panofsky studies in iconology (29 Ergebnisse)

Zustand: Good. New Ed. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Zustand: Very Good. Prompt Shipment, in Boxes, Tracking First Editions are First Printings. . 1962. Very good condition. Name in ink on front free end paper, else clean copy. Sm4to. *.

Zustand: Fair. Acceptable condition. #TB 1077. (Art, Art History, Renaissance art) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

Gebundene Ausgabe. Zustand: Gut. 262 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 525.

DuMont Dokumente. ( Ikonographie ). illustr. Orig.Klappenbrosch.8° mit Bibliographie zu E. Panofsky 356 S. mit 126 Abbildungen, Zeichnungen, Illustrationen.

Zustand: New. In.

Panofsky, Erwin, 1892-1968. Studies in Iconology. Humanistic Themes in the Art of the Renaissance. New York: Harper & Row, 1972, later printing, xliii, 262pp., PAPBERBACK, good lightly used copy, spine mildly creased at about pages 92 and 129. Icon Editions, IN-25. 9780064300254 ISBN 0064300250.

362 Seiten, 8°, Orig.-Broschur (sehr gutes Exemplar).

Originalbroschur. Zustand: Sehr gut. 362 Seiten. Mit zahlreichen Schwarz-Weiß- Abbildungen. 21 cm SEHR gutes Exemplar . U.a. : Vater Chronos. Der blinde AMor. Die neoplatonische Bewegung und Michelangelo. Das Tonmodell in der Casa Buonarotti. Nachwort zur Neuauflage von Andreas Beyer. Verzeichnis der Veröffentlichungen Panofskys. ( Neupreis : DM 49.90 ) Sprache: Deutsch Gewicht in Gramm: 594 Aus dem Englischen von Dieter Schwarz. Deutsche ERSTAUSGABE.

XLIII, (1), 262, (1) pp. Illustrated. Soft cover. Back cover corner creased. A Very Good copy.

8°. Orig.-Klappenkarton. 356 S. mit Textabbildungen. Gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 800.

Zustand: Very Good. 1972. Paperback. Good clean copy with minor shelf wear, remains very good. . . . .

Paperback. Zustand: Good. Paperback Octavo. wraps, 262 pp covers lightly worn spine creased Standard shipping (no tracking or insurance) / Priority (with tracking) / Custom quote for large or heavy orders.

Originalleinen. Zustand: Gut. 528 S. Ein gutes und sauberes Exemplar. - Relies of Pagan Antiquity in Mediaeval Settings (1937) -- "Was this the Face ?" (1937) -- Is Grete's Name really so Bad? (1945) -- Bernini's Elephant and Obelisk (1947) -- Aphrodite as a Nun (1953) -- Renaissance Emblems (1954) -- The "Anadyomene" in the Mediaeval Tradition (1956) -- "Recorded from Dark Recollection" (1961) -- Albert Einstein (1961) -- Goethe and Weimar (1962) -- Goethe im Banne der Sinnbilder (1962) -- Shakespeare and his Nest of Clay (1965) -- Sturm und Drang. Conjectures on the Origin of a Phrase (1966) -- The Genesis of Iconology (1967) -- Reflections on Seeing Holbein's Portrait of Erasmus (1967) -- The Annunciation of the Mérode Altarpiece (1968) -- Erwin Panofsky: A Curriculum Vitae (1969) -- Reflections of Medicine (1972) -- Shakespeare in his Relationship to the Visual Arts (1973) -- Petites Perceptions: An Account of sortes Warburgianae (1974) -- Pearls from a Dungheap (1981) -- The Unconventional Index and its Merits (1982) -- Discursus de Andreae Alciati emblemate LXXX (1982) -- Three Latin Poems (1963, 1964, 1968). Sprache: Englisch Gewicht in Gramm: 550.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:

SUN, Nijmegen, 1994. (Original English ed.1962) 317p. 173 ills. Paperback. Spine with reading trace. Upper corner front cover a bit creased. Some pencil annotations. Original title: Studies in Iconology. Humanistic Themes in the Art of the Renaissance.

Zustand: DISCRETO. cm.13,7x20,2, pp.XLIII,(1),262,10,(10), 173 ill. in XCII tavv.in bn.ft., Coll.Harper Torchbooks. NOTA:Copertina riparata con nastro trasparente. / New York - Evanston - London, Harper & Row Publishers cm.13,7x20,2, pp.XLIII,(1),262,10,(10), 173 ill. in XCII tavv.in bn.ft., brossura, copertina figurata a colori. Coll.Harper Torchbooks. brossura, copertina figurata a colori.

DuMont Buchverlag, Köln 1980. Aus dem Englischen übersetzt von Dieter Schwarz. Mit 180 Abbildungen. 356 S., 2 Bl. Vlgs.-Anz. priv. Lwd. mit aufgezogener OBroschur DuMont Dokumente: eine Sammlung von Originaltexten, Dokumenten und grundsätzlichen Arbeiten zur Kunstgeschichte, Archäologie, Musikgeschichte und Geisteswissenschaft. - Buchblock durchgängig mit schwacher Knickspur, sonst ein gutes Exemplar. Sprache : de.

hardcover. Zustand: good. First. 93 b/w plates, and 6 text illustrations. 262 pages. Small 4to, blue cloth (spine faded, end-papers browned, occasional light foxing). New York: Oxford University Press, 1939. First edition. A good copy, lacking the dust wrapper.

2. Auflage. 362, (6) S. Ill. Orig.-Broschur. - Rücken mit Lesespur; hinterer Deckel und die letzten Seiten mit Knickspur; vorderer Schnitt etwas angeschmutzt. Remittendenstempel auf Schmutztitel; ansonsten innen sauber. Gut erhaltenes Exemplar.

Softcover. Zustand: Gut. 296 Pg. Ill. 17,8 x 1,9 x 24,1 cm. Good copy. - For nearly half a century, the most expansive area within the discipline of art history has been the study of iconography and iconology, the meaning of representations. In the field of early Netherlandish art, Erwin Panofsky's notion of'disguised symbolism' has become the standard tool of interpretation. For the study of meaning in Dutch painting of the seventeenth century, this concept, enriched by the study of emblems, has been elaborated by Eddy de Jongh into a full- fledged hermeneutic program. The present book offers a fundamental critique of the school of thought inspired by Panofskv and de Jongh. Key examples of their method - including Panofsky's famous article on Jan van Eyck's Amolfini Portrait - are subjected to minute analysis, and are found to be defective. Bedaux argues that no presumption of disguised symbolism should be credited until more obvious interpretations have been eliminated. This he finds not to be the case in the studies he examines. Bedaux brings the discussion of meaning in northern painting back to the basics: the depiction of real objects, the evocation of everyday associations, the employment of standard visual metaphors, symbols and allegories. With the first publication of an eighteenth- century iconographical program drawn up by the Hague painter Mattheus Verheyden, he demonstrates the continued importance of allegory, that stepchild of iconography. By challenging the critical art historians of the past two generations, Bedaux initiates a fresh new round in the discussion of meaning in art. ISBN 9789061790952 Sprache: Deutsch Gewicht in Gramm: 698.

Soft cover. Zustand: Very Good. 3rd Edition. Sm.8° - B/w reproductions. First Icon edition, published in 1972. Text in English. Original wrappers. In Very good condition.

New York 1962, 262 pp., plates c703.