pittori svizzeri (31 Ergebnisse)

brossura. Zustand: BUONO. Firenze, Palazzo Strozzi, 15 maggio- 15 giugno 1963. Introduz.di Lara Vinca Masini. cm.13x18,7, pp.149, oltre 100 tavole bianco e nero fuori testo. NOTA:Copertina lievemente macchiata. / Firenze, STIAV per Unione Fiorentina cm.13x18,7, pp.149, oltre 100 tavole bianco e nero fuori testo. brossura.

Firenze, Tipografia Giuntina, 1962, in-16, br. editoriale, pp. 116, [2] + 76 illustrazioni su tavole f.t. Ottime condizioni.

Firenze, Tipografia Giuntina, 1961, in-16, br. editoriale, pp. 96, [2] + 64 illustrazioni su tavole f.t. Presentazione di Carlo Betocchi. Ottime condizioni.

Firenze, Tipografia Giuntina, 1960, in-16, br. editoriale, pp. 101, [3] + 69 illustrazioni su tavole f.t., [2]. Presentazione di Alberto Busignani. Ottime condizioni.

Firenze, Tipografia S.T.I.A.V., 1964, in-16, br. editoriale, pp. 83, [15] + 97 illustrazioni in nero su tavole f.t., [5]. Presentazione di Armando Nocentini. Ottime condizioni.

Zürich, Kunsthaus, 7. April - 6. Mai 1962, in-8, br., pp. 52. Con 14 tavv. in b.n., ritratto dei due pittori svizzeri e note biografiche.

Brossura. Zustand: Ottimo (Fine). N. 2/89. Symposium Monte Verità, 4-7 maggio 1989. Testi di Françoise Jaunin, A. M. Grossert e Hans Saner in italiano, francese, tedesco. Ill. in nero . 4to. pp. 50. . Ottimo (Fine). . . . Book.

Zustand: Buone. italiano Condizioni dell'esterno: manca sovracopertina - macchiata Condizioni dell'interno: Buone.

16°; pp. VIII-78 con testi di Enrico Barfucci e Primo Conti, seguono 56 tav. f.testo su carta patinata. Brochure edit. con titoli al dorso, titoli e fregio al piatto.Num. catalogo: 261.

Zustand: Sehr gut. Zustand: Sehr gut - Gepflegter, sauberer Zustand. Außen: Angestoßen. | Seiten: 128 | Sprache: Italienisch | Produktart: Bücher.

16°; pp. 83 con testo ed artisti, seguono 98 tav. f.testo su carta patinata. Brochure edit. con titoli al dorso, titoli e fregio al piatto.Num. catalogo: 261.

16°; pp. 149 con testo di vari autori ed elenco degli artisti espositori, seguono 120 tav. f.testo su carta patinata. Brochure edit. con titoli al dorso, titoli e fregio al piatto.Num. catalogo: 261.

0. 4°. With numerous b/w illustrations and coloured plates. 184 p., orig. cloth boards with dust jacket. Dust jacket worn. Paper foxed. Italienisch Band: 0.

Softcover. Zustand: Sehr gut. 1. Auflage. W : 168 Seiten, 24 x 28 cm - Le immagini che Daniel Cartier ha impresso su pellicole in bianco e nero e a colori nel 1973 e 1974, con la freschezza dello sguardo di un giovane studente fotografo, non hanno mai ottenuto quel giudizio critico e di riconoscenza che il loro contenuto merita di ricevere. Anche se vi sono state precedenti pubblicazioni e proposte espositive, solo in minima parte hanno reso visibile la consistenza di un archivio di fotografie su uno dei pittori svizzeri fra i più inquietanti del secolo scorso. (.) Il supporto fotografico di Daniel Cartier diventa la lente attraverso la quale possiamo cogliere il dinamismo della pittura di Varlin; le traiettorie colorate dei suoi movimenti di pennelli, mani, tubetti e stracci, frammiste ad una teatralità che ha una storia profonda, antica, vissuta con le energie dell'autoironia, del semplice e sempre presente sorriso.

Originalbroschur. Zustand: Sehr gut. 197 S. An einer Ecke des Einbands löst sich die oberste Schicht. Sonst sehr gut. - La riscoperta della montagna nel Settecento. Nascita di una "moda". Philippe Joutard -- La montagna vista dai pittori svizzeri. Marcel Roethlisberger. -- La montagna nella pittura francese dell'Ottocento. Bruno Foucart -- Le montagne britanniche. Barthélémy Jobert -- La pittura della montagna nel romanticismo tedesco. Le divergenze estetiche tra Friedrich, Koch e Carus. Élisabeth Décultot -- L'incanto luminoso della montagna. Marisa Vescovo. ISBN 9788843566549 Sprache: Italienisch Gewicht in Gramm: 550.

Soft cover. Zustand: Fine. 1st Edition. Sm.8° - 73 Color & B/w reproductions. Published as exhibition catalogue: Ugo Cleis (1903-1976) Swiss painter and engraver - "In the art of Ugo Cleis myth and nature possess the same harmony, and it is probably this identical feeling that runs through them that allows us to understand to what extent he felt the need to get closer to Mediterranean civilizations." First edition, in Italian language. Original boards. In Fine condition.

