larry clark tulsa, Erstausgabe (23 Ergebnisse)

First edition thus. Softcover. A gritty collection of black and white images all taken in Clark's hometown with most revolving around intravenous drug users there. A near fine copy in wrappers with some slight curvature and some minor wear. Signed by Clark on the front free endpaper. Uncommon signed.

First edition thus. Hardcover. A gritty collection of black and white images all taken in Clark's hometown with most revolving around intravenous drug users there. A fine copy in a fine dust jacket. As new and still largely in the publisher's shrinkwrap slit open to verify printing.

Hardcover. Zustand: Gut. Schutzumschlag. 1. Auflage. Larry Clark, New York. 1987 (self-published). First hardcover edition, first printing. One of the most influential photobooks of the 20th century: Andrew Roth, The book of 101 books, page 208/209; Martin Parr, The Photobook, vol 1, page 260. Hardcover with illustrated dustjacket. 235 x 315 mm (9 x 12 1/4 x 9 1/4 inches). 64 pages. Text in english. Condition: Book inside and outside fresh and flawless with no marks and with no foxing; very light trace of use, no defects. Dustjacket fresh and almost complete with only one marginal missing parts at the bottom of the front and at the top of the spine; still fresh, better than usual and still very impressive. Overall fine condition! Fantastic photobook! Scarce first hardcover! With the original dustjacket! The first cloth bound issue of Clark`s classic first book which was originally published in 1971 as a softcover. This edition was bound up by and released by Clark. A gritty collection of black and white images all taken in Clark`s hometown with most revolving around intravenous drug users there. ***************Larry Clark, New York. 1987. (Eigenverlag des Künstlers). Erstausgabe in Hardcover. Amerikanische Originalausgabe. Eines der einflussreichsten Fotobücher des 20. Jahrhundert: Andrew Roth, The book of 101 books, Seite 208/209; Martin Parr, The Photobook, vol 1, Seite 260. Hardcover mit illustriertem Schutzumschlag. 235 x 315 mm. 64 Seiten. Text in englischer Sprache. Zustand: Buch innen und aussen sehr gut, sauber und frisch erhalten; keine Besitzvermerke, keine Stockflecken, keine nennenswerten Mängel. Der Schutzumschlag frisch und überdurchschnittlich gut erhalten mit nur zwei marginalen Fehlstellen am oberen Rücken sowie am unteren Rand der Vorderseite; fast vollständig und beeindruckend. Insgesamt guter Zustand! Fantastisches Fotobuch! Seltene Erstausgabe in Hardcover! Mit dem Original-Schutzumschlag! Sprache: Englisch Gewicht in Gramm: 1600.

Cloth. Zustand: Fine. Zustand des Schutzumschlags: Fine. An immaculate copy of the 1996 1st Japanese edition, published by the Taka Ishii Gallery of Tokyo. Clean and Fine in a crisp, Fine dustjacket. Tall quarto, text (what little there is) exclusively in Japanese. Clark's crisp, haunting black-and-white photos, staying remarkably true to their original American iteration.

First edition. Softcover. From the library of New Topographics photographer Joe Deal with his rubber stamp to the front free endpaper. The true first edition of Clark's classic first book. A gritty collection of black and white images all taken in Clark's hometown with most revolving around intravenous drug users there. A close to near fine copy in wrappers with some minor wear. A nice copy of an inherently fragile book and with an interesting provenance. (Parr & Badger v1 260, Roth 208-209).

First Hardcover Edition, preceded by a softcover edition published by Lustrum Press in 1971. SIGNED on the title page by photographer Larry Clark. Clark's controversial first book, documenting sex, drug use, and violence among his young friends in the suburbs of Tulsa, Oklahoma. Short closed tear on the bottom edge of the dust jacket rear panel, else Near Fine in a Near Fine dust jacket.

