rauschenberg combines (28 Ergebnisse)

Zustand: as new. London : Phaidon Press, 2013. Hardcover. Dustjacket. 145 pp. illustrations (some color), portraits (some color) ; 26 cm. - Introduction to the life and work of Robert Rauschenberg. The work of Robert Rauschenberg has had a profound impact on avant-garde art from the 1950s onwards. A pioneer of multimedia are, this book explores his experimentations from his Combines (works melding painting and sculpture), prints, silkscreen paintings to his use of technology and his collaborations with choreographers such as Merce Cunningham and Trisha Brown. Condition : as new copy. ISBN 9780714861517. Keywords : ART,

Zustand: as new. New York : Abrams, [2018]. Third edition, revised and expanded edition. Hardcover. Dustjacket. 368 pp. Ills. 28 cm. - Iconoclastic, generous, inventive, impulsive, sensitive, gregarious, prodigious: these are just some of the words to describe Robert Rauschenberg (1925-2008) and the art he made over his career. From the age of 38, when he received the grand prize at the Venice Biennale in 1964, Rauschenberg was a pivotal figure in the creative explosion of art following WWII. This revised edition of the classic biography of the artist adds a new chapter covering the significant moments in the final years of his life, and offers an in-depth look at his legacy and continued influence on the postmodern art world. It includes new photography and interviews with friends, colleagues, critics, and art historians. Rauschenberg is a richly impressive and highly readable portrait of the artist. The book shows the astonishing dexterity and range of Rauschenberg's art even as an emerging artist, the creation of his now famous combines, his eagerness to bridge art and technology, the establishment of the Rauschenberg Overseas Culture Interchange, and his final collaborative work: the Lotus Series with Universal Limited Art Editions. Condition : as new copy. ISBN 9781419729652. Keywords : ART, Rauschenberg, Robert (1925-2008).

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2004 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, Free University of Berlin (John-F.-Kennedy Institut), language: English, abstract: For a thorough understanding of the development of the American art scene in the 1950s and 1960s, it is essential to have a close look on the early work of the forerunner Robert Rauschenberg whose art bridged the way between Abstract Expressionism and Pop Art. In this context, it is equally important to analyze Susan Sontag's essays on art and style from the mid-1960s which had a precursory function in the art critic world and promoted a new kind of sensibility to the audience. To understand the development of Rauschenberg's art concept, which was breathtakingly new at its time, it is inevitable to look at his artistic career and the different influences on his work from artistic models, teachers, and fellow artists. Additionally, an analysis of the 1950s and 1960s art scene and the change of the audience's reception are equally necessary to recognize the significance of Rauschenberg's work for its time and beyond. Sontag was one of the first critics to fully acknowledge the importance of Rauschenberg's ideas for the development of the American art scene. Her essay collection is thus in itself a pioneer work of a new kind of art criticism. Rauschenberg's artwork as well as Sontag's essays on the arts challenged people's perspective on art and its functions. Even though Sontag only directly refers twice to Rauschenberg's artwork in her essay collection 'Against Interpretations', her ideas of the new kind of art of the late 1950s and early 1960s nevertheless strongly correspond to Rauschenberg's art concept. The artist and the art critic thus paved the way for a new understanding of art and its reception.

First edition. Softcover. 316 pages. Exhibition catalog for a traveling show that ran December 20, 2005 through April 2, 2006 in New York, May 21 through September 11, 2006 in Los Angeles, October 25, 2006 through January 21, 2007 in Paris,and February 17 through May 6, 2007 in Stockholm. Essays by Thomas Crow, Branden W. Joseph, Paul Schimmel and Charles Stuckey. Afterword by Pontus Hulten. Includes numerous color and black and white illustrations and an inventory and history of Combines compiled by Mary Beth Carosello. A tight very near fine copy in wrappers.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: Good. Original wrappers, illustrations in b/w, 8vo.