Brosch. m. OU. 8°, o. P.: 32 Bl., 12 Tafeln (davon 2 farbig). OU über Rücken min. ausgeblichen, sonst tadellos. EA. Erschienen zur Ausstellung. Mit Texten von Marino Cattaneo und Monique Luzzani (ital.); im Anhang Kurzbiografie, Ausstellungsverzeichnisse und Bibliografie.

Zustand: molto buono. 2 opere in un volume in folio piccolo (292x200 mm), importante rilegatura tedesca in cuoio con dorso a 4 nervi, piatti sono riccamente decorati a secco da varie serie di bordure concentriche che includono santi e profeti a figura intera, scudi, teste di re e imperatori del SRI; (abilissimi restauri alla cerniera anteriore, a cuffie e spigoli) il tutto racchiuso in un bel cofanetto con piatto anteriore in plexiglass che lascia a vista l'elaborata legatura. Carattere gotico, ff. 86 n.n. (segn.*4, A-L4, a-c4, B-E4, #6, *4). I primi 4 comprendono il frontespizio in rosso e nero con grande stemma imperiale xilografato con allegorie e tre di testo di Jakob Köbel sul procedimento elettivo imperiale, ff. 72 figurati al recto verso e 10 ff. di testo con colophon e impresa tipografica sull'ultimo. L'opera consta quindi di 144 xilografie a piena pagina, di cui 120 con lo stemma principale delle città o dei 37 Principati ed il loro nome in alto e 24 con vessilli privi di stemma e di scritte in alto (fascicoli a-c4). Un indice manoscritto con eleganza all'epoca sul foglio libero della sguardia posteriore fornisce in ordine alfabetico i nomi delle città di questo esemplare. Seppur con i fascicoli #6 e B-E4 rilegati verso la fine dell'opera, l'esemplare è conforme a quello della MDZ Munchener Digitalisierung (che ha questi 22 fogli all'inizio); mentre altre copie digitalizzate non riportano la segnatura #6. In fine è rilegata l'opera: FRONSBERGER, Leonhardt. Besatzung. Ein kurtzer Bericht, wie Statt, Schlosser oder Flecken. Franckfurt am Mayn, Feyerabend und Hüter, 1564: ff. XVI, (uno con data e impresa tipografica al recto e un bianco). Al frontespizio grande xilografia raffigurante l'imperatore che giunge all'accampamento, 5 figure belliche n.t. L'assieme delle due opere di Köbel comprende un totale di  150 xilografie della prima metà del Cinquecento ed è fonte fondamentale per gli studiosi dei vessilli nonché preziosa documentazione per la storia degli abiti dell'epoca. I 144 emblemi di località della Germania meridionale ? tra le altre Aalen, Esslingen, Schwäbisch Hall, Gmünd, Giengen, Reutlingen, Isny, Überlingen, Friedrichshafen (ora Buchhorn), Ulm, Strassburg, Rottenburg am Neckar, Rottweil o Biberach ? compaiono su bandiere dipinte sventolate da uomini in costume tradizionale davanti alle rispettive città. Rarissima prima edizione in importante rilegatura d'epoca di straordinario figurato che ritrae i vessilli dei principi e delle città del Sacro Romano Impero, sventagliati da sbandieratori in pittoreschi abiti con sullo sfondo paesaggi (talora realistici, come nel caso di Strasburgo, dove si intravede la cattedrale). Le xilografie sono spesso firmate ?IK?, ragione per cui l'opera è da sempre attribuita a Jacob Köbel, che peraltro non solo fu un noto Rechenmeister ma anche un stimato intagliatore. Di recente si è ritenuto più probabile che siano invece opera del pittore e xilografo Jacob Kallenberg (1500-1565), maestro bernese considerato all'epoca al pari di Holbein. L'opera fu ristampata da Schmidt e Feyerabend nel 1579. L'esemplare riporta, oltre a una provenienza tedesca a inchiostro del 1775, un'appartenza a lapis del pittore svizzero Ludwig Vogel (1788-1879) e la data 1829: nei suoi dipinti relativi alla storia elvetica, spesso compaiono portabandiera in costume con stendardi - il che lascia supporre che questo libro gli sia stato d'ispirazione per i suoi quadri. Vogel "fu uno dei più importanti pittori storici svizzeri, il più celebre del suo tempo, anche perché molte delle sue opere, tra cui I Confederati davanti al cadavere di Arnold Winkelried e Il tiro alla mela di Guglielmo Tell, furono riprodotte in stampa e fotografia ed ebbero un'ampia diffusione" (Dizionario Storico della Svizzera). Affascinante esemplare in legatura d'eccezione, sebbene restaurata; foglio di titolo abilmente rinforzato lungo il margine interno, con strappetto restaurato nel margine superiore; pallide macchie di polvere ai primi fogli, piccole macchi. Book.

Brosch. m. OU. 8°, 35 S., 17 Abb. (ganzseitig oder auf Tafeln). Umschlag etw. gebräunt u. tlw. fleckig, innen tadellos. EA. Erschienen zur Ausstellung in der Sala Patriziale, Bellinzona; im Anhang Verzeichnisse.

