pierre auguste renoir, Signiert (17 Ergebnisse)

4°. 2 Bll., 10(2) S. OBrosch (minimal berieben u. minimal lichtrandig). Nr. 9 v. 200 Exemplaren. - Widmungsexemplar an Herrn Burghard Vincke.

4? 223(1) S. mit meist farbigen und ganzseitigen Abbildungen im Text und auf 79 Tafeln. Farbig illustrierter Okart. Sehr gutes Exemplar. Auf dem Titel vom Verfasser signiert. Mit Arbeiten von Auguste Renoir, Edgar Degas, Paul CÈzanne, Paul Gauguin, Pierre Bonnard, Henri Matisse, Kees van Dongen, Amadeo Modigliani, Marc Chagall, Fernand LÈger, Joan MirÛ und Pablo Picasso. Sprache: de.

Paris, Ambroise Vollard, 1919. 261,[20] pp. 1 orig. etching by Pierre-Auguste Renoir ("Femme nue" [Delteil / Stella 11]), signed with the signature stamp of the Renoir estate, 1 col. lithographed plate by Auguste Clot after Renoir, [162] b./w. ills (reproductions of Renoir's drawings) & 51 b./w. plts (plates with tissue guards). Bound in early 20th brown h.calf, gilt title on spine. - Corners of title-page bowned along the edges.A very good original copy of this rare monograph on Pierre-Auguste Renoir, published in a limited edition of 1000 numbered copies. This is number 745 of the edition of 525 copies printed on "beau papier teinté.

Kein Einband. Zustand: Sehr gut. Renoir, Pierre-Auguste (1841-1919) - Autograph letter signed - French artist who was a leading painter in the development of the Impressionist style. Autograph letter signed "Renoir". 1 page, 4.5 x 6.75 inch, Les Collettes letterhead, 1912 June 29 (Samedi/Saturday). Letter in French to a friend. In full: "Mon cher Ami, Ma femme va a Nice me retenir un fauteuil lit et je reviendrai directement avec Gabrielle, vers jeudi vendredi ou samedi. Il faut retenir les places d avance dites le a Pierre etc. Je t ecriai le jour ou je serai sur du jour de mon depart. Tout va bien. Amities de tous." Translated: "My wife is going to Nice to reserve me a bed-chair and I will return right away with Gabrielle, around Thursday, Friday, or Saturday. Seats have to be reserved ahead of time, tell Pierre etc. I will write to you the day I will be sure of the day of my departure. All goes well." With light toning from prior display, else fine condition. The "Gabrielle" he mentions is Gabrielle Renard, a cousin of Renoir's wife and one of his models. COMES WITH A CERTIFICATE OF AUTHENTICITY BY ANDREAS WIEMER HISTORICAL AUTOGRAPHS. Please do not hesitate to contact me with any questions. Signatur des Verfassers.

50pp.avec ills. (photographies provenant des archives Paul renoir), signé avec dédicace par Marie-Paule Renoir.

Hardcover. Zustand: Very Good. 1st Edition. 4° - 22 text pages - 30 works by the artist with explanations on the opposite page for each work. Text in german.signed by author. Signed by Author(s).

Postkarte. Zustand: Sehr gut. Photo Postkarte von Colonna Romana mit eigenhändigem Zusatz "role préféré" bildseitig signiert.- Schülerin von Sarah Bernhardt, wurde von Pierre-Auguste Renoir gemalt /// Wikipedia: Gabrielle Colonna-Romano (1888-1981) or Colanna Romano (name as a cinema actress), born Gabrielle Dreyfus, was a French actress, famous as a tragedian, sociétaire of the Comédie-Française from 1913 to 1936, and as a student of Sarah Bernhardt. She appeared in several plays and poetry readings (notably of works by the Symbolist poet Saint-Pol-Roux). She had an affair with Pierre Renoir, and modelled for several paintings by his father Auguste Renoir, notably Jeune femme à la rose (1913). In England, she met and became friends with Marie Bell, on whose advice she decided to present herself to the Conservatoire. She was the sixth and final wife of the millionaire press-magnate Alfred Edwards, and after his death married the actor Pierre Alcover. She and Alcover are buried together in the Rueil-Malmaison cemetery. She gives her name to the "Prix Colonna-Romano de tragédie classique" at the Conservatoire national supérieur d'art dramatique in Paris. /// Autogramm Autograph signiert signed signee /// Standort Wimregal PKis-Box1-U011 Sprache: Deutsch Gewicht in Gramm: 10.