Hardback. Zustand: Near fine. First Edition, First Printing. 17 x 24cm near fine hardback exhibition catalogue with colour reproductions and text. Milton Ernest "Robert" Rauschenberg was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combines, a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and sculpture.

Bois, Yves-Alain, Clare Elliott and Josef Helfenstein. ROBERT RAUSCHENBERG: Cardboards and Related Pieces. 152 pp., roughly 45 color and 110 b&w illustrations. 4to, boards. Houston, The Menil Collection in association with New Haven and London, Yale University Press, 2007. Rauschenberg, best known for his paintings and Combines, worked on a series of Cardboards from 1971 to 1972. These, along with related sculptural works, are reproduced here with full provenance and exhibition history, as well as an essay by scholar Yve-Alain Bois. Exhibited at The Menil Collection, Houston.

Stiff pictorial wrappers, fine. Provenance: Gunilla Palmstierna-Weiss (1928-2022). Verein zur Dokumentation und Erforschung der Kultur Osteuropas [.], 1988. Large 8vo. 200 pp. Richly illustrated in colour. Essays and 231 catalogue entries. With bibliography. Illustrated exhibition catalogue, text in German. - - - Vladimir Yankilevsky was a Russian artist known mostly for his participation in the Soviet Nonconformist Art movement of the 1960s through the 1980s. Perhaps his most famous works are his triptychs, works that are difficult to classify, occupying a unique middle ground between painting, and sculpture, similar in some ways to Rauschenberg's combines.

Zustand: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Taschenbuch. Zustand: Neu. Neuware - From Picasso's Cubism and Duchamp's readymades to Warhol's silkscreens and Smithson's earthworks, the art of the twentieth century broke completely with earlier artistic traditions. A basic change in the market for advanced art produced a heightened demand for innovation, and young conceptual innovators - from Picasso and Duchamp to Rauschenberg and Warhol to Cindy Sherman and Damien Hirst - responded not only by creating dozens of new forms of art, but also by behaving in ways that would have been incomprehensible to their predecessors. Conceptual Revolutions in Twentieth-Century Art presents the first systematic analysis of the reasons for this discontinuity. David W. Galenson, whose earlier research has changed our understanding of creativity, combines social scientific methods with qualitative analysis to produce a fundamentally new interpretation of modern art that will give readers a far deeper appreciation of the art of the past century, and of today, than is available elsewhere.

4°. 32 x 26 cm. 317 (1) Seiten. Original-Leinenband mit Original-Schutzumschlag. 1. Auflage. Englischsprachige Ausgabe. Katalog anlässlich der Ausstellung im Metropolitan Museum of Art, New York, 20.12.2005 - 02.04.2006, im Moderna Museet, Stockholm, 17.02. - 06.05.2007 u.a. Mit zahlreichen Abbildungen. Sehr gutes Exemplar. First edition. English language edition. Exhibition catalogue. With many illustrations. Original cloth binding with dust jacket. Fine copy.

Gebundene Ausgabe. Zustand: Neu. Neu neuware, importqualität, auf lager - Robert Rauschenbergs engagement with photography began in the late 1940s under the tutelage of Aaron Siskind and Hazel Larsen Archer at Black Mountain College in North Carolina. Their combined influence was so great that for a time Rauschenberg was unsure whether to pursue painting or photography as a career. Instead he chose both. This volume gathers and surveys Rauschenbergs numerous uses of photography for the first time. It includes portraits of friends, studio shots, photographs used in the Combines series, silkscreens, photographs of lost works and works in progress, allowing us to re-imagine almost the entirety of the artists work in light of his always inventive uses of photography, while also supplying previously unseen glimpses into his social nexus of the 1950s and 60s.