Zustand: Fine. Beautifully rebound, signed, and almost universally misdescribed first hardcover edition (and second edition overall) of Clark's classic photobook. First published in 1971 by Ralph Gibson's Lustrum Press, Larry's Clark's indelible TULSA was followed by this edition, published by the photographer himself in 1983. And let's make one thing clear right away: this book WAS published in 1983. Not 1979 as innumerable booksellers routinely, indeed pretty much exclusively, describe it. First and foremost, it was not announced or advertised until that year (Green). Likewise, reviews did not appear until that year either. For example, Andy Grundberg wrote for the NEW YORK TIMES on April 10, 1983: "Mr. Clark's 'Tulsa,' now reissued in a hardcover edition published by the photographer himself [.] remains a harrowing, vivid and unforgettable document." And as Grove Press described the chain of editions (presumably with some input or approval from Clark) when they reissued the book in 2000, TULSA was "[o]riginally published in a limited paperback version and republished in 1983 as a limited hardcover edition commissioned by the author." This edition was likely prepared to coincide with the publication that same year of Clark's second book TEENAGE LUST (also self-published by Clark), which may have unwittingly contributed to the confusion. Indeed, the 1979 date seems to have originated from a conflation of events described in Andrew Roth's 101 BOOKS. In his entry for TEENAGE LUST, Vince Aletti writes: "After a tentative deal with Aperture fell through, Clark designed and published the book himself with money he'd built up from his 1979 second edition of TULSA." But what Clark produced in late 1979 was not a new book edition of TULSA, but rather a suite of new photographic prints of the full series, issued in an edition of 100 by the Robert Freidus Gallery, in conjunction with a major exhibition of the Tulsa photos held there. The portfolios retailed for $15,000 something Clark frankly admitted at the time he did for "the money" (PCN). It was almost certainly from these funds that Frank printed both TEENAGE LUST and this new (first hardcover) edition of TULSA. Further, it should be stated that this book was NOT assembled from leftover first edition sheets, again as many dealers assert or imply. This edition was advertised as being issued in an edition of 3000 copies; the 1971 Lustrum edition was printed in an edition of 2400 copies. It seems extraordinarily unlikely that there was a 125% overrun of that edition and that those unbound sheets laid around unused for more than a decade. Almost equally as unlikely is that no bookseller I can find has ever called the book what it rightly should have been were this true: the first edition, second issue of TULSA. And no enterprising book dealer I know has ever turned down the opportunity to make a selling point of a bibliographic point. But while it's true that in the history of book collecting there are certainly examples of stranger bibliographical tales than long-forgotten unbound overages, it is equally true that in this particular case we need not wonder or hypothesize. We know these two editions are completely separate because we know who printed each. It says so right in the book: "Tom Jones, Los Angeles, California" printed the 1971 edition, and (the noted photography printer Sid Rapoport of) Rapoport Printing the 1983 edition. So the idea that the latter edition was made up from 1971 sheets is not only unlikely and illogical on its face, it is blatantly contradicted by any straightforward comparison of the copyright pages of the two editions. But even OCLC has repeated this erroneous information ("[P]rinted by Rapoport Press under the author's supervision, cloth-bound and issued in 1979 using the 1971 first edition sheets"), so there's plenty of go-around to blame. Nevertheless, this corruption of the bibliographic record does feel emblematic of something. Fake news? A devaluing of genuine expertise? A skepticism around the idea that facts may be arrived at through a careful examination of the historic record? The continued Wild West shit show that is online dealing in the 21st century? I don't know. I'm just a bookseller. But I can state the following, as a bookseller: This is an attractive and solemnly-bound copy of the second edition overall and first hardcover edition of this important and still visceral photobook documenting a subject that Clark would spend his career investigating: the reckless abandon of youth to drugs, to drink, to guns, to sex. Unlike his subjects, however, we booksellers should endeavor toward a greater sobriety, about this or any other book. Rebound in full black oasis morocco with silver titles and front panel of dustjacket bound in. Black endpapers. [60] pages. One of 3000 copies. Signed by Clark on title page. Bright, sharp, and clean.

Hardcover. Zustand: Very good to fine condition. First edition. Large quarto. Unpaginated (176)pp. Color photo illustrated dust jacket, black spine lettered in white. Black cloth with lettering on spine. Color photographs on two frontispieces and the title page. Profusely illustrated with numerous color and b/w photographs of teenagers "gone wild" (some are sexually explicit). Includes reproduction of newspaper and magazine covers and clippings, and notes. Clark is also the author of the cult books Tulsa and Teenage Lust. Dustjacket with minor wear along top edge.