2° (41 x 32 cm), 5 Textseiten., 11 Orig.-Holzschnitte, Kart. m. OU., OU min. eingerissen. Deckel min. angeschmutzt, innen sauber. Nr. 175 von 300 Exemplaren auf Zerkall Bütten. Im Impressusm vom Künstler num. und signiert.- Nel 1913 la famiglia di Aldo Patocch (1907-1986)i si trasferisce da Basilea in Ticino, dal 1915 a Lugano, dove frequenta le scuole; il suo insegnante del ginnasio, lo scrittore Giuseppe Zoppi, lo avvia agli studi artistici e gli fa conoscere Ettore Cozzani, direttore della prestigiosa rivista milanese L?Eroica, per la quale collabora saltuariamente a partire dal 1925. Autodidatta, inizia ben presto ad illustrare testi letterari. Tra il 1925 e il 1931 vince quattro Borse di Studio federali; nel 1932 riceve la medaglia d?oro alla Triennale d?arti decorative di Monza, primo dei numerosi premi ricevuti alle esposizioni nazionali e internazionali alle quali partecipa con assiduità. Nel 1928 pubblica in proprio il ciclo di 20 silografie Fremiti di selve. Dal 1934 redattore capo del settimanale Illustrazione ticinese. Fa parte di numerose giurie e commissioni in Svizzera fra cui la Commissione d?acquisto per la Collezione grafica del Politecnico di Zurigo. Dal 1950 al 1962 è membro della fondazione Pro Helvetia; è presidente della Società ticinese per le belle arti, vicepresidente della Società dei pittori, scultori e architetti svizzeri, membro fondatore della Xylon svizzera e nel 1976 presidente a Friborgo della Xylon internazionale. Durante la soprintendenza del Museo Caccia di Lugano, allestisce nel 1950 la prima Biennale del bianco e nero. 1200 gr. Schlagworte: Grafik - nach 1945, Illustr. Bücher - allgemein.

No Binding. Zustand: Fine. Original woodcut by Ugo Cleis, signed by the artist. 16 x 20 cm in fine condition. Ugo Cleis , actually Hugo Cleis (born April 5 , 1903 in Diepflingen , canton of Basel-Landschaft ; September 13 , 1976 in Mendrisio , canton of Ticino ; resident in Buckten ) was a Swiss painter , draftsman , illustrator , decorative painter , wood cutter and mosaicist . Ugo Cleis, son of a teacher, completed an apprenticeship as a flat painter in Sissach . Inspired by the architect Adolf Müller-Senglet (1896 1942), [1] Cleis trained as a decorative and theater painter from 1921 to 1923 at the Dresden Arts and Crafts Academy . The following year he got the necessary practice in Geneva and Italy and returned to the Academy of Applied Arts in 1925 for further studies together with the painter and sculptor Eugen Häfelfinger [2] . In parallel to decorative painting, Cleis created linocuts and woodcuts. Back in Sissach, Cleis worked as a flat painter and later settled in Mendrisiotto , where he met with Aldo Patocchi , Samuel Wülser , Ernst Musfeld (1900 1964) [3] , Guido Gonzato (1896 1955) [4] and Anita Spinelli friends. From 1931, Cleis was a member of the Ticino section GSMBA (SPSAS, Società di pittori, scultori ed architetti svizzeri) and the Ticino Society of Fine Arts. In 1934 Cleis married the teacher Lisa Vela (1901 1988), who worked in Stabio . She was a descendant of Vincenzo Vela . Together they had the children Milo (* 1936) [5] , Vera and Daniele (* 1944) [6] They lived together in Ligornetto where Cleis became friends with Emilio Müller , among others . In 1937, Cleis created two large murals on the Lugano post office building and also made a name for himself in Ticino with his mosaics. As an artist, Cleis continued to work in German-speaking Switzerland , especially in the canton of Basel-Landschaft, where he created numerous sgraffiti and frescoes in private and public buildings . He also created drawings, oil paintings, watercolors and woodcuts, especially large format ones. From 1939 Cleis worked as an illustrator and was friends with Jacques Düblin and Walter Eglin . Cleis' woodcut for the cantonal gymnastics festival in Basel was awarded first prize in 1939. [7] Like Eglin, Cleis belonged to the group Xylos , founded in 1944, and from 1953 to the international group XYLON . In the same year he received the Art Prize of the City of Zurich . In 1962 he was awarded the Pietro Chiesa Prize and in 1964 he won the engraving competition for the La terre et la forêt section at the Lausanne State Exhibition . In 1959, Cleis took part in the exhibition of Modern Mural Painting in Switzerland at the Lucerne Art Museum . Cleis was director of the Vincenzo Vela Museum from 1958 to 1974. The street that leads to the museum is called Via Ugo Cleis , and since 2009 there has been the street Via Lisa Cleis-Vela in Ligornetto. Cleis was the uncle of Martin Cleis .

