Kunst, jan van goyen (26 Ergebnisse)

Bild-Maße: ca. 16 x 22 cm. Blatt-Maße: ca. 26 x 42 cm. -- Original Kupferstich. -- etwas fleckig, sonst gut erhalten. || Original copper engraving. -- somewhat stained, otherwise in good condition. Sprache: Französisch Gewicht in Gramm: 1550.

Bild-Maße: ca. 18 x 21 cm. Blatt-Maße: ca. 26 x 42 cm. -- Original Kupferstich. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving. -- slightly stained on the outer margin, otherwise in good condition. Sprache: Französisch Gewicht in Gramm: 1550.

Zustand: Gut. Format (Bildbereich) / size (image): 141 x 215 mm. Blattgröße / sheet: 410 x 275 mm. *Aus dem wertvollen Galeriewerk der Sammlung des Jean Baptiste Pierre le Brun (1748-1813) "Galerie des Peintres Flamands, Hollandais et Allemands" (Paris, 1792-1796 mit 201 Tafeln). Le Brun stammte aus der bedeutenden französischen Künstlerfamilie der Lebrun, er selbst war vor allem ein großer Kunsthändler und Sammler. Er kaufte das Pariser Hotel Lubert in der Rue de Clery. Dort eröffnete er 1788 seine Galerie, den "Salle Lebrun" mit wertvollen Gemälden der großen alten Meister. Durch den Zusammenbruch des Kunstmarktes in der französischen Revolution mußte er seine komplette Sammlung verkaufen. Zuvor wurden seine Gemälde von den besten französischen Kupferstechern in Kupfer gestochen und in dem o.g. Galeriewerk dokumentiert. Le Brun selbst war den neuen Machthabern in Paris in den Folgejahren unentbehrlich für die Neuausrichtung des Nationalmuseums / Jean Baptiste Pierre le Brun (1748-1813), husband of Vigee Lebrun, besides being a great dealer in paintings. 1788 he opened his art gallery "Salle Lebrun" in Paris with paintings from famous old masters. During the French Revolution the art market lay down and he must sell his complete collection. The paintings has been engraved before from the best French engravers and published in the gallery work "Galerie des Peintres Flamands, Hollandais et Allemands" which appeared 1792-1796 in Paris with 201 engravings. Sprache: Deutsch Gewicht in Gramm: 500.

Zustand: Gut. Format (Platte): 30,3 x 23 cm. Bis knapp an die Plattenkante beschnitten. *Jacob van Moscher war ein Landschaftsmaler über dessen Herkunft und Leben nur wenig bekannt ist. Seine eher seltenen Bilder zeigen Einflüsse von Jan van Goyen, Pieter de Molyns und Cornelis Vroom. Er war ein guter Freund der Malerbrüder Adriaen und Isaac van Ostade die oftmals die figürliche Staffage auf seinen Bildern gemalt haben. - Unterrand etwas fleckig und mit Wasserrändchen. Sprache: Deutsch Gewicht in Gramm: 400.

Porträt /Portrait, original Kupferstich, copper engraving, by von Jacobus Houbraken (1698- 1780) Blatt ca.: 20 x 15,5 cm de 500 Grafik.

Zustand: Very Good. Herman Saftleven II (illustrator). Etching on hand laid (vergé) paper. Sheet size: 11,1 x 10 cm. (4,4 x 3,9 inch). Image size: 10,4 x 9,2 cm. (4,1 x 3,6 inch).From a series which can be dated 1668-1707 according to Rijksmuseum. These views also have been depicted in mirror image as the seasons Spring and Winter by Jan van Ameloveen after Saftleven (ref: H.13 and H.16).Made by 'Ascribed to Anthonie de Winter' after 'Herman Saftleven II'. Anthonie de Winter (1652-1707) was a ornamental etcher / engraver He originated from Utrecht and worked in Amsterdam. Herman Saftleven II (1609-1685) was a Dutch painter, engraver and draughtsman from Rotterdam, active in Utrecht from 1632. He was a pupil of Jan van Goyen and the son of the painter Herman Saftleven I.Condition: Very good, given age. Loosely attached to carrier. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: LANDSCAPES-FISHER-SKATERSPCO-Expo-225.

Radierung von L. Fischer nach J. v. Goijen, bei Brockhaus, Leipzig, 1872, 14,5x18 cm (v.a. außerhalb der Darstellung etwas fleckig) *Jan Josephszoon van Goyen (1596 - 1656) war ein niederländischer Landschaftsmaler.