Hardback. First Edition. 24 x 29cm 175pp 110 four-colour and 48 duotone plates. Includes Clark's controversial black and white photographs from the "Tulsa" and Teenage Lust" work, as well as previously unpublished colour and black and white images. From the publisher: "Larry Clark's work has always obsessively circled around adolescent boys, their awakening sexual drives, the enormous energies they have to harness. Clark offers the viewer a cultural anthropology of this transitory period that oscillates between painful pleasure and exuberant self-destruction. Clark is spellbound with the vital, unruly, and destructive force teen boys exude. Clark confronts us with lucid images of male sexuality and its equally creative and destructive impulses. He combines pop-culture imagery with his own photographs to evoke a myth ingrained in the heart of our culture.The Perfect Childhood combines an overview of Clark's work-ranging from collages and found images to photographs from his native Oklahoma in the late 1960's-with a new series of tender and erotic portraits of a skater boy - the latest incarnation of the mythical eternal youth Clark investigates and idolises in his work. Near fine in near fine dustjacket.

First edition. Softcover. The first Japanese edition of Clark's classic second book. One of a 1000 copies. A controversial collection of black and white images taken in Tulsa and New York and feature teens engaging in often graphic sexual acts. Includes Clark's afterword in Japanese. A very near fine copy in wrappers with a very slight blemish to the base of the front panel. A fresh copy.

Pictorial wrappers. Zustand: Very Good +. SIGNED BY LARRY CLARK on the title page. A tight, solid copy to boot of the 1983 stated 1st edition. Crisp and VG+ in its iconic pictorial wrappers, with light spotting along the panel edges. Internally, clean as could be, with no writing or markings of any kind. Quarto, the famous follow-up to Larry Clark's equally famous first book, "Tulsa".

Hardcover. Zustand: Near Fine. First editions. Three volumes. Quartos. 208, [8] autograph pp.; 208, [8] autograph pp.; 213 [11] autograph pp. Decorated leatherette boards. Slight age-toning on the boards, a number of student autographs and inscriptions, each is near fine (the set seems like they were gathered from three different students, with inscriptions to, or owner names of, Larry, Bill, or Paul. The high school yearbooks for several of the of the more important literary (and other) figures to emerge from mid-century Tulsa: artist and author Joe Brainard, poets Ron Padgett and Dick Gallup, filmmaker and photographer Larry Clark (of *Tulsa* fame), and oil billionaire George Kaiser. The three volumes picture the Sophomore, Junior, and Senior years of Brainard, Padgett, and George Kaiser (Class of 1960), the Junior and Senior years of Dick Gallup (Class of 1959); while Larry Clark is represented in his Sophomore and Junior years (Class of 1961). All are featured in individual and/or group photographs, most of them in several images each. Brainard is listed among the editors of the 1960 *Tom Tom*, and indeed on page [117] of the 1960 volume, he is pictured creating the design that graces the cover of that volume. He also appears in multiple group shots, and provides a vignette in the text, while Padgett is listed in the Art Club, Literary Reviewers, and the Honor Roll. Gallup, Padgett, and Brainard eventually found their ways to New York where, along with fellow Tulsa-native Ted Berrigan, they formed an important part of the New York School of Poetry, and were sometimes referred to as the Tulsa School of Poetry. Clark went on to pioneer his cutting-edge brand of photography and filmmaking, while Kaiser (not technically part of the Tulsa School of Poetry) went on to make a ton of money. Interesting example of the juvenile influences of a nice accumulation of notable members of the avante garde.

Softcover. Zustand: Very good+ to fine condition. First edition. Signed Larry Clark on title page. Quarto. Unpaginated. Original photo-illustrated stiff wraps with black lettering on spine. Larry Clark publication with portraits of family members and photographs from Tulsa, his hometown in Oklahoma, incl. nude photographs, scenes and portraits from the lives of junkies, prostitutes and thieves in New York; Clark had settled in New York in the 1960s. The book includes an essay by Larry Clark and reproductions of court and newspaper documents. The photographs were taken between 1958 and 1980. Minor imperfectiona along edges of front cover, else in fine to fine condition.

