bad painting (13 Ergebnisse)

Paperback. Zustand: Good in wraps. First Edition. 22 x 28cm 254pp German and English text with some colour reproductions. Corners at lower edge very slightly curled.

Broschiert. 256 Seiten Dt. / Engl.- Buchklappen an den Kanten etwas berieben; Schnitte und Seitenränder altersbedingt leicht nachgedunkelt, sonstiger Zustand sehr gut. - Cover with some shelf wear; cut edges and margins slightly yellowed by age, otherwise a very well kept copy. 9783832191122 Sprache: Englisch Gewicht in Gramm: 1750.

hardcover. Zustand: Very Good. Children's emotional force management classic painting in this series: bye. bad temper(Chinese Edition) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Buch. Zustand: Neu. Neuware - The word schilderachtig - painterly - captures the paradoxical phenomenon that early seventeenth-century Dutch landscape paintings emphatically favor the unassuming nature of the countryside in order to bring out the very artfulness of their pictorial representation.Dutch seventeenth-century landscape painting has often been characterized as schilderachtig - literally: »painterly.« Referring to a certain looseness in the handling of the brush, the seemingly tautological and rarely critically discussed term also captures the idea that the landscape image »realistically« renders the, rather unassuming, idiosyncrasies of the Dutch countryside, including the often-overcast skies, moist and windy atmospheric conditions, without any aesthetic or other value judgement about the appropriateness of these motifs for a work of art. The book argues that early in the seventeenth century, however, the term had specifically rhyparographic connotations related to the proverbial Hollandse botheid (»Dutch rudeness«). In accordance, Jan van Goyen (1596-1656) and others began to depict base and even hideous aspects of the countryside not as the coincidental result of an indiscriminatory pictorial mimesis concept, but resulting from a preference for motifs of questionable »paint-worthiness« - in order, by way of contrast, to bring out the painter`s art-full representational skill per se. Schilderachtig stood for the contradictio in picturis of Hollandse botheid as a paradoxical means to evince »painterly« artifice.

Zustand: Neuf.

Hardback. Zustand: Very good. 28 x 24 cm 110 pp with colour illustrations throughout. With Oehlen in converstion with Andrea Tarsia, and texts by Martin Clark and Rod Mengham. Cloth in d.w. as new.

Museum Moderner Kunst Stiftung Ludwig Wien / DuMont Buchverlag, Köln 2008. 4to. 255 pages. Illustrations in b/w and colour. Orig. softcover. Spine with light wear and evenly sunned. Very good.

Mit zahlreichen Abbildungen. Die vorliegende Monografie erschien zur Ausstellung "Odd Nerdrum - Prophet der Malerei", die in Kooperation mit dem Nerdrum Institut, Disena/ Norwegen, als erste Retrospektive des Malers im deutschsprachigen Raum vom 05. März 2011 bis zum 19. Juni 2011 im Panorama Museum Bad Frankenhausen stattfgefunden hat. Mwst.: 7%. Wir verschicken keine Bestellbestätigung, Versand wenn möglich am Tag des Bestelleingangs. Gewicht in Gramm: 700 Groß Oktav, 160 S. Bilingual OBroschur. Sehr Guter Zustand.

Hardback. First Edition. 24 x 28cm 110pp near fine hardback exhibition catalogue in dust jacket. Includes Albert Oehlen in conversation with Andrea Tarsia plus a Preface written jointly by Iwona Blazwick, Director of the Whitechapel and Tom Trevor, Director of the Arnolfini. Includes colour reproductions. Near fine in near fine dustjacket.

Wien 2008, 252 pp, softcov er, color plates, Museum Moderner Kunst Stiftung Ludwig Wien, very good condition, 9783832191122, (coe O-125).