No Binding. Zustand: Fine. Original woodcut by Ugo Cleis, signed by the artist. 25 x 17 cm in fine condition. Ugo Cleis , actually Hugo Cleis (born April 5 , 1903 in Diepflingen , canton of Basel-Landschaft ; September 13 , 1976 in Mendrisio , canton of Ticino ; resident in Buckten ) was a Swiss painter , draftsman , illustrator , decorative painter , wood cutter and mosaicist . Ugo Cleis, son of a teacher, completed an apprenticeship as a flat painter in Sissach . Inspired by the architect Adolf Müller-Senglet (1896 1942), [1] Cleis trained as a decorative and theater painter from 1921 to 1923 at the Dresden Arts and Crafts Academy . The following year he got the necessary practice in Geneva and Italy and returned to the Academy of Applied Arts in 1925 for further studies together with the painter and sculptor Eugen Häfelfinger [2] . In parallel to decorative painting, Cleis created linocuts and woodcuts. Back in Sissach, Cleis worked as a flat painter and later settled in Mendrisiotto , where he met with Aldo Patocchi , Samuel Wülser , Ernst Musfeld (1900 1964) [3] , Guido Gonzato (1896 1955) [4] and Anita Spinelli friends. From 1931, Cleis was a member of the Ticino section GSMBA (SPSAS, Società di pittori, scultori ed architetti svizzeri) and the Ticino Society of Fine Arts. In 1934 Cleis married the teacher Lisa Vela (1901 1988), who worked in Stabio . She was a descendant of Vincenzo Vela . Together they had the children Milo (* 1936) [5] , Vera and Daniele (* 1944) [6] They lived together in Ligornetto where Cleis became friends with Emilio Müller , among others . In 1937, Cleis created two large murals on the Lugano post office building and also made a name for himself in Ticino with his mosaics. As an artist, Cleis continued to work in German-speaking Switzerland , especially in the canton of Basel-Landschaft, where he created numerous sgraffiti and frescoes in private and public buildings . He also created drawings, oil paintings, watercolors and woodcuts, especially large format ones. From 1939 Cleis worked as an illustrator and was friends with Jacques Düblin and Walter Eglin . Cleis' woodcut for the cantonal gymnastics festival in Basel was awarded first prize in 1939. [7] Like Eglin, Cleis belonged to the group Xylos , founded in 1944, and from 1953 to the international group XYLON . In the same year he received the Art Prize of the City of Zurich . In 1962 he was awarded the Pietro Chiesa Prize and in 1964 he won the engraving competition for the La terre et la forêt section at the Lausanne State Exhibition . In 1959, Cleis took part in the exhibition of Modern Mural Painting in Switzerland at the Lucerne Art Museum . Cleis was director of the Vincenzo Vela Museum from 1958 to 1974. The street that leads to the museum is called Via Ugo Cleis , and since 2009 there has been the street Via Lisa Cleis-Vela in Ligornetto. Cleis was the uncle of Martin Cleis .

No Binding. Zustand: Fine. Original woodcut by Ugo Cleis, signed by the artist. 25 x 17 cm, in fine condition. Ugo Cleis , actually Hugo Cleis (born April 5 , 1903 in Diepflingen , canton of Basel-Landschaft ; September 13 , 1976 in Mendrisio , canton of Ticino ; resident in Buckten ) was a Swiss painter , draftsman , illustrator , decorative painter , wood cutter and mosaicist . Ugo Cleis, son of a teacher, completed an apprenticeship as a flat painter in Sissach . Inspired by the architect Adolf Müller-Senglet (1896 1942), [1] Cleis trained as a decorative and theater painter from 1921 to 1923 at the Dresden Arts and Crafts Academy . The following year he got the necessary practice in Geneva and Italy and returned to the Academy of Applied Arts in 1925 for further studies together with the painter and sculptor Eugen Häfelfinger [2] . In parallel to decorative painting, Cleis created linocuts and woodcuts. Back in Sissach, Cleis worked as a flat painter and later settled in Mendrisiotto , where he met with Aldo Patocchi , Samuel Wülser , Ernst Musfeld (1900 1964) [3] , Guido Gonzato (1896 1955) [4] and Anita Spinelli friends. From 1931, Cleis was a member of the Ticino section GSMBA (SPSAS, Società di pittori, scultori ed architetti svizzeri) and the Ticino Society of Fine Arts. In 1934 Cleis married the teacher Lisa Vela (1901 1988), who worked in Stabio . She was a descendant of Vincenzo Vela . Together they had the children Milo (* 1936) [5] , Vera and Daniele (* 1944) [6] They lived together in Ligornetto where Cleis became friends with Emilio Müller , among others . In 1937, Cleis created two large murals on the Lugano post office building and also made a name for himself in Ticino with his mosaics. As an artist, Cleis continued to work in German-speaking Switzerland , especially in the canton of Basel-Landschaft, where he created numerous sgraffiti and frescoes in private and public buildings . He also created drawings, oil paintings, watercolors and woodcuts, especially large format ones. From 1939 Cleis worked as an illustrator and was friends with Jacques Düblin and Walter Eglin . Cleis' woodcut for the cantonal gymnastics festival in Basel was awarded first prize in 1939. [7] Like Eglin, Cleis belonged to the group Xylos , founded in 1944, and from 1953 to the international group XYLON . In the same year he received the Art Prize of the City of Zurich . In 1962 he was awarded the Pietro Chiesa Prize and in 1964 he won the engraving competition for the La terre et la forêt section at the Lausanne State Exhibition . In 1959, Cleis took part in the exhibition of Modern Mural Painting in Switzerland at the Lucerne Art Museum . Cleis was director of the Vincenzo Vela Museum from 1958 to 1974. The street that leads to the museum is called Via Ugo Cleis , and since 2009 there has been the street Via Lisa Cleis-Vela in Ligornetto. Cleis was the uncle of Martin Cleis .