Zustand: Wie neu. Groninger Museum, Groningen. 1999. First edition, first printing. New, unread, mint; originally shrink-wrapped in publisher`s plastic foil. Hardcover (as issued). 95 x 24,5 mm. 176 pages. 97 colour photos. Text in english. Perfect condition! Collector`s copy! Published on the occasion of the exhibition Larry Clark at the Groninger Museum March 21 to June 6, 1999. By the maker of two of the most important photobooks: Tulsa and Tennage Lust. Martin Parr , The Photobook, vol 1, page 260.***************Groninger Museum, Groningen. 1999. Erstausgabe. Neu, ungelesen, verlagsfrisch; noch original-verpackt und verschweisst in der Plastikfolie des Verlags. Vom Macher zwei der wichtigsten Bücher in der Geschichte der Fotografie: Tulsa und Tennage Lust. Martin Parr , The Photobook, vol 1, Seite 260. Hardcover (nur so erschienen). 95 x 24,5 mm. 176 Seiten, 97 Farbfotos. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! Erschien anlässlich der Ausstellung im Groninger Museum. Sprache: Englisch Gewicht in Gramm: 1600.

Zustand: Wie neu. Luhring Augustine, New York/ Simon Lee, London. 2007. First edition, first printing. New, unread, mint; originally shrink-wrapped in publisher`s plastic foil. Hardcover without jacket (as issued). 12.5 x 11.75 inch. 93 pages. 48 color illustrations. Text in english. Perfect condition! Collector`s copy! By the maker of two of the most important photobooks: Tulsa and Tennage Lust (Martin Parr, The Photobook, vol 1, page 260). The hero of this book and photographer Larry Clark clearly does see him as heroic is Jonathan Velasquez, a teenager Clark encountered at random who became his muse. Velasquez serves more as a vehicle, however, than a fully developed character. He is the "everyman" of disaffected teenagers. Clark followed him for three years, detailing with his camera the social interactions that make up the unique world of urban teenagers. This world exists almost completely beyond the consciousness of the adult world and, as a result, is less and less bound by its rules. In this untamed social environment, Clark finds an uninhibited passion for life. From the Publisher: "Los Angeles 2003-2006 reflects the artist's life-long interest in the subject of today`s youth within a marginalized urban environment. In this particular body of work, we witness the physical transformation of Jonathan Velasquez throughout the period of his adolescent years. Jonathan, a teenager living in South Central Los Angeles whom the artist encountered by chance, inspired Clark to write and direct the film Wassup Rockers. In this obsessive four year photographic chronicle of Jonathan`s life, we experience not so much the unfolding of a series of portraits but rather the weaving of the subject`s personal life within the context of a particular social milieu common to so many of today`s urban youth subcultures. Building upon Larry`s previous photographic accomplishments beginning with 'Tulsa,' 'Teenage Lust,' '1992,' 'The Perfect Childhood,' 'Punk Picasso,' and in film with 'Kids,' 'Bully,' 'Ken Park' and 'Wassup Rockers' this series of photographs further probes with equal intensity and unabashed honesty the often subtle, often glaring changes that all youth, and in particular Jonathan, go through in their teenage years. The close-up shots, the full length frontal views, the groupings of Jonathan with his friends all combine to portray the vulnerability as well as the subjects' expressions of newfound individuality, vitality and independence of life style. The large scale pigment prints reflect a departure for Clark from the more spare and documentary sensibility that characterize his earlier work, and in so doing allow for a more tender and evocative exploration of his subject."***************Luhring Augustine, New York/ Simon Lee, London. 2007. Erstausgabe. Neu, ungelesen, verlagsfrisch; noch original-verpackt und verschweisst in der Plastikfolie des Verlags. Vom Macher zwei der wichtigsten Bücher in der Geschichte der Fotografie: Tulsa and Tennage Lust (Martin Parr, The Photobook, vol 1, Seite 260). Hardcover ohne Schutzumschlag (nur so erschienen). 93 Seiten. 48 Fotos. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