No binding. Zustand: Good. Jan van GoyenEtching on wove (vellin) paper. Sheet size: 25 x 31,5 cm. (9,8 x 12,4 inch). Image size: 9,4 x 13 cm. (3,7 x 5,1 inch).From: 'Seventy-Five Portrais of celebrated Painters [.]', by james Girtin, published by J. McGreery, London, 1817. State: In a rare proof ed. before captions and decorative border.Made by James Girtin after To be determined. James Girtin (1773-c.1820) was a British engraver and printer from London. He was a pupil of Th. Vaughan and the brother of the artist Thomas Girtin (1775-1902). idemCondition: Good, given age. Light soiling, creasing and foxing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: PORTRAIT-JAN VAN GOYENPCO-A19-40.

Adriaen van der Cabel (illustrator). '93.'Three goats in a landscape.Made by Jacques Coelemans after Adriaen van der Cabel.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 41.3 x 31.5 cm (16.26 x 12.4 inch). Image size: 33 x 24.5 cm. (12.99 x 9.65 inch).THREE GOATS-LANDSCAPEPCO-B6-41BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Adriaen van der Cabel (1631-1705) was a pupil of Jan van Goyen. He later worked in Italy and France. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Adriaen van der Cabel (illustrator). '94.'Three goats in a landscape.Made by Jacques Coelemans after Adriaen van der Cabel.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 41.3 x 33.5 cm (16.26 x 13.19 inch). Image size: 32.7 x 25 cm. (12.87 x 9.84 inch).THREE GOATSPCO-B6-41BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Adriaen van der Cabel (1631-1705) was a pupil of Jan van Goyen. He later worked in Italy and France. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

0. Selten. *** Muller II 1853 / Beschrijvende catalogus van 7000 Portretten, van Nederlanders. *** Papierränder etwas beschnitten, links unten kleiner hinterlegter Einriß. Verso: Alter Sammlungsstempel. Sprache: Deutschu.

Adriaen van der Cabel (illustrator). '92. UN PAISAGE .'An Italianate coastal or lake landscape with ruins and figures at a well.Made by Jacques Coelemans after Adriaen van der Cabel.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 39.2 x 34 cm (15.43 x 13.39 inch). Image size: 31 x 25.5 cm. (12.2 x 10.04 inch).ITALIANATE LANDSCAPE-FIGURES AT WELLPCO-B6-42BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Adriaen van der Cabel (1631-1705) was a pupil of Jan van Goyen. He later worked in Italy and France. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Adriaen van der Cabel (illustrator). '96.'Coastal Italian seascape with a cave forming a harbour, with figures, animals and boats.Made by Jacques Coelemans after Adriaen van der Cabel.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 42 x 36 cm (16.54 x 14.17 inch). Image size: 33.5 x 26.5 cm. (13.19 x 10.43 inch).COASTAL SEASCAPE-BOATS-NATURAL HARBOURPCO-B6-43BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Adriaen van der Cabel (1631-1705) was a Dutch painter from Rijswijk. He was a pupil of Jan van Goyen. He later worked in Italy and France. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Good. Antique Print, titled: 'Johannes a Goyen.' - Portrait of the painter Jan van Goyen. From: "Le peintre graveur Hollandais et Flamand" by J. P. van der Kellen. Portrait of the painter Jan van Goyen. Etching on wove paper. Made by 'Johannes Arnoldus Boland' after 'Carel de Moor'. Johannes Arnoldus Boland (Geesteren, 1838-1922, Amsterdam). Carel de Moor (1655-1738) worked in Leiden. He was part of the "Fijnschilders"group from that city. Good, given age. Ample margins. Some foxing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 26.9 x 35.5 cm. The image size is ca. 21.5 x 26.3 cm. The overall size is ca. 10.6 x 14 inch. The image size is ca. 8.5 x 10.4 inch. Storage location: TPCLA-A32-28.

Zustand: Good. Antique print, titled: 'Vue de Lemmer [.].' - View of the town of Lemmer on Texel in Friesland, The Netherlands. The depiction is probably a fictious one and not an actual representation of Lemmer. Lemmer. Engraving on wove paper. Made by 'Martin Demonchy' after 'Jan van Goyen'. Martin Demonchy (1746-c.1815). Jan van Goyen (1596-1656) was a famous Dutch landscape painter from The Hague. Good, given age. Small margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 33.6 x 26.6 cm. The image size is ca. 33.6 x 26.6 cm. The overall size is ca. 13.2 x 10.5 inch. The image size is ca. 13.2 x 10.5 inch. Storage location: A131-04.