No Binding. Zustand: Fine. Original woodcut by Ugo Cleis, signed by the artist. 19 x 21 cm, in fine condition. Ugo Cleis , actually Hugo Cleis (born April 5 , 1903 in Diepflingen , canton of Basel-Landschaft ; September 13 , 1976 in Mendrisio , canton of Ticino ; resident in Buckten ) was a Swiss painter , draftsman , illustrator , decorative painter , wood cutter and mosaicist . Ugo Cleis, son of a teacher, completed an apprenticeship as a flat painter in Sissach . Inspired by the architect Adolf Müller-Senglet (1896 1942), [1] Cleis trained as a decorative and theater painter from 1921 to 1923 at the Dresden Arts and Crafts Academy . The following year he got the necessary practice in Geneva and Italy and returned to the Academy of Applied Arts in 1925 for further studies together with the painter and sculptor Eugen Häfelfinger [2] . In parallel to decorative painting, Cleis created linocuts and woodcuts. Back in Sissach, Cleis worked as a flat painter and later settled in Mendrisiotto , where he met with Aldo Patocchi , Samuel Wülser , Ernst Musfeld (1900 1964) [3] , Guido Gonzato (1896 1955) [4] and Anita Spinelli friends. From 1931, Cleis was a member of the Ticino section GSMBA (SPSAS, Società di pittori, scultori ed architetti svizzeri) and the Ticino Society of Fine Arts. In 1934 Cleis married the teacher Lisa Vela (1901 1988), who worked in Stabio . She was a descendant of Vincenzo Vela . Together they had the children Milo (* 1936) [5] , Vera and Daniele (* 1944) [6] They lived together in Ligornetto where Cleis became friends with Emilio Müller , among others . In 1937, Cleis created two large murals on the Lugano post office building and also made a name for himself in Ticino with his mosaics. As an artist, Cleis continued to work in German-speaking Switzerland , especially in the canton of Basel-Landschaft, where he created numerous sgraffiti and frescoes in private and public buildings . He also created drawings, oil paintings, watercolors and woodcuts, especially large format ones. From 1939 Cleis worked as an illustrator and was friends with Jacques Düblin and Walter Eglin . Cleis' woodcut for the cantonal gymnastics festival in Basel was awarded first prize in 1939. [7] Like Eglin, Cleis belonged to the group Xylos , founded in 1944, and from 1953 to the international group XYLON . In the same year he received the Art Prize of the City of Zurich . In 1962 he was awarded the Pietro Chiesa Prize and in 1964 he won the engraving competition for the La terre et la forêt section at the Lausanne State Exhibition . In 1959, Cleis took part in the exhibition of Modern Mural Painting in Switzerland at the Lucerne Art Museum . Cleis was director of the Vincenzo Vela Museum from 1958 to 1974. The street that leads to the museum is called Via Ugo Cleis , and since 2009 there has been the street Via Lisa Cleis-Vela in Ligornetto. Cleis was the uncle of Martin Cleis .

No Binding. Zustand: Fine. Original woodcut by Ugo Cleis, signed by the artist. 29 x 17 cm, in fine condition. Ugo Cleis , actually Hugo Cleis (born April 5 , 1903 in Diepflingen , canton of Basel-Landschaft ; September 13 , 1976 in Mendrisio , canton of Ticino ; resident in Buckten ) was a Swiss painter , draftsman , illustrator , decorative painter , wood cutter and mosaicist . Ugo Cleis, son of a teacher, completed an apprenticeship as a flat painter in Sissach . Inspired by the architect Adolf Müller-Senglet (1896 1942), [1] Cleis trained as a decorative and theater painter from 1921 to 1923 at the Dresden Arts and Crafts Academy . The following year he got the necessary practice in Geneva and Italy and returned to the Academy of Applied Arts in 1925 for further studies together with the painter and sculptor Eugen Häfelfinger [2] . In parallel to decorative painting, Cleis created linocuts and woodcuts. Back in Sissach, Cleis worked as a flat painter and later settled in Mendrisiotto , where he met with Aldo Patocchi , Samuel Wülser , Ernst Musfeld (1900 1964) [3] , Guido Gonzato (1896 1955) [4] and Anita Spinelli friends. From 1931, Cleis was a member of the Ticino section GSMBA (SPSAS, Società di pittori, scultori ed architetti svizzeri) and the Ticino Society of Fine Arts. In 1934 Cleis married the teacher Lisa Vela (1901 1988), who worked in Stabio . She was a descendant of Vincenzo Vela . Together they had the children Milo (* 1936) [5] , Vera and Daniele (* 1944) [6] They lived together in Ligornetto where Cleis became friends with Emilio Müller , among others . In 1937, Cleis created two large murals on the Lugano post office building and also made a name for himself in Ticino with his mosaics. As an artist, Cleis continued to work in German-speaking Switzerland , especially in the canton of Basel-Landschaft, where he created numerous sgraffiti and frescoes in private and public buildings . He also created drawings, oil paintings, watercolors and woodcuts, especially large format ones. From 1939 Cleis worked as an illustrator and was friends with Jacques Düblin and Walter Eglin . Cleis' woodcut for the cantonal gymnastics festival in Basel was awarded first prize in 1939. [7] Like Eglin, Cleis belonged to the group Xylos , founded in 1944, and from 1953 to the international group XYLON . In the same year he received the Art Prize of the City of Zurich . In 1962 he was awarded the Pietro Chiesa Prize and in 1964 he won the engraving competition for the La terre et la forêt section at the Lausanne State Exhibition . In 1959, Cleis took part in the exhibition of Modern Mural Painting in Switzerland at the Lucerne Art Museum . Cleis was director of the Vincenzo Vela Museum from 1958 to 1974. The street that leads to the museum is called Via Ugo Cleis , and since 2009 there has been the street Via Lisa Cleis-Vela in Ligornetto. Cleis was the uncle of Martin Cleis .