New York, Larry Clark, 1987 Tall 8vo. Grey card wrappers with black lettering to spine and illustrated front and inner front wrapper; 26 pages of writing to conclude text body; unpaginated; very mild rubbing to head of spine; otherwise a fine copy. Second Edition, signed by the author to the title page and featuring a further 10 plates not included in the first edition Larry Clark, born 1943, is an American film director, photographer and writer well-known for his controversial film Kids (1995), with a screnplay by Harmony Korine, as well as his original photo book Tulsa (1971) which documents the life of Oklahoma youth. This iconic photo book captures the antics of teenage libertines between the 1950's and 1970s. A masterpiece of underground history, it excavates the sex, occaional violence and yet somehow beautiful debauchery of their lives within a specific subculture. Teenage Lust is an autobiogrpahy of Clark's teenage past as traced through the images of other faces and juxtaposes family photographs with intimate, graphic insight into young lives permeated with illicit drug use and underage sex.

Unbound. Zustand: Fine. Gelatin silver photograph. Image measures approximately x " x " on 11" x 14" paper. Fine. Titled and Signed in pencil on the verso by Clark: "Stevie's first shot - Larry Clark." (This image is also known as "Skip's first shot.").

Zustand: Wie neu. Fotografiska Museet, Stockholm, 1986. First edition, first printing. Rare item for every Larry Clark fan. New, unread, mint. 240 x 165 mm. 18 pages. Text in swedish. Perfect condition! Collector`s copy! By the maker of two of the most important photobooks: Tulsa and Tennage Lust (Martin Parr, The Photobook, vol 1, page 260).***************Fotografiska Museet, Stockholm, 1986. Erstausgabe. Originalausgabe. Softcover (wie erschienen). 240 x 165 mm. 18 Seiten. Text in schwedischer Sprache. Perfekter Zustand! Sammler-Exemplar! Seltener Katalog vom Macher zwei der wichtigsten Fotobücher in der Geschichte der Fotografie: Tulsa and Tennage Lust (Martin Parr, The Photobook, vol 1, Seite 260). sv Gewicht in Gramm: 1600.

Zustand: Wie neu. Kunsthalle Basel, Basel. Frankfurter Kunstverein, Frankfurt am Main. 1982. First edition, first printing. New, mint, unread. Softcover. 215 x 235 mm. 26 pages. 14 photos (one on the cover). Super scarce, early catalogue by the maker of two of the most important photobooks ever: Tulsa and Tennage Lust (Martin Parr , The Photobook, vol 1, page 260). Perfect condition! In this condition hard to find! Collector`s copy! Very sought-after catalogue and a must-have for every Clark fan!***************Kunsthalle Basel, Basel. Frankfurter Kunstverein, Frankfurt am Main. 1982. Erstausgabe. Originalausgabe. Softcover. 215 x 235 mm. 26 Seiten. 14 Fotos (eines davon auf dem vorderen Cover). Sehr seltener, früher Katalog vom Macher zwei der wichtigsten Bücher in der Geschichte der Fotografie: Tulsa und Tennage Lust (Martin Parr , The Photobook, vol 1, Seite 260). Zustand: sehr schön. Keinerlei nennenswerten Mängel! Extrem gesuchter Katalog! Ein Muß für jeden Clark-Fan! Sprache: Deutsch Gewicht in Gramm: 1600.

Zustand: Wie neu. Werkstatt für Photographie, Berlin. 1981. Original Larry Clark poster from 1981! Very scarce! New, flawless condition! Published for the exhibition in Berlin, 14.9.-23.10.1981 at the VHS Kreuzberg! Photo illustrated poster. 480 x 630 mm. A must-have for every Larry Clark fan! Larry Clark is responsible for two of the most important photobooks: Tulsa and Tennage Lust. Martin Parr , The Photobook, vol 1, page 260. Beside Lewis Baltz, William Eggleston and John Gossage also Larry Clark was exhibited at the beginning of the 80ies at the "Werkstatt für Photographie der VHS Kreuzberg", founded by famous photographer Michael Schmidt.***************Werkstatt für Photographie, Berlin. 1981. Original Larry Clark-Plakat von 1981! Sehr selten! Neu-Zustand! Herausgegeben zur Ausstellung de Künstlers in Berlin vom 14.9. bis 23.10.1981 in der VHS Kreuzberg. Foto-Illustriertes Plakat. 480 x 630 mm. Ein Muss für jeden Larry Clark-Fan! Larry Clark ist verantwortlich für 2 der wichtigsten Fotobücher in der Geschichte der Fotografie: Tulsa and Tennage Lust. Martin Parr , The Photobook, vol 1, Seite 260. Neben Lewis Baltz, William Eggleston und John Gossage stellte auch Larry Clark bereits Anfang der 1980er Jahre in der von dem Fotografen Michael Schmidt gegründeten "Werkstatt für Photographie der VHS Kreuzberg" aus. sv Gewicht in Gramm: 1600.

