margaret rutherford, Signiert (12 Ergebnisse)

Kein Einband. Zustand: Gut. Bild aus Programmheft auf Karton 21x24 cm aufgezogen bildseitig mit Widmung signiert von der britischen Schauspielerin Margaret Rutherford (1892-1972) , leichte Gebrauchspuren, picture signed by actress Size: 18x11 cm. Vom Schauspieler signiert. Photo.

English scientist (1889-1977), who worked with Rutherford in Manchester. All eight items quarto and very good. Most carrying the Society's stamp and some docketed. All signed 'Margaret Fishenden'. Mostly concerning the delivery and publication of a lecture on 'Domestic Heating'. Letter of 11 January 1926 suggests a number of people who should be invited.

Eigenhändiger Brief (3 S. 8 to) in Tinte mit Ort, Datum, Unterschrift KAY CLEMENTS signiert Grand Theatre, Leeds Dec. 21 st 1946 - an Hans Ragner in London ".I was horrified this morning when opening a box in my dressing room (which hasn t been opened for weeks) to find. BEILAGE : E.Briefumschlag dazu, kleines Farbportraitbild.

Hard Cover. INSCRIBED FIRST EDITION. Octavo, pp. 223, [1]. Publishers' grey cloth with gilt titles to spine, in unclipped dust-jacket designed by Richard Inglis. Clean and bright with affectionate gift inscription from the Author to ffep dated in year of publication. Jacket a little rubbed to edge with a few minor nicks and creases. Near Fine book in Very Good jacket. Mystery novel of a legal case following a suicide pact in Paris, by the American writer, film producer and executive Bachmann. Bachmann ran MGM British for several years and supervised the Miss Marple films which starred Margaret Rutherford in the central role.

Großes Kinoaushangfoto (21x28 cm, Ränder beschnitten, Ecken mit Nadelpunkten) in ihrer Paraderolle als schrullige Amateurdetektivin Miss Marple in dem britischen Spielfilmen 16 Uhr 50 ab Paddington (1961, Regie: George Pollock) mit bildseitig eigenhändiger Empfehlung, Unterschrift in Tinte signiert.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First American edition, from British sheets. Fine in lightly smudged near fine dust jacket. Inscribed by the actress who was the subject of the book on the titlepage: "Good wishes, Margaret Rutherford." Uncommon signed.

First edition of Margaret Mitchell's masterpiece which remains one of the fastest selling novels in the history of American publishing, with 50,000 copies sold in a single day. Octavo, original cloth. First printing, with âPublished May 1936â on the copyright page and no mention of other printings. Association copy, signed by eleven members of David O. Selznick's epic American 1939 film adaptation on the front pastedown and front free endpaper with nine adding the names of the characters they portrayed, "Evelyn Keyes, 'Suellen' [O'Hara]," "Mickey Kuhn, 'Beau [Wilkes] age 7 years,'" "Marcella Martin [Cathleen Calvert]," "Ann Rutherford, 'Careen' [O'Hara],'" Rand Brooks [Charles Hamilton]," "William Bakewell, 'A Mounted Officer'", "Greg Griese, 'Baby Beau & Baby Bonnie'", "Fred Crane, 'Brent Tarleton'", "Patrick Curtis 'Baby Beau'", "Frank (Junior) Coghlan, The collapsing Southern soldier," and "Cammie King 'Bonnie Blue [Butler]'". The signatures were obtained by Mr. Tatnall Brown on the occasion of the film's March 10, 1961 gala "Anniversary Premiere" at Loew's Grand Theatre in Atlanta commemorating the centennial of the start of the Civil War as well as marking the 25th anniversary of the publication of the book. The Loew's Grand was the venue famous for the original December 19, 1939 world premiere. Very good in a very good completely unrestored first issue dust jacket with Gone with the Wind listed in second column of booklist on back panel and the $3.00 cost on front flap. Eicher 730. With Brown's bookplate to the pastedown. Laid in is a small stiff paper card with an image of Gone With the Wind; signed by Margaret Mitchell, "Thank you for your letter. See 2 and 3 Margaret Mitchell Marsh." Additionally laid in is a post card with a portrait of Vivien Leigh from The Selznick Studio signed by her, an original program from the film, and a small booklet, "Margaret Mitchell and Her Novel Gone With the Wind" [New York: Macmillan, 1936]. Housed in a custom clamshell box. A unique example. âMitchellâs sweeping rendition of a South torn apart by civil war⦠has become national mythologyâ (New York Public Libraryâs Books of the Century, 111).ÂâThis is beyond doubt one of the most remarkable first novels produced by an American writer. It is also one of the best⦠It has been a long while since the American public has been offered such a bounteous feast of excellent story-tellingâ (New York Times Book Review, 1936). Said to be the fastest selling novel in the history of American publishing (50,000 copies in a single day),ÂGone with the Wind won Mitchell the Pulitzer Prize.Â.