Milano, Cerastico Editore (Officina d'Arte Grafica Lucini), collana «La ricerca», 4, 1975 (marzo), Edizione originale di una tiratura di 100 copie. Ottimo esemplare pregiato dalla dedica autografa dell'autore al pittore Sergio Dangelo al frontespizio datata maggio 1975. Include l'invito-presentazione pubblicato in occasione della mostra di Sergio Dangelo alla Galleria Pilota di Milano tenutasi dal 12 al 22 dicembre 1974 (cartoncino rosa ripiegato in 4 con titoli e illustrazioni in nero e un testo di Roberto Sanesi con correzioni a stampa). Volume stampato dalla prestigiosa Officina d'Arte Grafica Lucini, fondata da Achille Lucini nel 1924, ed edito da Cerastico in occasione del "Cambridge Poetry Festival" del 1975, con componimenti del poeta, traduttore e critico d'arte e letterario Roberto Sanesi. In apertura, una prefazione composta da citazioni di Roland Barthes, Nicola Zingarelli, Friedrich Nitezsche, Pierre-Auguste Renoir, André Gédalge e Céline; all'interno, le poesie «I luoghi dell'inverno», «Lettera IX», «Neogotica/neomistica», «Nefertiti secondo amore mio», «A proposito dell'infanzia», «Museo di storia naturale», «Elementi di paesaggio: novembre», «Poesia sul retro di una scatola di fiammiferi», «L'oracolo», «Pharmakon», «E voi, signori, fate par pari inverso loro», «Il più straordinario spettacolo del secolo», «Des Esseintes a Quarto Oggiaro», «Dal "Tractatus! di Paulus Potter, citazione quarta» e «Conditio sine qua non». in 8°, brossura muta con sovracoperta verde con titoli neri al piatto. pp. 21 [3]. Edizione originale di una tiratura di 100 copie. Ottimo esemplare pregiato dalla dedica autografa dell'autore al pittore Sergio Dangelo al frontespizio datata maggio 1975. Include l'invito-presentazione pubblicato in occasione della mostra di Sergio Dangelo alla Galleria Pilota di Milano tenutasi dal 12 al 22 dicembre 1974 (cartoncino rosa ripiegato in 4 con titoli e illustrazioni in nero e un testo di Roberto Sanesi con correzioni a stampa). brossura muta con sovracoperta verde con titoli neri al piatto.

couverture souple. - Plon, Paris 1955, 14,5x20,5cm, broché. - Edition originale, un des 50 exemplaires numérotés sur pur fil, seuls grands papiers. Illustrations in et hors-texte de Marcel Jullian d'après Salvador Dali, Pablo Picasso, Jean Cocteau, Raoul Dufy, Honoré Daumier, Auguste Renoir ; préface de Pierre Gaxotte. Bel exemplaire de cette amusante série de pastiches littéraires de Colette, Stendhal, George Sand, André Gide, Jean Cocteau, André Breton nous retracant les très riches heures des Morot-Chandonneur. Envoi autographe signé de Philippe Jullian, qui a également signé pour Bernard Minoret, à Joseph Breitbach enrichi d'un dessin original à l'encre bleue représentant les deux auteurs offrant un bouquet de fleurs au dédicataire devant l'entrée sculptée de la maison des Morot-Chandonneur. [ENGLISH DESCRIPTION ON DEMAND].

