lee friedlander american monuments (8 Ergebnisse)

First edition. Small oblong softcover. 8 pages. A companion piece to Friedlander's seminal book "American Monuments." Includes 14 black and white images. A close to near fine copy in stapled wrappers with a small sticker shadow to the front cover. Internally a clean copy.

First edition. Softcover. Essay on Friedlander by Marvin Heiferman along with a portfolio of his black and white photographs. Additionally there is an essay and photos on John Thomson. A clean very near fine copy in wrappers.

Geheftet mit 14 s/w Fotoabbildungen. Format 22,8 x 15 cm. Knickspur auf der letzten Seite. Insgesamt gut erhalten. Ausstellungskatalog in englischer Sprache. Die abgebildeten Fotos sind aus dem 1976 erschienenen Titel "American Monuments". Auf der Vorderseite von Lee Friedlander signiert. Signed.

Hardcover. Zustand: Near Fine. No additional printings listed. SIGNED. Quarto [34 cm] Photographically illustrated paper over boards. Hot pink endpapers. A collection of illustrations reproducing Friedlander's photographs of mannequins in store windows. Signed by Lee Friedlander on the front free endpaper. "Lee Friedlander began photographing the American social landscape in 1948. With an ability to organize a vast amount of visual information in dynamic compositions, Friedlander has made humorous and poignant images among the chaos of city life or in dense natural landscapes, focusing on countless subjects ranging from cars and trees to monuments and nudes. Fraenkel Gallery began showing Friedlander's work in 1979, the year the gallery opened, and has presented close to 20 solo exhibitions since then." - Fraenkel Gallery.

Quer-4°, 480 S. zahlr. meist ganzs. Abb., Broschur, Tadell. EA. Text engl.- Lee Friedlander (*1934) studierte am Art Center in Los Angeles, begann 1946 oder 1948 zu fotografieren, und wurde durch brillante schwarz-weiße Dokumentaraufnahmen als kritischer Chronist des amerikanischen Alltags bekannt. Friedlander fotografierte anfangs Straßenszenen und wandte sich später auch anderen fotografischen Genres wie Akt, Landschaft, Blumen, Bäume, Selbstporträts (Self Portraits, 1970) und der Darstellung unterschiedlicher Berufe zu. Kennzeichnend für seine Fotografie ist die Arbeit in Serien. In den 1960er Jahren lieferte er auch Coverfotos für einige Alben von Atlantic Records. In den späten 1970ern erstellte er Reportagen zu vergessenen Denkmälern der amerikanischen Geschichte (American Monuments, 1976), zu Arbeitslosigkeit und anderen Themen (z. B. American Musicians, 1998). Viel Aufmerksamkeit erhielt Friedlanders Opus At Work. Hier versammeln sich sechs verschiedene Serien zur Industriearbeit, zwischen Schwerindustrie und Call-Center. Seiner Meinung nach ist das Buch die beste Möglichkeit, Bilder darzustellen oder auch zu veröffentlichen, denn hier hat der Fotograf die Möglichkeit, ganze Bilderserien abzuschließen.Friedlanders Arbeiten wurden 1963 erstmals in einer Einzelausstellung im George Eastman House in Rochester vorgestellt. Lee Friedlander wurde u. a. von Walker Evans beeinflusst. Er unterrichtete u. a. an der University of Minnesota. 1999 wurde er in die American Academy of Arts and Sciences gewählt. Seit 2007 ist er gewähltes Mitglied der American Philosophical Society. 3500 gr. Schlagworte: Photographie.

Zustand: Wie neu. Steidl, Göttingen. 2003. First edition, first printing. New, mint, unread; originally shrink-wrapped in publisher`s plastic foil. Hardcover with dustjacket. 305 x 288 mm. 96 pages. 231 duotone plates. With an essay by Richard Benson. Perfect condition! Collector`s copy! Friedlander is famous for fantastic photobooks like "The American Monument" (Andrew Roth, The Book of 101 Books, page 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, page 28. The Open Book, Hasselblad Center, page 310. 802 photo books of the M. + M. Auer collection, page 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, page 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, page 258. The Open Book, Hasselblad Center, page 262/263. 802 photo books of the M. + M. Auer collection, page 514) or "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, page 199). In the industrial north at the end of the 1970s, people were at work using hands and machinery to make things we all use. Less than a decade later, supercomputers were being made in Wisconsin while desktop computers were being used in Boston. In New York City in the early nineties, people were avidly trading at stock exchanges. In 1995, telemarketers sat at computers in Omaha, cold-calling potential customers, while in Cleveland, in that same year, human skills were once again put to traditional use to craft products we all depend on. Work, work, work we spend the better part of our lives on the job, in a factory or an antiseptic office or somewhere else in the vast assembly line in between. Tireless photographer Lee Friedlander, the maniacally inclusive but blessedly nonchalant cataloguer of Americana monuments, jazz musicians, and urban landscapes presents here 16 years of Americans at work. A collection of portfolios commissioned in part by art institutions and in part by company CEOs, At Work also documents, albeit subtly, 16 years of one of America's most exceptional and hard-working photographers at work. Lee Friedlander has had a distinguished career as a photographer. Among his many awards are a MacArthur Foundation Award, grants from the National Endowment of Art, and three Guggenheim Fellowships. His previously published books include the seminal Self Portrait and The American Monument, and, more recently, American Musicians, Letters from the People, Little Screens, The Desert Seen, and Kitaj. He lives in New York State.***************Steidl, Göttingen. 2004. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in Plastikfolie des Verlages. Leinen mit Schutzumschlag. 305 x 288 mm. 96 Seiten. 231 Fotos. Mit einem Essay von Richard Benson. Perfekter Zustand! Sammler-Exemplar! Friedlander ist berühmt für wunderschön gemachte Fotobücher wie "The American Monument" (Andrew Roth, The Book of 101 Books, Seite 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 28. The Open Book, Hasselblad Center, Seite 310. 802 photo books of the M. + M. Auer collection, Seite 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, Seite 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, Seite 258. The Open Book, Hasselblad Center, Seite 262/263. 802 photo books of the M. + M. Auer collection, Seite 514) oder "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 199). Sprache: Englisch Gewicht in Gramm: 1600.

