robert rosenblum modern painting (13 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:0500490198.

Zustand: Very Good. Very Good condition. Very Good dust jacket. (cubism, modern art, 20th century, cubist, art, modern painting ) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

8vo. pp. 240. b/w illus. index. cloth. dw. First American Edition.

Zustand: Very Good. Very Good condition. No Dust Jacket (painting, sculpture, modern art, cubism) A copy that may have a few cosmetic defects. May also contain a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Soft cover. Zustand: Very Good. Quarto Size. Very Good condition. Colour and black & white illustrations. 80 pages. Contains; The Ascendancy of Art: An Interview with Robert Rosenblum ; The Eastward March of Civilization? By Peter Fuller; Internationalism and Tradition: British and American Art Since 1945 by Mary Rose Beaumont; New American Art by Dan Cameron; American Art from 1945: Abstraction to Post-Modernism by John Griffiths; Narrative Classicism by Charles Jencks; The Pop Icon by Sheena Wagstaff; Interchanges: British and American Painting 1945-87 by Grace Hartigan et al. Robust, professional packaging and tracking provided for all parcels.

Antwerpen, Mercatorfonds, [2000]. 447 pp. Col. ills. Orig. hardcover, d./j.Overview of painting and sculpture at the Exposition Universelle, Paris 1900. - Catalogue for the exhibition '1900 : art at the crossroads' at the Royal Academy of Arts, London from January 16 to April 3, 2000 and the Solomon R. Guggenheim Museum, New York from May 18 to September 13, 2000. - Text in Dutch.

178pp. 185 illus. (16 color). Oblong 4to. Cloth. D.j.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 2013 in the subject Art - Miscellaneous, grade: A, , course: BA (Hons) Fine Arts, language: English, abstract: In Robert Rosenblum's book 'Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko', Rosenblum traces a continuing tradition in art from the 18th century to the 1960s, which centres upon the term 'sublime'. In the past many artists (amongst them Caspar David Friedrich, Turner, Wassily Kandinsky, Mark Rothko, Barnett Newman) and theorists (amongst them Edmund Burke, Immanuel Kant, Jean-Francois Lyotard) have explored the transcendental nature of the sublime in art. Today we live in an age that prides itself on the loss of illusion. Ideas of transcendence in art are often seen as sentimental and viewed with skepticism. The word sublime seems to be stripped down to 'the shock of the new' (often centered on horror). This essay explores how the transcendental sublime is situated in contemporary art. The 'transcendental sublime' will here refer to how looking at a work of art can enable one to be transported, going beyond the given limits to a place of accessing one's spiritual side. Art that has used shock and terror to achieve a sense of the sublime will be excluded from this discussion.