Hardcover. Zustand: Very Good. Edizioni d'Arte, Milano, 1961. Limited edition of 151 numbered copies (N. 138), plus 30 ad personam and 21 out-of-commerce copies. This edition includes 40 prints by Modern Masters, featuring an original lithograph with incision by Lucio Fontana, titled Concetto Spaziale 1961, signed in pencil (Ref. Ruhe' Rigo L-23, p.106). The additional 39 Masters featured are: Pablo Picasso, Paul Cézanne, Giorgio de Chirico, Édouard Delacroix, Claude Monet, Giorgio Morandi, Henri Toulouse-Lautrec, Paul Gauguin, Amedeo Modigliani, Pierre-Auguste Renoir, Wassily Kandinsky, Piet Mondrian, Franz Marc, Oskar Kokoschka, Jean Dubuffet, Balthus, Franz Kline, Raoul Dufy, Jules Pascin, Félix Vallotton, Klee, Pissarro, Amedeo De Stael, Jacques Villon, and Zao Wou Ki. The book is bound in a wooden binder with an original gilded design by Osvaldo Carrara, the curator of the print selection, and is protected by a slipcase. Text and bibliographic notes by Grytzko Mascioni. In very good condition. Dimensions: 19.7 x 15.7 inches. Signed by Illustrator(s).

Zustand: used. A charming oil painting by H.C. White, after the 1892 original 'Bather Seated on a Rock' by Pierre-Auguste Renoir. Signed to the lower right-hand corner. On board. Size: Large (30-60cm) Framed: No.

Lithographie nach Renoir, Paris, bei Mourlot, 1951, 17,5x22 cm. Im Stein signiert (Künstlergraphik / Lithograph).

First Edition. One of only 625 copies (this 289), on vergé de Rives. With Vollard's portrait by Raoul Dufy, signed in the copper plate, as a frontis and with second portrait of Vollard by Auguste Renoir reproduced later in the text. A comprehensive catalogue raissonnee of the superbly edited "Vollard editions" up to the year 1930 including his published illustrated works. Original cream coloured paper covers. These are a little creased to the yapped edges, and there is a small hole / tear with slight loss, to the rear edge. Still in very good condition overall. Internally in good, clean and tidy condition throughout. 72 pages. Largely uncut. 29cm x 23.5cm. Conforms to WorldCat / OCLC: 31881929. Ambroise Vollard (18661939) was a pioneering French art dealer, collector, publisher, and writer, widely regarded as one of the most influential figures in the promotion of modern art during the late 19th and early 20th centuries. Vollard played a crucial role in shaping the careers of many now-renowned artists. He is credited with discovering and promoting figures such as Paul Cézanne, Pablo Picasso, Paul Gauguin, Henri Matisse, Georges Rouault, and Vincent van Gogh. His gallery on Rue Laffitte in Paris became a hub for avant-garde art exhibitions, hosting groundbreaking shows such as Cézanne's first major exhibition in 1895, Picasso's first solo exhibition in 1901, and Matisse's exhibition in 1904. In addition to his work as a dealer, Vollard was an avid publisher of illustrated books and print series. He collaborated with artists such as Pierre Bonnard and Marc Chagall to produce works like Les Fleurs du mal and Fables de La Fontaine. Vollard also commissioned Picasso to create the celebrated "Vollard Suite," a set of 100 etchings. .

Kein Einband. Zustand: Sehr gut. "Maurice de Vlaminck (04.04.1876 in Paris - 11.10.1958 in Rueil-la-Gadeliere). Titel: Rue de Glaciere (Paris). Technik: Originale Radierung. Entstehungsjahr: 1937. Auflage: 500 unnummerierte Exemplare. Signatur: in der Platte signiert. Format Platte: 33 x 25 cm, Forma Blatt: 44,5 x 32,8 cm. Zustand: Altersgemäß sehr guter Zustand. Aus der Mappe "Paris 1937. À gloire de Paris". Herausgeber: Herausgegeben von der Stadt Paris anlässlich der Pariser Weltausstellung 1937.".