Zustand: Wie neu. Steidl, Göttingen. 2003. First edition, first printing. Signed by Lee Friedlander! New, mint, unread; only opened once for signature. Hardcover with dustjacket. 305 x 288 mm. 96 pages. 231 duotone plates. With an essay by Richard Benson. Perfect condition! Signed by the artist! Collector`s copy! Friedlander is famous for fantastic photobooks like "The American Monument" (Andrew Roth, The Book of 101 Books, page 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, page 28. The Open Book, Hasselblad Center, page 310. 802 photo books of the M. + M. Auer collection, page 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, page 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, page 258. The Open Book, Hasselblad Center, page 262/263. 802 photo books of the M. + M. Auer collection, page 514) or "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, page 199). In the industrial north at the end of the 1970s, people were at work using hands and machinery to make things we all use. Less than a decade later, supercomputers were being made in Wisconsin while desktop computers were being used in Boston. In New York City in the early nineties, people were avidly trading at stock exchanges. In 1995, telemarketers sat at computers in Omaha, cold-calling potential customers, while in Cleveland, in that same year, human skills were once again put to traditional use to craft products we all depend on. Work, work, work we spend the better part of our lives on the job, in a factory or an antiseptic office or somewhere else in the vast assembly line in between. Tireless photographer Lee Friedlander, the maniacally inclusive but blessedly nonchalant cataloguer of Americana monuments, jazz musicians, and urban landscapes presents here 16 years of Americans at work. A collection of portfolios commissioned in part by art institutions and in part by company CEOs, At Work also documents, albeit subtly, 16 years of one of America's most exceptional and hard-working photographers at work. Lee Friedlander has had a distinguished career as a photographer. Among his many awards are a MacArthur Foundation Award, grants from the National Endowment of Art, and three Guggenheim Fellowships. His previously published books include the seminal Self Portrait and The American Monument, and, more recently, American Musicians, Letters from the People, Little Screens, The Desert Seen, and Kitaj. He lives in New York State.***************Steidl, Göttingen. 2004. Erstausgabe. Originalausgabe. Signiert von Lee Friedlander! Neu, ungelesen, verlagsfrisch; nur einmal geöffnet für die Signatur! Leinen mit Schutzumschlag. 305 x 288 mm. 96 Seiten. 231 Fotos. Mit einem Essay von Richard Benson. Perfekter Zustand! Signiert vom Künstler! Sammler-Exemplar! Friedlander ist berühmt für wunderschön gemachte Fotobücher wie "The American Monument" (Andrew Roth, The Book of 101 Books, Seite 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 28. The Open Book, Hasselblad Center, Seite 310. 802 photo books of the M. + M. Auer collection, Seite 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, Seite 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, Seite 258. The Open Book, Hasselblad Center, Seite 262/263. 802 photo books of the M. + M. Auer collection, Seite 514) oder "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 199). Sprache: Englisch Gewicht in Gramm: 1600.

Zustand: Wie neu. Haywire Press, New York. 1978. First edition, first printing. Hardcover in linen. 290 x 275 mm. 137 photos in black and white. Condition: Inside clean and flawless. Spine of the book like so often lightly sunned, otherwise excellent. Great copy of a wonderful early Friedlander publication! Scarce! Monograph with photos between 1962 and 1976, among others: from his famous series "American Monuments", "Family" or "Self-Portraits". This book was published on the occasion of an exhibition at The Hudson River Museum in Yonkers, New York. Friedlander is famous for fantastic photobooks like "The American Monument" (Andrew Roth, The Book of 101 Books, page 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, page 28. The Open Book, Hasselblad Center, page 310. 802 photo books of the M. + M. Auer collection, page 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, page 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, page 258. The Open Book, Hasselblad Center, page 262/263. 802 photo books of the M. + M. Auer collection, page 514) or "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, page 199).***************Haywire Press, New York. 1978. Erstausgabe. Originalausgabe. 290 x 275 mm. 137 Fotos in schwarz-weiß. Zustand: Innen von sehr schöner, sauberer Erhaltung. Der empfindsame blaue Leinen-Buchrücken wie fast immer ganz leicht aufgehellt, ansonsten auch von außen sehr gut erhalten. Insgesamt ein schönes Exemplar dieser frühen Friedlander-Veröffentlichung! Selten! Die Monographie zeigt Fotos zwischen 1962 und 1976, darunter Auszüge der beeindruckenden Serien: "American Monuments", "Family" or "Self-Portraits". Das Buch erschien anläßlich der Ausstellung im "Hudson River Museum" in Yonkers, New York. Friedlander ist berühmt für wunderschön gemachte Fotobücher wie "The American Monument" (Andrew Roth, The Book of 101 Books, Seite 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 28. The Open Book, Hasselblad Center, Seite 310. 802 photo books of the M. + M. Auer collection, Seite 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, Seite 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, Seite 258. The Open Book, Hasselblad Center, Seite 262/263. 802 photo books of the M. + M. Auer collection, Seite 514) or "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 199). Sprache: Englisch Gewicht in Gramm: 1600.