assemblage environments happenings von kaprow: Bücher (9 Ergebnisse)

Zustand: Gut. 341 Seiten Zustand: gut bis sehr gut; ausgeschiedenes Bibliotheksexemplar; v10670 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Englisch Gewicht in Gramm: 1840 Softcover/Paperback; engl. Broschur.

Gr. 8° Broschiert. Zustand: Gut. Broschierter Einband, 24 x 24 cm, altersgemäß leicht berieben, Rücken im vorderen Gelenk oben auf ca. 1 cm, eingerissen, Innenseiten leicht randgebräunt, Inhaltsverzeichnis mit wenigen Ankreuzungen, Seite 67/68 liegt lose ein, Seite 69/70 fehlt. Fotografische Übersicht über das umfassende Performance- und Happening-Werk von Allan Kaprow. Mittelteil mit den Seiten 148 bis 208 auf braunem rohfaserigen Papier mit einem Beitrag von Allan Kaprow sowie sechs weiteren Fachbeiträgen. Stichworte: Allan Kaprow, Fluxus, Happening, Moderne Kunst, Kunst des 20. Jahrhunderts, Performance 341 S. Englisch 2100g.

paperback. Zustand: very good(+). Illustrated abundantly in black and white. 341 pages. Square 4to, stiff printed wrappers (spine sunned and edges rubbed). New York: Abrams, 1966. One corner lightly bumped, still a very good(+) solid copy. Written and designed by Allan Kaprow, this book provides a great look into the work and world of Kaprow, along with the Nine Japanese Gutai Group, Jean-Jacques Lebel, Wolf Vostell, George Brecht, Kenneth Dewey, and Milan Knizak.

Soft cover. Zustand: Very Good. 1st Edition. 4° Ob. - 341pp - B/w Photo-reproductions. First edition Text and designa by Allan Kaprow - With selection of Scenarios by. 9 Japanese of the Gutai Group - Jean-Jacques Lebel - Wolf Vostell - George Brecht - Kenneth Dewey - Milan Knizak. Text in English. Original wrappers. In Very good condtion.

Zustand: Very good. Inscribed first edition of this founding document of performance and environmental art the first such work by a major publisher, Abrams. A founding document of performance and environmental art, and the first by a major publisher, Kaprow's ASSEMBLAGE, ENVIRONMENTS & HAPPENINGS was originally planned as an official Fluxus publication (see CODEX p. 288), but eventually evolved into this broader book. Artists covered include Robert Rauschenberg, Claes Oldenburg, Red Grooms, and George Segal, with contributions from Wolf Vostell, George Brecht, Kaprow and others. The recipient is almost certainly photojournalist Paul Berg, whose photos are included in this volume and fall roughly where Kaprow suggests they should (though there is no such plate 164). Berg photographed and covered Kaprow's happening "Push and Pull" for the ST. LOUIS POST DISPATCH in 1963. The uncommon hardcover issue of this important resource, it is scarce signed, especially with any kind of association. 12'' x 12''. Original brown burlap covered boards. Lacking original clear vinyl jacket. Black endpapers. 341, [3] pages. Inscribed by Kaprow to early preliminary: "For Paul on / his birthday - / A nostalgic / time in which / you played a / part (see pl. / 164 somewhere / deep inside!) / - in friendship / Allan K." Sunning to lower edges, spine faded. Else clean and sound throughout.

Softcover. Zustand: Gut. Format Quer 4°. 341 Seiten, 1 Blatt. Farbig gestaltete Original-Klappenbroschur mit Rücken- und Deckeltitel in Weiß. Rücken- und Umschlagkanten stellenweise sehr leicht berieben. Umschlag mit wenigen winzigen Fleckchen, mit wenigen schwachen oberflächigen Kratzerchen und vermutlich produktionsbedingten Knitterfältchen. Innen zeit- und materialbedingt leicht gebräunt. Kleiner Eigentumsstempel eines Experimentellen Theaters in Frankfurt und kurzer handschriftlicher Besitzvermerk mit Bleistift. Gutes sauberes Exemplar ohne weitere Gebrauchs- oder Lesespuren. Doppeltitelblatt und Texte durchgehend auf bräunlichem Papier. Aufwendig gestaltete Dokumentation mit beeindruckenden teils doppelblattgroßen Schwarzweiß-Fotographien, Zeichnungen, Werkansichten und Dokumentationen der Arbeiten von Jackson Pollock, Allan Kaprow, Jim Dine, Robert Rauschenberg, Claes Oldenburg, George Segal, Ruth Smith, Jean Tinguely, Jean Follet, Red Grooms, Robert Whitman, Yayoi Kusama, Robert Watts, Martha Edelheit, Renee Miller, George Brecht, Clarence Schmidt auf festerem Papier. Texte in englischer Sprache.

Illus. 343pp. 4to. Zustand: Heavy brown burlap. Fine. First Edition. First Edition. Illus. 343pp. 4to.

Zustand: Very Good. Dust Jacket Included. New York, Harry N. Abrams, Inc., Publishers, 1966. Large square quarto, 343 pages with numerous illustrations (many from photographs) of artworks, people and events. Dark brown hessian (burlap) lettered on the spine and front cover in light brown; spine a little sunned; an excellent copy with the original clear plastic dustwrapper (now slightly chipped, cockled and marked). The title and publication details are to be found at pages 146-147. Allan Kaprow (1927-2006) was a pioneering American performance artist. Provenance: Paul Greenaway, Australian gallerist (Gagprojects, based in Adelaide), with his ownership signature (1974).

New York; Harry N. Abrams, [1966]. First edition. 31,5x31,5 cm. 341, (1, 2 blanks) pp. Illustrated. Original brown burlap with title on spine and front board. Spine and a small portion of front board are slightly faded. A fine copy. A textual and photographical documentation of Kaprow's happenings, a term he coined already in 1959, and of the contemporary avant-garde. In the preface he states: "This book is an introduction to a recent development in the arts. It concentrates on the background, the theory, and some of the implications of these developments. The book, furthermore, is not intented to be a summary after the fact. It has been written in the midst of a young activity, with an interest that was both observant and highly biased. Being part of the activity, I was inclined to look at and judge an art-in-the-making as well as influence its course. Artists, like critics and historians, make the history they reflect, even with the best intentions to remain objective. I thought, when I began writing, that I should try both to observe and to influence as much as possible." From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.