No Binding. Zustand: Fine. Original woodcut by Ugo Cleis, signed by the artist. 17 x 29 cm, in fine condition. Ugo Cleis , actually Hugo Cleis (born April 5 , 1903 in Diepflingen , canton of Basel-Landschaft ; September 13 , 1976 in Mendrisio , canton of Ticino ; resident in Buckten ) was a Swiss painter , draftsman , illustrator , decorative painter , wood cutter and mosaicist . Ugo Cleis, son of a teacher, completed an apprenticeship as a flat painter in Sissach . Inspired by the architect Adolf Müller-Senglet (1896 1942), [1] Cleis trained as a decorative and theater painter from 1921 to 1923 at the Dresden Arts and Crafts Academy . The following year he got the necessary practice in Geneva and Italy and returned to the Academy of Applied Arts in 1925 for further studies together with the painter and sculptor Eugen Häfelfinger [2] . In parallel to decorative painting, Cleis created linocuts and woodcuts. Back in Sissach, Cleis worked as a flat painter and later settled in Mendrisiotto , where he met with Aldo Patocchi , Samuel Wülser , Ernst Musfeld (1900 1964) [3] , Guido Gonzato (1896 1955) [4] and Anita Spinelli friends. From 1931, Cleis was a member of the Ticino section GSMBA (SPSAS, Società di pittori, scultori ed architetti svizzeri) and the Ticino Society of Fine Arts. In 1934 Cleis married the teacher Lisa Vela (1901 1988), who worked in Stabio . She was a descendant of Vincenzo Vela . Together they had the children Milo (* 1936) [5] , Vera and Daniele (* 1944) [6] They lived together in Ligornetto where Cleis became friends with Emilio Müller , among others . In 1937, Cleis created two large murals on the Lugano post office building and also made a name for himself in Ticino with his mosaics. As an artist, Cleis continued to work in German-speaking Switzerland , especially in the canton of Basel-Landschaft, where he created numerous sgraffiti and frescoes in private and public buildings . He also created drawings, oil paintings, watercolors and woodcuts, especially large format ones. From 1939 Cleis worked as an illustrator and was friends with Jacques Düblin and Walter Eglin . Cleis' woodcut for the cantonal gymnastics festival in Basel was awarded first prize in 1939. [7] Like Eglin, Cleis belonged to the group Xylos , founded in 1944, and from 1953 to the international group XYLON . In the same year he received the Art Prize of the City of Zurich . In 1962 he was awarded the Pietro Chiesa Prize and in 1964 he won the engraving competition for the La terre et la forêt section at the Lausanne State Exhibition . In 1959, Cleis took part in the exhibition of Modern Mural Painting in Switzerland at the Lucerne Art Museum . Cleis was director of the Vincenzo Vela Museum from 1958 to 1974. The street that leads to the museum is called Via Ugo Cleis , and since 2009 there has been the street Via Lisa Cleis-Vela in Ligornetto. Cleis was the uncle of Martin Cleis .