loose_leaf. Zustand: Molto buono (Very Good). Cartoncino d'invito alla mostra "Shales Series" di Robert Rauschenberg presso la  Galerie Daniel Templon, Parigi, 18 febbraio - 22 marzo 1995. Al fronte un'illustrazione a colori (Grip+Grip. Foto trasferite e cera su tela, 1994) . Cm 21x15. . . Molto buono (Very Good). . . . Robert Rauschenberg è stato un pittore statunitense vicino alla pop art senza però mai aderirvi realmente, e insieme a Jasper Johns ed altri fu fra i principali esponenti del New Dada. Nel 1951 Rauschenberg presentò le sue opere nella prima mostra personale presso la galleria Betty Parson e  nel 1954 in una una seconda mostra, alla galleria Charles Egan. Nel 1955, sempre alla galleria Charles Egan, mostrò, "Bed", una delle sue prime, e certamente una delle più famose, "Combines". La sua prima retrospettiva venne organizzata dal Jewish Museum, a New York, nel 1963, mentre nel 1964 fu il primo artista americano a vincere il Gran Premio alla Biennale di Venezia.Fra le principali mostre recenti si ricordano quelle tenutesi nel 2013 alla Gagosian Gallery di Londra; nel 2014 alla The Fulton Street Studio, alla Leo Castelli Gallery e alla Gagosian Gallery di Beverly Hills; nel 2016 alla  de Sarthe Gallery, Hong Kong. Dal 1 dicembre 2016 al 2 aprile 2017 lTate Modern di Londra ha allestito la prima e più esaustiva retrospettiva postuma sul lavoro dell'artista. Book.

First Edition. Hardcover. First Edition. As New. Fine and unread in a Near Fine dust jacket. Oversize volume, shipping billed at cost.

4°, 317 S., 170 farb. Tafeln., zahlr. teilw. farb. Abb., Brosch., Min. gebrauchsspurig, sonst tadell. Anlässlich der gleichnamigen Ausstellung. Text engl. 2500 gr. Schlagworte: Kunst - Monographien.

Stapled as issued. Very fine. Stockholm 1989. 8vo. 24 pp. including plates with 11 full-page reproductions in colour. Beautifully printed on fine paper from Tumba bruk. Images covered by protective sheet. Contents: "It is as it should be" by Donald Saff, and a Biography (Chronology).