Letter. Three-page letter on both sides of one 9-3/4" x 7-3/4" sheet to a Mrs. [Margaret Stuyvesant] Rutherford SIGNED in full by Taylor who grants permission for Mr. Potter to set to music to his poem "Bedouin Song" and wondering about the mechanics of doing so: "Remember that I do not read music, and if the air and accompaniment were sent to me without hints as to where the lines terminate, I might produce effects not anticipated by the composer." He also discusses an upcoming meeting with the artist Elihu Vedder: "it might be a little awkward for me to write and urge the illustration of one of my poems. Hath he been furnished with the necessary sheet of card-board? Methinks an accidental failure in this respect may account for the failure of his sketch. Artists are (of right) exceptional beings, and, like nervous cows, require to be tied up, hoof and horn, before they will allow their imaginative faculty to be milked." Taylor was a successful poet and America's first travel writer. Minor creases from mailing, some variation in ink strength. Near Fine.

First play edition, inscribed by the author on the title page in the year of her death, "To Clive Hirschhorn from Daphne du Maurier, 1989", and signed by her on an Ex Libris bookplate. Signed copies of du Maurier's theatrical adaptation of her famous novel are scarce. The runaway success of Rebecca (1938) prompted both du Maurier and Alfred Hitchcock to adapt the novel for performance. Their stage and film versions premiered weeks apart, du Maurier's first, on 11 March 1940 at the Opera House, Manchester. The landmark event was frequently discussed in the newspapers. The Tatler ran an article titled "Rebecca simultaneously on stage and screen" (3 July 1940). Herbert Farjeon of The Bystander praised the play's "brooding atmosphere and strong drama", led by Celia Johnson as the second Mrs de Winter, who appears "with a sensitive delicacy that is incapable of error" (24 April 1940). After Manchester, the play moved to the West End, where it ran at the Queen's Theatre from 5 April up until the bombing of the theatre on 7 September 1940. Directed by George Devine, the cast also starred Owen Nares as Maxim and Margaret Rutherford as Mrs Danvers. The Broadway premier took place at the Ethel Barrymore Theatre in 1945. It is from the theatre collection of Clive Hirschhorn (b. 1940), who spent decades as the Sunday Express's film and theatre critic and whose various histories of Hollywood include The Warner Bros. Story (1978) and The Hollywood Musical (1981). Small octavo. Original black cloth, orange paper spine label. With dust jacket. Stamp of importers Grahame Book Company of Sydney below imprint on title page, and visible underneath the signed Ex Libris bookplate on front pastedown. Spine ends bumped, toning of leaves; jacket price-clipped, spine toned, small chips to spine ends, ghost of a removed label on front panel: a very good copy of this wartime production in like jacket.

Brief (1 S. 4 to, blaues Briefpapier mit geprägter Adresse am Kopf) mit Ort, Datum, eigenhändiger Unterschrift ROBERT signiert Fairmans, Wargrave, Berkshire, 27.V.1978 - an Dear Rosemary Ann mit Dank für ihre Geburtstagskarte. ".I had the most fabulous Birthday and fireworks in Margret s garden after supper (= seine Filmpartnerin, die legendäre MARGARET RUTHERFORD). Shall hurry through the seventies as I now feel 80 is probably a better age to start from. Love ROBERT".

Kein Einband. Zustand: Sehr gut. Morse, Samuel F. B. (1791-1872) - Autograph letter signed - Samuel Finley Breese Morse was an American painter and inventor. After having established his reputation as a portrait painter Morse contributed to the invention of a single-wire telegraph system and was a co-developer of the Morse code. Autograph letter signed "Saml. F.B. Morse". 1p., bifolium, 5.25 x 8.25 inch, 5 West 22 St (New York), 1870 April 21. A fine handwritten letter to Margaret (Stuyvesant) Rutherford, Art Committee, Sheltering Arms. The letter, in full: "I cheerfully comply with your request respecting the Photographs, and herewith return them duly endorsed. Wishing you success in your laudable efforts in promoting the benevolent intentions of the 'Sheltering Arms'." Accompanied by the original envelope hand addressed by Morse. The envelope has no stamps or postmarks, probably hand delivered. Morse lived for many years and died at 5 West 22 Street, New York. COMES WITH A CERTIFICATE OF AUTHENTICITY BY ANDREAS WIEMER HISTORICAL AUTOGRAPHS. Please do not hesitate to contact me with any questions. Signatur des Verfassers.

Autograph letter signed,four pages (on two sheets - both sides), 5,75 x 7,75 inch, "The Globe Theatre" (London), 16.12.1950, to Mr Greenwood- inter alia concerning the book `The Pipers Inn` (sent by his correspondent), Renee Claire, the film `Mr. Deeds Goes to Town` (1936), and love stories, written and signed indark ink "Stringer David", with intersecting letter folds, and mildfoxing to the last page - infine to very fine condition. In parts: "My wife, Margaret Rutherford, and I thank you very much for sending us `The Pipers Inn` to read. It is not in the least a `Farce` it is a simple country tale told with sincerity and zest and I read it with affection. [.] It is only the greatest artists at moments of inspiration, with all their craft and experience behind them who can pin-point and hold such simplicity for the stage or screen. There must be deep knowledge - style - and just that touch of novelty - slightly ahead of the fashion - which looks so easy when it is done because the art of it is concealed. Then you have a J. M. Barrie a Renee Claire film or a `Mr Deeds goes to town`. I do not feel that your theme carries sufficient individual creative power to inspire this very high standard of treatment necessary to commend it to the attention of those who make films or plays for my wife. [.]".