No Binding. Zustand: Fine. Original woodcut by Ugo Cleis, signed by the artist. 28 x 17 cm, in fine condition. Ugo Cleis , actually Hugo Cleis (born April 5 , 1903 in Diepflingen , canton of Basel-Landschaft ; September 13 , 1976 in Mendrisio , canton of Ticino ; resident in Buckten ) was a Swiss painter , draftsman , illustrator , decorative painter , wood cutter and mosaicist . Ugo Cleis, son of a teacher, completed an apprenticeship as a flat painter in Sissach . Inspired by the architect Adolf Müller-Senglet (1896 1942), [1] Cleis trained as a decorative and theater painter from 1921 to 1923 at the Dresden Arts and Crafts Academy . The following year he got the necessary practice in Geneva and Italy and returned to the Academy of Applied Arts in 1925 for further studies together with the painter and sculptor Eugen Häfelfinger [2] . In parallel to decorative painting, Cleis created linocuts and woodcuts. Back in Sissach, Cleis worked as a flat painter and later settled in Mendrisiotto , where he met with Aldo Patocchi , Samuel Wülser , Ernst Musfeld (1900 1964) [3] , Guido Gonzato (1896 1955) [4] and Anita Spinelli friends. From 1931, Cleis was a member of the Ticino section GSMBA (SPSAS, Società di pittori, scultori ed architetti svizzeri) and the Ticino Society of Fine Arts. In 1934 Cleis married the teacher Lisa Vela (1901 1988), who worked in Stabio . She was a descendant of Vincenzo Vela . Together they had the children Milo (* 1936) [5] , Vera and Daniele (* 1944) [6] They lived together in Ligornetto where Cleis became friends with Emilio Müller , among others . In 1937, Cleis created two large murals on the Lugano post office building and also made a name for himself in Ticino with his mosaics. As an artist, Cleis continued to work in German-speaking Switzerland , especially in the canton of Basel-Landschaft, where he created numerous sgraffiti and frescoes in private and public buildings . He also created drawings, oil paintings, watercolors and woodcuts, especially large format ones. From 1939 Cleis worked as an illustrator and was friends with Jacques Düblin and Walter Eglin . Cleis' woodcut for the cantonal gymnastics festival in Basel was awarded first prize in 1939. [7] Like Eglin, Cleis belonged to the group Xylos , founded in 1944, and from 1953 to the international group XYLON . In the same year he received the Art Prize of the City of Zurich . In 1962 he was awarded the Pietro Chiesa Prize and in 1964 he won the engraving competition for the La terre et la forêt section at the Lausanne State Exhibition . In 1959, Cleis took part in the exhibition of Modern Mural Painting in Switzerland at the Lucerne Art Museum . Cleis was director of the Vincenzo Vela Museum from 1958 to 1974. The street that leads to the museum is called Via Ugo Cleis , and since 2009 there has been the street Via Lisa Cleis-Vela in Ligornetto. Cleis was the uncle of Martin Cleis .

No Binding. Zustand: Fine. Original woodcut by Ugo Cleis, signed by the artist. 49,5 x 16,5 cm in fine condition. Ugo Cleis , actually Hugo Cleis (born April 5 , 1903 in Diepflingen , canton of Basel-Landschaft ; September 13 , 1976 in Mendrisio , canton of Ticino ; resident in Buckten ) was a Swiss painter , draftsman , illustrator , decorative painter , wood cutter and mosaicist . Ugo Cleis, son of a teacher, completed an apprenticeship as a flat painter in Sissach . Inspired by the architect Adolf Müller-Senglet (1896 1942), [1] Cleis trained as a decorative and theater painter from 1921 to 1923 at the Dresden Arts and Crafts Academy . The following year he got the necessary practice in Geneva and Italy and returned to the Academy of Applied Arts in 1925 for further studies together with the painter and sculptor Eugen Häfelfinger [2] . In parallel to decorative painting, Cleis created linocuts and woodcuts. Back in Sissach, Cleis worked as a flat painter and later settled in Mendrisiotto , where he met with Aldo Patocchi , Samuel Wülser , Ernst Musfeld (1900 1964) [3] , Guido Gonzato (1896 1955) [4] and Anita Spinelli friends. From 1931, Cleis was a member of the Ticino section GSMBA (SPSAS, Società di pittori, scultori ed architetti svizzeri) and the Ticino Society of Fine Arts. In 1934 Cleis married the teacher Lisa Vela (1901 1988), who worked in Stabio . She was a descendant of Vincenzo Vela . Together they had the children Milo (* 1936) [5] , Vera and Daniele (* 1944) [6] They lived together in Ligornetto where Cleis became friends with Emilio Müller , among others . In 1937, Cleis created two large murals on the Lugano post office building and also made a name for himself in Ticino with his mosaics. As an artist, Cleis continued to work in German-speaking Switzerland , especially in the canton of Basel-Landschaft, where he created numerous sgraffiti and frescoes in private and public buildings . He also created drawings, oil paintings, watercolors and woodcuts, especially large format ones. From 1939 Cleis worked as an illustrator and was friends with Jacques Düblin and Walter Eglin . Cleis' woodcut for the cantonal gymnastics festival in Basel was awarded first prize in 1939. [7] Like Eglin, Cleis belonged to the group Xylos , founded in 1944, and from 1953 to the international group XYLON . In the same year he received the Art Prize of the City of Zurich . In 1962 he was awarded the Pietro Chiesa Prize and in 1964 he won the engraving competition for the La terre et la forêt section at the Lausanne State Exhibition . In 1959, Cleis took part in the exhibition of Modern Mural Painting in Switzerland at the Lucerne Art Museum . Cleis was director of the Vincenzo Vela Museum from 1958 to 1974. The street that leads to the museum is called Via Ugo Cleis , and since 2009 there has been the street Via Lisa Cleis-Vela in Ligornetto. Cleis was the uncle of Martin Cleis .