Zustand: Gut. 397 S.; sehr zahlr. (farb.) Illustr.; 32 cm; kart. Gutes Ex.; Einband stw. gering berieben. - Deutsch; englisch. - Robert Milton Ernest Rauschenberg (* 22. Oktober 1925 in Port Arthur, Texas; 12. Mai 2008 auf Captiva Island, Florida) war ein US-amerikanischer Maler, Grafiker, Fotograf und Objektkünstler und ein Wegbereiter der Pop Art im 20. Jahrhundert . Rauschenberg glaubte, dass die von ihm angestrebte Wiedervereinigung der künstlerischen Bildwirklichkeit mit der Lebenswirklichkeit am besten dadurch erreicht werden könne, indem man Teile der realen Welt unverändert in die Kunst hereinholt. So kombinierte er in seinen Werken etwa Tennisbälle, Autoreifen, Fahrräder und ausgestopfte Ziegen auf hintersinnige Weise. Anders als andere Materialkünstler veränderte er diese materiellen Reste der realen Welt" jedoch nicht, sondern beließ sie so, wie sie sind. Künstlerische Vorbilder und Wesensverwandte waren für Rauschenberg vor allem deutsche Künstler wie der Dadaist Kurt Schwitters, der Maler und Kunsttheoretiker Josef Albers, aber auch der Fluxus-Künstler Joseph Beuys. Einen nicht zu unterschätzenden Bezugspunkt in der künstlerischen Entwicklung Rauschenbergs stellte aber auch Willem de Kooning dar. Als Hauptvertreter des abstrakten Expressionismus, der in der amerikanischen Nachkriegszeit führenden gegenstandslosen Malereiauffassung, wurde er mit Albers für Rauschenberg zum Anstoß einer persönlichen Rebellion. . (wiki) // INHALT : Vorwort Dieter Ruckhaberle; Biographie; Lawrence Alloway Rauschenbergs Entwicklung; Götz Adriani Robert Rauschenberg Zeichnungen, Gouachen, Collagen 1949 bis 1979; Douglas M. Davis Strong Currents; William S. Lieberman Die Illustrationen zu Dantes "Inferno"; Bilder, Combine-Paintings, Objekte; Ausstellungsverzeichnis / List of Works. // . Combine Paintings : Seine diesen Stil repräsentierenden Arbeiten entstanden zumeist in dem Zeitraum von 1953 bis Anfang der 1960er Jahre. Es handelt sich um neodadaistische Collagen, bestehend aus einer Kombination von Abstraktem Expressionismus und Pop Art, ausgedrückt durch Malereien in Verbindung mit darauf befestigten Gegenständen des täglichen Lebens (zum Beispiel Glühbirnen, Küchengeräten, Postkarten, Comics, Druckgrafikblättern, Tapetenresten, ausgestopften Tieren, Radios etc.), die zum Teil übermalt wurden. Malerei wird mit Objekten kombiniert" und erweitert so hin zum dreidimensionalen Raum. Deshalb wird die traditionelle Grenze zwischen Malerei und Skulptur aufgehoben. Rauschenberg meinte zu seinen Arbeiten, dass sie sich durch Wirklichkeit auszeichnen. Seiner Ansicht nach befand sich die Malerei am Scheideweg zwischen Kunst und Leben, und er versuche, die Lücke zu schließen, die sie trenne. Die Beschäftigung mit Fundstücken, Material des Alltäglichen, hatte ihn in einer Werkphase beeinflusst, in der er sein Atelier mitten in New York aufgeschlagen hatte. Es entstanden die so genannten Elemental Sculptures", experimentelle Arbeiten aus Pflastersteinen und anderen Fundmaterialien, die er in der unmittelbaren Umgebung seines Ateliers vorfand. Die Skulpturen stehen zwischen ready mades" und dadaistischen Assemblagen, wobei Rauschenberg die Eigenheit dieser Fundstücke betonte und sie nicht in eine Kontextverschiebung umwerten wollte. In diesen Werken ist einerseits maßgeblich die Entwicklung der Pop Art begründet, andererseits ist hier der Ausgangspunkt für Rauschenbergs weitere Werkentwicklung gelegt, insofern Bild und Skulptur als eigenständige Bereiche weiterverfolgt werden. Bei den Combines" unterschied Rauschenberg die Combine Paintings" und die freistehenden Combines" wie zum Beispiel Odalisque" aus dem Jahre 1955/58. Monogram" (1959) ist das berühmteste seiner Combines". Die Combines lassen oft eine satirische Absicht erkennen und sind ironische Paraphrasen von Träumen der Konsumgesellschaft und von typischen Figuren unserer Zeit. . (wiki) Sprache: Deutsch Gewicht in Gramm: 2500.

paperback. Zustand: Molto buono (Very Good). Prima edizione (First Edition). Catalogo della mostra organizzata a Firenze, Forte di Belvedere, 11 settembre - 19 ottobre 1976, per il bicentenario della Dichiarazione d'indipendenza degli Stati Uniti d'America. Introduzione di Achille Bonito Oliva ("Una riserva di significati"). Tavole in bianco e nero e nota biografica . Cm 22x22. pp. n.n. . Molto buono (Very Good). . Prima edizione (First Edition). . Robert Rauschenberg è stato vicino alla pop art senza però mai aderirvi realmente, e insieme a Jasper Johns ed altri fu fra i principali esponenti del New Dada. Nel 1951 Rauschenberg presentò le sue opere nella prima mostra personale presso la galleria Betty Parson e  nel 1954 in una una seconda mostra, alla galleria Charles Egan. Nel 1955, sempre alla galleria Charles Egan, mostrò, "Bed", una delle sue prime, e certamente una delle più famose, "Combines". La sua prima retrospettiva venne organizzata dal Jewish Museum, a New York, nel 1963, mentre nel 1964 fu il primo artista americano a vincere il Gran Premio alla Biennale di Venezia.Fra le principali mostre recenti si ricordano quelle tenutesi nel 2013 alla Gagosian Gallery di Londra; nel 2014 alla The Fulton Street Studio, alla Leo Castelli Gallery e alla Gagosian Gallery di Beverly Hills; nel 2016 alla  de Sarthe Gallery, Hong Kong. Dal 1 dicembre 2016 al 2 aprile 2017 lTate Modern di Londra ha allestito la prima e più esaustiva retrospettiva postuma sul lavoro dell'artista. Book.