Antique Master Print, untitled. Landscape with ruins. Etching on hand laid paper. paper. Description: From the series of landscapes after Jan van Goyen. State: Only state. Ref: Hollstein 25 Provenance: Friedrich August II of Sachsen (Lugt 971) Artists and Engravers: Made by 'Jan Gronsveld' after 'Jan van Goyen'. Jan Gronsveld (ca. 1660-1728) is a little known etcher, active in Amsterdam and The Hague around 1700. Jan van Goyen (1596-1656) was a famous Dutch landscape painter from The Hague. Condition: Very good, given age. Small margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: TPCLA-C4-22 The overall size is ca. 7.2 x 5.4 inch. The image size is ca. 7 x 5.2 inch. The overall size is ca. 18.2 x 13.7 cm. The image size is ca. 17.7 x 13.2 cm.

Antique Master Print, untitled. Landscape with a ferry. Etching on hand laid paper. paper. Watermark: Early coat of arms of Amsterdam. Description: From the series of landscapes after Jan van Goyen. State: Only state. Ref: Hollstein 28 Artists and Engravers: Made by 'Jan Gronsveld' after 'Jan van Goyen'. Jan / Johannes Gronsveld / Gronsvelt / Groensveld (The Hague; ca. 1650-1728) is a little known etcher, active in Amsterdam. Jan van Goyen (1596-1656) was a famous Dutch landscape painter from The Hague. Condition: Very good, given age. Small margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: TPCLA-C4-23 The overall size is ca. 7.9 x 6.1 inch. The image size is ca. 7 x 5.2 inch. The overall size is ca. 20 x 15.4 cm. The image size is ca. 17.8 x 13.1 cm.

Zustand: Good. Antique Master Print, untitled. Arcadic landscape with a city in the distance. With an interesting 17th. Annotation verso. Ref: Hollstein 56 Landscape. Etching on laid paper. Watermark: Coat of arms. Made by 'Adriaen van der Cabel' after own design. Adriaen van der Cabel (1631-1705) was a pupil of Jan van Goyen. He later worked in Italy and France. Good, given age. No margins, cut to the image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 16.4 x 11.7 cm. The image size is ca. 16.4 x 11.7 cm. The overall size is ca. 6.5 x 4.6 inch. The image size is ca. 6.5 x 4.6 inch. Storage location: TPCLA-C45-44.

Zustand: Fair. Antique Master Print, untitled. Arcadic landscape with a herd on the move. With an interesting 17th. Annotation verso. Ref: Hollstein 57 Landscape. Etching on laid paper. Made by 'Adriaen van der Cabel' after own design. Adriaen van der Cabel (1631-1705) was a pupil of Jan van Goyen. He later worked in Italy and France. Fair, given age. No margins, cut to the image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 16.4 x 11.5 cm. The image size is ca. 16.4 x 11.5 cm. The overall size is ca. 6.5 x 4.5 inch. The image size is ca. 6.5 x 4.5 inch. Storage location: TPCLA-C45-45.

Antique Master Print, titled: 'Promi Magis quam condi.' - Interior of an inn with three men, one sleeping, one drinking and smoking a pipe, and the third partially hidden behind the second. Engraving on hand laid paper. Watermark: seven pointed foolscap (= ca. 1670). Description: Source unknown, to be determined. State: Second state of 3 Ref: Hollstein 13Artists and Engravers: Made by 'Joannes Visscher' after 'Adriaen Brouwer'. Jan / Johannes de Visscher, the younger (ca. 1636-1692) was a Dutch Golden Age engraver who later became a painter at age 58. He made famous print after Wouwermans and Berchem, as well as Ostade and Van Goyen. He was the brother of Cornelis II and Lambert. Adriaen Brouwer (1605-1638) was a Flemish genre painter, active in Flanders and the Dutch Republic. Condition: Very good, given age. Margins cropped to the platemark. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: Q2-253 LATPC The overall size is ca. 6.5 x 8.4 inch. The image size is ca. 6.5 x 8.4 inch. The overall size is ca. 16.6 x 21.3 cm. The image size is ca. 16.6 x 21.3 cm.

Antique Master Print, untitled. Landscape with laundress drying clothes on a rock, with a boy, cow, sheep and dog. Etching on hand laid (verge) paper. Description: Source unknown, to be determined. Artists and Engravers: Made by 'Jan de Visscher' after 'Nicolaes Pietersz. Berghem'. Jan / Johannes de Visscher, the younger (ca. 1636-1692) was a Dutch Golden Age engraver who later became a painter at age 58. He made famous print after Wouwermans and Berchem, as well as Ostade and Van Goyen. He was the brother of Cornelis II and Lambert. Nicolaes Pieterszoon Berchem / Berghem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. Condition: Very good, given age. Vertical fold near middle. Small tears in top of fold and in left margin, reinforced using contemporary paper backed with acid free archival tape. Some faint soiling in the margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: TPCLA-B1-18 The overall size is ca. 16.8 x 13.8 inch. The image size is ca. 15 x 11 inch. The overall size is ca. 42.7 x 35 cm. The image size is ca. 38 x 28 cm.