No Binding. Zustand: Fine. Original woodcut by Ugo Cleis, signed by the artist. 49,5 x 16,5 cm in fine condition. Ugo Cleis , actually Hugo Cleis (born April 5 , 1903 in Diepflingen , canton of Basel-Landschaft ; September 13 , 1976 in Mendrisio , canton of Ticino ; resident in Buckten ) was a Swiss painter , draftsman , illustrator , decorative painter , wood cutter and mosaicist . Ugo Cleis, son of a teacher, completed an apprenticeship as a flat painter in Sissach . Inspired by the architect Adolf Müller-Senglet (1896 1942), [1] Cleis trained as a decorative and theater painter from 1921 to 1923 at the Dresden Arts and Crafts Academy . The following year he got the necessary practice in Geneva and Italy and returned to the Academy of Applied Arts in 1925 for further studies together with the painter and sculptor Eugen Häfelfinger [2] . In parallel to decorative painting, Cleis created linocuts and woodcuts. Back in Sissach, Cleis worked as a flat painter and later settled in Mendrisiotto , where he met with Aldo Patocchi , Samuel Wülser , Ernst Musfeld (1900 1964) [3] , Guido Gonzato (1896 1955) [4] and Anita Spinelli friends. From 1931, Cleis was a member of the Ticino section GSMBA (SPSAS, Società di pittori, scultori ed architetti svizzeri) and the Ticino Society of Fine Arts. In 1934 Cleis married the teacher Lisa Vela (1901 1988), who worked in Stabio . She was a descendant of Vincenzo Vela . Together they had the children Milo (* 1936) [5] , Vera and Daniele (* 1944) [6] They lived together in Ligornetto where Cleis became friends with Emilio Müller , among others . In 1937, Cleis created two large murals on the Lugano post office building and also made a name for himself in Ticino with his mosaics. As an artist, Cleis continued to work in German-speaking Switzerland , especially in the canton of Basel-Landschaft, where he created numerous sgraffiti and frescoes in private and public buildings . He also created drawings, oil paintings, watercolors and woodcuts, especially large format ones. From 1939 Cleis worked as an illustrator and was friends with Jacques Düblin and Walter Eglin . Cleis' woodcut for the cantonal gymnastics festival in Basel was awarded first prize in 1939. [7] Like Eglin, Cleis belonged to the group Xylos , founded in 1944, and from 1953 to the international group XYLON . In the same year he received the Art Prize of the City of Zurich . In 1962 he was awarded the Pietro Chiesa Prize and in 1964 he won the engraving competition for the La terre et la forêt section at the Lausanne State Exhibition . In 1959, Cleis took part in the exhibition of Modern Mural Painting in Switzerland at the Lucerne Art Museum . Cleis was director of the Vincenzo Vela Museum from 1958 to 1974. The street that leads to the museum is called Via Ugo Cleis , and since 2009 there has been the street Via Lisa Cleis-Vela in Ligornetto. Cleis was the uncle of Martin Cleis .

No Binding. Zustand: Fine. Original woodcut by Ugo Cleis, signed by the artist. 29,5 x 16,5 cm, in fine condition. Ugo Cleis , actually Hugo Cleis (born April 5 , 1903 in Diepflingen , canton of Basel-Landschaft ; September 13 , 1976 in Mendrisio , canton of Ticino ; resident in Buckten ) was a Swiss painter , draftsman , illustrator , decorative painter , wood cutter and mosaicist . Ugo Cleis, son of a teacher, completed an apprenticeship as a flat painter in Sissach . Inspired by the architect Adolf Müller-Senglet (1896 1942), [1] Cleis trained as a decorative and theater painter from 1921 to 1923 at the Dresden Arts and Crafts Academy . The following year he got the necessary practice in Geneva and Italy and returned to the Academy of Applied Arts in 1925 for further studies together with the painter and sculptor Eugen Häfelfinger [2] . In parallel to decorative painting, Cleis created linocuts and woodcuts. Back in Sissach, Cleis worked as a flat painter and later settled in Mendrisiotto , where he met with Aldo Patocchi , Samuel Wülser , Ernst Musfeld (1900 1964) [3] , Guido Gonzato (1896 1955) [4] and Anita Spinelli friends. From 1931, Cleis was a member of the Ticino section GSMBA (SPSAS, Società di pittori, scultori ed architetti svizzeri) and the Ticino Society of Fine Arts. In 1934 Cleis married the teacher Lisa Vela (1901 1988), who worked in Stabio . She was a descendant of Vincenzo Vela . Together they had the children Milo (* 1936) [5] , Vera and Daniele (* 1944) [6] They lived together in Ligornetto where Cleis became friends with Emilio Müller , among others . In 1937, Cleis created two large murals on the Lugano post office building and also made a name for himself in Ticino with his mosaics. As an artist, Cleis continued to work in German-speaking Switzerland , especially in the canton of Basel-Landschaft, where he created numerous sgraffiti and frescoes in private and public buildings . He also created drawings, oil paintings, watercolors and woodcuts, especially large format ones. From 1939 Cleis worked as an illustrator and was friends with Jacques Düblin and Walter Eglin . Cleis' woodcut for the cantonal gymnastics festival in Basel was awarded first prize in 1939. [7] Like Eglin, Cleis belonged to the group Xylos , founded in 1944, and from 1953 to the international group XYLON . In the same year he received the Art Prize of the City of Zurich . In 1962 he was awarded the Pietro Chiesa Prize and in 1964 he won the engraving competition for the La terre et la forêt section at the Lausanne State Exhibition . In 1959, Cleis took part in the exhibition of Modern Mural Painting in Switzerland at the Lucerne Art Museum . Cleis was director of the Vincenzo Vela Museum from 1958 to 1974. The street that leads to the museum is called Via Ugo Cleis , and since 2009 there has been the street Via Lisa Cleis-Vela in Ligornetto. Cleis was the uncle of Martin Cleis .