THE FIRST DRAFT OF ROUAULT'S POETIC ASSESSMENT OF RENOIR, written shortly after Renoir's death. Autograph manuscript on seven sheets of thin wove writing paper (rectos only), neatly written in ink with countless corrections (often entire paragraphs crossed out)--but the eliminated text remains perfectly legible! 27 x 21.5 cm. By the time Rouault published it in "Souvenirs intimes" (1926-1927), this text had undergone radical changes--and yet some of the original phrases remain. In excellent condition. An astonishing survival. See Christine Gouzi (ed.), "Georges Rouault: Soliloques d'un peintre, 1896-1958" (Paris, 2022).

Zustand: Très bon état. petit in-4 de 1 feuillet de présentation et 32 planches lithographiées en noir sous chemise imprimée à rabats. Tirage unique à 250 exemplaires, celui-ci justifié à la main 250/250 en bas de chaque feuille. Publiée par Mme Étienne Clémentel, épouse du ministre des Postes et Télégraphes, cette luxueuse collection a pour but de financer les secours aux orphelins de guerre du personnel des P.T.T. Notre exemplaire est enrichi d'un envoi autographe de Mme Clémentel au journaliste et critique d'art Roger Miles ". très reconnaissante de son aimable collaboration." Sont réunies des lithographies de P. Bonnard, L. Cappiello, G. Delaw, M. Denis, A. Devambez, L. Dumoulin, A. Faivre, F. Flameng, J.-L. Forain, Franc-Lamy, J. Gaboriaud, A. Guillaume, Guirand de Scévola, R. Koenig, C. Léandre, H. Le Sidaner, Ch. Lemaresquier, A. Leroux, P. Morchain, F. Poulbot, G. Redon, A. Renoir, A. Rodin, A. Roubille, L.H. Ruffe, Sacha Guitry, G. Scott, L. Simon, A. Truchet, P. Vera, E. Vuillard et A. Willette. Album rare qui manque à la Bibliothèque nationale de France.

Kein Einband. Zustand: Gut bis sehr gut. Paul César Helleu, Vannes 1859 - 1927 Paris, "Study of 4 women", Radierung auf Büttenpapier, Links unten mit Bleistift signiert, Rechts unten bezeichnet mit " Unique epreuve, .", seltener Probedruck, Darstellung: 39 x 23,5 cm, Rahmen: 56 x 44,5 cm, Alter Jugendstilrahmen, säurefreies Passepartout, Museumsglas, Echtheit wird schriftlich garantiert. Paul César Helleu machte eine Lehre als Keramiker und nahm nebenbei Zeichenunterricht. Gegen den Willen seiner verwitweten Mutter ging er 1876 nach Paris um an der École des Beaux-Arts, unter dem Salon-Realisten Jean-Léon Gérôme (18241904) zu studieren. Innerhalb kürzester Zeit machte er Bekanntschaft mit den bekannten Künstlern der Stadt, unter anderem Henri Matisse, Edgar Degas, James Tissot und Giovanni Boldini und mit dem Schriftsteller und Kunstsammler Robert de Montesquiou. Mit John Singer Sargent verband ihn bald eine enge Freundschaft, zu seinem Bekanntenkreis zählten aber auch Auguste Rodin, Pierre-Auguste Renoir,[James McNeill Whistler, Oscar Wilde, Coco Chanel, Charlie Chaplin und vor allem Marcel Proust.] Helleu etablierte sich in den 1890er Jahren als erfolgreicher Maler der Reichen und Schönen des Boulevard Saint-Germain. Seine Ehefrau, Alice Guérin (* 1874), war seine Muse und sein bevorzugtes Modell. Signatur des Verfassers.