gurre lieder gurre lieder von schoenberg (9 Ergebnisse)

2LP 33 1/3 + Beiheft. (= 138 984/85). Vinyl (Zustand: NM) Hülle: VG). LP-Versandkosten 4,70.

Audio CD, Zust: Gutes Exemplar. 2 CDs. Deutsch 180g.

Quart, 238 Seiten, 1975,Original-Karton . , (VNr. U.E. 3696.), 950 Gramm1874-1951. - Sauberes Exemplar. - Titelauflage (Umschlag-Datierung: "W XI/75"). - Nicht in BSB und CPM.

Large folio (48 x 37cm). 189 pages. Half cloth and marbled boards, worn and chipped, 2x3cm piece torn from backstrip, also frayed to head and foot. Front hinge cracked and first few gatherings slightly loose.

Elephant folio (38 x 26cm). 179 pages. Facsimile of original manuscript. Pictorial wrappers, edges heavily chipped and reinforced at backstrip with cloth tape. Patric Standford's stamp to front cover and first page, with some pencil markings to front cover.

Tall folio (37 x 25cm). 179 pages. Facsimile of original manuscript. Full red morocco, gilt line borders, corners, joints and backstrip very rubbed, tiny strip missing at head of backstrip. Both inner hinges carefully strengthened with a cloth strip. Internally VG.

Large folio (48 x 37cm). 189 pages. Red cloth, gilt. Small nick at outer front edges of first two leaves, repaired with old sellotape.

Large folio. Modern full dark tan buckram, publisher's light green printed wrappers bound in. 189 pp. New York music seller's stamp to lower margin of title. Wrappers slightly worn and soiled with two small tape repairs to outer margin of lower. First Edition in this form. Rufer (E), pp. 78-79. GA B 16/1, p. 161. The work was first published in a facsimile edition of the autograph manuscript. It was subsequently engraved with corrections by Schoenberg, and published in 1920. Schoenberg's Gurre-Lieder was first performed in Vienna at the Großer Musikvereins-Saal, 23 February 23 1913, with Franz Schreker conducting. The Danish poet Jens Peter Jacobsen (1847-1885) wrote his Gurresange in 1871, and a German translation was made by Robert Franz Arnold (1872-1938). Schoenberg first set these poems, which depict the love of King Waldemar and Tove, as a song cycle for voice and piano in 1900. He then began setting the entire cycle in a choral-orchestral work of Mahlerian proportions, composed and orchestrated over a decade. Scored for vast vocal and instrumental forces, it required custom 48-stave paper to fit all the parts. The Gurre-Lieder represents a culmination of the aesthetics of the Romantic periodmusical language had already begun to shift into the kaleidoscope of 20th-century styles. Schoenberg, of course, was a dominant force in this shift, a fact he clearly recognized: "When he finished the orchestration in 1910/1911, he considered the piece a document of a style of composition and an intellectual attitude which already seemed alien to himalthough that did not detract from the work's importance: 'It is the key to my entire development. It shows sides of me which I do not reveal later on, or, from a different approach. It explains how everything had to happen as it did later on, and that is enormously important for my work that one can follow the man and his development from that point on.'" Agnes Grond, website of The Arnold Schönberg Center.

Small folio. Modern quarter mid-tan calf with marbled boards, titling to spine gilt. 238 pp. Title within decorative Jugendstil border printed in sepia. Handstamp to foot of title dated 1914. A very good copy attractively bound. First Edition, second issue. Rufer (E), p. 79. GA B 16/1, pp. 266-7. The score was first issued in February 1913, with a second print run in May later that year. It would not be printed again until 1920. Schoenberg's Gurre-Lieder was first performed in Vienna at the Großer Musikvereins-Saal, 23 February 23 1913, with Franz Schreker conducting. The Danish poet Jens Peter Jacobsen (1847-1885) wrote his Gurresange in 1871, and a German translation was made by Robert Franz Arnold (1872-1938). Schoenberg first set these poems, which depict the love of King Waldemar and Tove, as a song cycle for voice and piano in 1900. He then began setting the entire cycle in a choral-orchestral work of Mahlerian proportions, composed and orchestrated over a decade. Scored for vast vocal and instrumental forces, it required custom 48-stave paper to fit all the parts. The Gurre-Lieder represents a culmination of the aesthetics of the Romantic periodmusical language had already begun to shift into the kaleidoscope of 20th-century styles. Schoenberg, of course, was a dominant force in this shift, a fact he clearly recognized: "When he finished the orchestration in 1910/1911, he considered the piece a document of a style of composition and an intellectual attitude which already seemed alien to himalthough that did not detract from the work's importance: 'It is the key to my entire development. It shows sides of me which I do not reveal later on, or, from a different approach. It explains how everything had to happen as it did later on, and that is enormously important for my work that one can follow the man and his development from that point on.'" Agnes Grond Arnold Schönberg Center.