No binding. Zustand: Good. Etching on laid paper. Watermark: French lily. Sheet size: 31.5 x 21 cm. Image size: 29.3 x 18.7 cm. From a set of landscapes after designs by Jan van Goyen.Made by Leendert Brasser after Jan van Goyen. Leendert Brasser (1727-1793) worked in Rotterdam as a painter and etcher. Jan van Goyen (1596-1656) was a famous Dutch landscape painter from The Hague.Condition: Good, given age. Ample margins, remains of coloring. Small tear in bottom paper edge. Pinhole. Some light paper spots. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: LANDSCAPE-BEACH-SHIPPCO-A2-21.

Zustand: Fine. Antique Master Print, untitled. Landscape with a church near an estuary. From a set of landscapes. Ref: Hollstein 35 Landscape. Engraving on Laid paper. Watermark: Foolscap Made by 'Jan de Visscher' after 'Jan van Goyen'. Johannes / Jan Visscher (Dutch 1636-c.1692). Jan van Goyen (1596-1656) was a famous Dutch landscape painter from The Hague. Excellent, given age. Ample margins. Some light foxing. Some missing corners. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 25.9 x 17.4 cm. The image size is ca. 20.4 x 12.6 cm. The overall size is ca. 10.2 x 6.9 inch. The image size is ca. 8 x 5 inch. Storage location: (LATPC) Q1-432.

Zustand: Very Good. Antique Master Print, untitled. Mediterranean harbour with ships and crews working on dinghies. Source unknown, to be determined. Ref: Hollstein 65. Etching on laid paper. Made by 'Adriaen van der Cabel ' after 'Adriaen van der Cabel'. Adriaen van der Cabel (1631-1705) was a pupil of Jan van Goyen. He later worked in Italy and France. Very good, given age. No margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 15.4 x 10.6 cm. The image size is ca. 15.4 x 10.6 cm. The overall size is ca. 6.1 x 4.2 inch. The image size is ca. 6.1 x 4.2 inch. Storage location: TPCLA-C3-13.

Antique Master Print, untitled. A view of a village with a well Printdrawing on laid paper paper. Watermark: A printdrawing is a work of art made to simulate a drawing, using a combination of graphical techniques including roulette, mezzotint, crayon / stipple engraving, etching and aquatint etching. Description: Source unknown, to be determined. State: Only state. Ref: Van Huffel 54. Artists and Engravers: Made by 'Bernard Schreuder' after 'Jan van Goyen'. Bernard Schreuder (+1778) worked for while in collaboration with C. Ploos van Amstel. After an argument he started for himself, making printdrawings. Jan van Goyen (1596-1656) was a famous Dutch landscape painter from The Hague. Condition: Very good, given age. No margins, as published. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: LA-B3-30 The overall size is ca. 10.3 x 5.9 inch. The image size is ca. 10.3 x 5.9 inch. The overall size is ca. 26.2 x 15.1 cm. The image size is ca. 26.2 x 15.1 cm.

Antique print, titled: 'Utrecht.' - Extr. rare and attractive panoramic view of Utrecht. With the artist sketching at middle bottom foreground. Etching on hand laid paper. Watermark: Stasbourg coat of arms, c. 1650-1660. Description: No reference found. This panoramic view is based on a 3 sheet panorama by Saftleven, dated 1648. Based on paper and watermark this plate can be dated not much later, c. 1650-1660. Ref: Hollst. Dutch 17 (Saftleven plate).Artists and Engravers: Made by an anonymous engraver after 'Herman Saftleven'. Herman Saftleven II (1609-1685) was a Dutch painter, engraver and draughtsman from Rotterdam, active in Utrecht from 1632. He was a pupil of Jan van Goyen and the son of the painter Herman Saftleven I. Condition: Very good, given age. Vertical fold in middle. Remains of paper on rear from previous attachment. Ample margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: R1-017 TPC The overall size is ca. 16.1 x 12.4 inch. The image size is ca. 13.9 x 10.2 inch. The overall size is ca. 41 x 31.4 cm. The image size is ca. 35.4 x 26 cm.