Häftad, dek. omslag. Fint skick. Stockholm, Moderna Museet, 2007. 4:o. 342 sid. Rikligt illustrerad i färg, bl. a. med utvikbara bilder. Utställning på Moderna Museet, Stockholm, 17 februari-6 maj 2007. (Moderna museets utställningskatalog 338.).

paperback. Zustand: Ottimo (Fine). Catalogo n. 77 della mostra della Galleria dell'Ariete, Milano, 24 ottobre 1961. Testo in inchiostro rosso di Gillo Dorfles. Con una illustrazione in bianco e nero su doppia pagina. Elenco delle 12 opere esposte.  . Cm 21,5x15,5. pp. . . Ottimo (Fine). . . . Robert Rauschenberg è stato un pittore statunitense che fu vicino alla pop art senza però mai aderirvi realmente, e insieme a Jasper Johns ed altri fu fra i principali esponenti del New Dada. Nel 1951 Rauschenberg presentò le sue opere nella prima mostra personale presso la galleria Betty Parson e  nel 1954 in una una seconda mostra, alla galleria Charles Egan. Nel 1955, sempre alla galleria Charles Egan, mostrò, "Bed", una delle sue prime, e certamente una delle più famose, "Combines". La sua prima retrospettiva venne organizzata dal Jewish Museum, a New York, nel 1963, mentre nel 1964 fu il primo artista americano a vincere il Gran Premio alla Biennale di Venezia.Fra le principali mostre recenti si ricordano quelle tenutesi nel 2013 alla Gagosian Gallery di Londra; nel 2014 alla The Fulton Street Studio, alla Leo Castelli Gallery e alla Gagosian Gallery di Beverly Hills; nel 2016 alla  de Sarthe Gallery, Hong Kong. Dal 1 dicembre 2016 al 2 aprile 2017 lTate Modern di Londra ha allestito la prima e più esaustiva retrospettiva postuma sul lavoro dell'artista. Book.

Göttingen. Steidl. ISBN 3865211453 / 3-86521-145-3 2005. Folio. 320 Seiten. Literaturverzeichnis. Softcover. Verlagsfrisch. Tadellos. Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

No Binding. Zustand: Very Good. Original exhibition poster by Robert Rauschenberg. 77,5 x 45 cm, in near fine condition. Milton Ernest "Robert" Rauschenberg (October 22, 1925 May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combines (19541964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and sculpture. Rauschenberg was both a painter and a sculptor, but he also worked with photography, printmaking, papermaking and performance. Rauschenberg received numerous awards during his nearly 60-year artistic career. Among the most prominent were the International Grand Prize in Painting at the 32nd Venice Biennale in 1964 and the National Medal of Arts in 1993. Rauschenberg lived and worked in New York City and on Captiva Island, Florida, until his death on May 12, 2008.

No Binding. Zustand: Near Fine. Original exhibition poster by Robert Rauschenberg. 56 x 84 cm, in very good condition. Milton Ernest "Robert" Rauschenberg (October 22, 1925 May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combines (1954 1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and sculpture. Rauschenberg was both a painter and a sculptor, but he also worked with photography, printmaking, papermaking and performance. Rauschenberg received numerous awards during his nearly 60-year artistic career. Among the most prominent were the International Grand Prize in Painting at the 32nd Venice Biennale in 1964 and the National Medal of Arts in 1993. Rauschenberg lived and worked in New York City and on Captiva Island, Florida, until his death on May 12, 2008.