First edition and first printing. Hardcover. Misrach's first book, a gritty collection of photographs of the street people of Berkeley. While this book was published three years after Larry Clark's "Tulsa" it captures a similar vibe and despair. A tight and clean very near fine copy in a clean near fine dust jacket with some very slight toning to the edges of the flaps.

First edition; 4to (254 x 254 mm, 10 x 10 in); black-and-white photographs printed in offset, occasional light foxing; photo-illustrated wire-stitched wrappers, white, text in black, minor toning, minor rubbing, near-fine; [60]pp. Contains photographs taken by Seymour and also by his father and other family and friends. The title is derived from a poem written by his mother titled 'A Loud Song, Mother / For My Son Daniel Seymour' which is reproduced here along with other texts including a coming of age letter from his stepfather Allen Tate and a note from Robert Frank. Frank writes: 'Danny has a lot of hope and a lot of despair. He also has friends who share it with him. But Danny is an artist and if he'll survive we all will be happy and richer to see what he has done.' Seymour got to know Frank when he lived above him in an apartment on the Bowery during the late 1960s. They had a close friendship and Seymour would often assist Frank on his films, including Cocksucker Blues (1972) which followed the Rolling Stones on their '72 U.S. tour. At the age of 21 Seymour had inherited a large amount of money from his mother Isabella Stuart Gardner, which according to Ralph Gibson 'he was trying to spend as quickly as possible, which he did.' Seymour met Gibson through Robert Frank and Larry Clark and went on to pay for Gibson's Lustrum Press to print Clark's first book Tulsa (1971). A Loud Song was printed at the same time as Tulsa. In the introduction Seymour writes 'This book is not an autobiography. It is not that complete. It is an attempt to use the photographic image as a language, and with that, to make literature. it is an attempt to survive to preserve my identity'. In 1972, shortly after he finished working on Cocksucker Blues, he disappeared from a boat on route to the US from Colombia. The Open Book pp280-1.

Softcover. Zustand: Near Fine. First edition. Edited by Ron Padgett, Joe Brainard, and Betty Kennedy. Octavo. [24]pp. Illustrated by Joe Brainard and Dan Teis. Stapled wrappers illustrated by Joe Brainard. Slightly bumped at one corner, very near fine. The fifth and final issue of the periodical *The White Dove Review* which was started by high school student Ron Padgett with the aid of classmates Dick Gallup and Joe Brainard. Inspired by Amiri Baraka's *Yugen* and Wallace Berman's *Semina*, Padgett made arrangements with his local printer and the trio then sent earnest pleas to top Beat writers Jack Kerouac and Allen Ginsberg, as well as New York avant-garde poets Amiri Baraka and Clarence Major, and received significant contributions for their efforts. The precocious Brainard and Padgett published five issues of the magazine while still at high school. Brainard and Padgett were students at Tulsa Central High School, attending concurrently with filmmaker and photographer Larry Clark, of *Tulsa* fame (and incidentally, also with future oil billionaire George Kaiser). This issue features poems from Ted Berrigan, Richard Gallup, LeRoi Jones [Amiri Baraka], Gilbert Sorrentino, Robert Creeley, Ron Padgett, Jack Anderson, David Omer Bearden, Richard Dokey, Carl Larsen, C. Cleburne Culin, and Martin Edward Cochran, and is illustrated with a cover and three drawings by Brainard and another four by Dan Teis. Very scarce.