmas issue. Some volumes a bit rubbed but in all in very good condition. Extremely rare complete set in fine condition of this leading belgian illustrated periodical which had, as its name announces, European ambitions and which tried to emulate the ''London Illustrated News'' and the Parisian ''L'Illustration''. The first issues (November 1870) deal e.g. with the German army invading Paris and the last issue (Nr. 33 of August 16th 1914) reports on the German army invading the Belgian town of Liège and the start of the first world war. It obviously ends when Brussels was taken by the invading Germans. During the first 15 years the periodical was illustrated by means of the classical woodcut. Artists' names include L. Clerget, V. de Doncker, A. de Neuville, Gustave Doré, A. Doms, G. Durand, J. Féret, Gerlier, D. Lancelot, J. Lorain, Oberlander, Pannemaker, E. Puttaert, Sahib, F. Thelen, H. Van der Hecht, Van Kuyck, Wappers, Portaels, Brown, Dansaert. In the first issue of year 16 (November 1885) the editor announces the introduction of new lithographic methods. From year 17 onwards (1886) most of the illustrations are based on photographs and photographical reproduction. At the end of the 19th century the annual special Christmas issues are illustrated with colour printing. The illustrations comprise views of Belgian buildings, landscapes, political events, art reproductions but also international events, wars, demonstrations, voyages, art, etc. A very interesting iconographical survey of the waning Belle Epoque and 19th-century European culture soon to be buried on the battlefields of the Somme, Verdun and Ypres.

Holzstich, koloriert, 1885. 23 x 31,2 cm (Darstellung ) / 28,4 x 40 cm (Blatt). - Unterhalb der Darstellung mittig betitelt und um "See Page 256" ergänzt. Rechts mit dem Zusatz "The Illustrated London News, Sept. 5, 1885. - 243" versehen. - Zwei Damen und ein Mann angeln von einem Ruderboot aus, mit einem Kescher wird ein Fisch aus dem Wasser geholt. - Leichte Alterungsspuren, rechts hinterlegter Papierriss. Auf Trägerblatt kaschiert. Insgesamt guter Erhaltungszustand. -.

Melton Prior began working as an artist for the Illustrated London News in 1868. He gained his first assignment as a war artist in the Balkans in 1873 and emerged from the Boer War as the most famous of all the war artists. He later accompanied Lord Wolseley's ill-fated relief expedition up the Nile in 1884-5 - the title page for this album is misleading, it should read "Soudan". The expedition set out to rescue Gordon, residing in Khartoum at the time of the Mahdi uprising. Wolseley chose to follow the Nile, instead of the Suakin-Berber route advocated by others, and just failed to reach Gordon in time. There is much contention over this, but it seems likely that had he arrived earlier, it would have only hastened Gordon's death. The six images, all fine examples of Prior's work, depict the expedition in various stages, and all appeared in the ILN in 1884 and '85: "Lord Wolseley inspecting the Guards Camel Corps at Dongola previous to their leaving for the Front."; "Colonel Maurice buying Camels at Assiout"; The Canadians with the Nile Expedition The Manitoba Boys at Breakfast 6am"; The Pioneers of the Nile Expedition leaving Sarras for Dal November 2nd 84"; "Making the Mudir a Pacha, Lord Wolseley's arrival."; "'El Gemai' - starting point for Expedition putting Gear into Whalers".