la divina commedia von dante alighieri, Erstausgabe (30 Ergebnisse)

Hardcover. 8°, roter Olwbd. mit Rückentitel u.blindgeprägt. Filtenrahmen, 177 S., allseitiger Mehrfarbenschnitt, Ecken bestoßen, Einband berieben u. angestaubt, vord. Rückengelenk beginnend brüchig, hintere Hälfte min. wasserrandig, im Satzspiegel die Gegenseite durchscheinend. Programm zur Schlußfeier des Studienjahres 1856/57. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! -- Genießen Sie den Frühling mit einem guten Buch ! K07993-407796.

Softcover. 20 x 20,5 cm. Brossura bianca con una introduzione de tre pagine di Gino Pavan " I disegni danteschi nelle raccolte del Museo Dantesco di Ravenna" e 152 illustrazioni a tutta pagina in b/n. Un indice degli artisti e dei disegni de 11 pagini. La copertina un poco usata e abbrunita. Buon esemplare. - Ausstellungskatalog in weißer Originalbroschur mit 152 ganzseitigen schwarzweiss-Abbildungen zu Dantes Göttlicher Komödie in Ravenna. Der Einband etwas randbebräunt mit leichten Gebrauchsspuren. Gutes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! -- Genießen Sie den Frühling mit einem guten Buch ! K00441.

4°, 39 S., original Heft mit Papierrückenstreifen, schöner alter Stempel der Lehrerbibliothek eines alteingesessenen Frankfurter Gymnasiums auf Vorderdeckel, sonst gutes, kaum altersspuriges Exemplar (ro ord12).

Libro vintage. Argomento: Narrativa. Autore: Alighieri Dante. Editore: Rizzoli. Luogo: Milano. Anno: 1975. Formato: in-16°. Pagg: 756. Legatura: Brossura. Collana: BUR. Conservazione: Discreta. Prima edizione. Illustrazioni in bn fuori testo. Legatura allentata, Lieve ingiallimento delle pagine.

Libro vintage. Argomento: Letteratura. Autore: Alighieri Dante. Editore: Newton Compton. Luogo: Roma. Anno: 1997. Formato: in-8°. Pagg: 764. Legatura: Brossura. Collana: Tris 7. Conservazione: ottima. Dalla quarta di copertina: "Sono raccolti in questo volume i tre capolavori del Dante poeta. Cento canti di altissima, assoluta poesia, il più grande capolavoro della letteratura italiana, e forse mondiale: è la Divina Commedia, l'opera immortale del sommo poeta. lo straordinario viaggio nell'Oltretomba che Dante intraprese per sollevare l'umanità dallo stato di miseria e infelicità cui è condannata, fatalmente, nell'esistenza terrena". Edizioni integrali. Prima edizione.

Zustand: BUONO USATO. I ED. ITALIANO Opera incompleta, disponibili soltanto i presenti volumi (Paradiso, Vol. I-II-III-IV-V) de "La Divina Commedia" presentata e commentata da Angelo Gianni con la collaborazone di Maria Gloria Eschini, Gino Gherradi e Marco Romanelli. Coperta illustrate al piatto anteriore eocn irregolarità da fattoe tempo al dorso. Buono stato interno, tagli regolari e leggermente imbruniti, pagine ben salde alla costa e con modesta imbrunitura. Libri completamente fruibili, con illustrazioni in nero nel testo, prima edizione, numero complessivo pagine 599 [volume I] Vol. I: "Canti I-VII", numero pagine 131 [volume II] Vol. II: "Canti VIII-XIV", numero pagine 123 [volume III] Vol. IIII: "Canti XV-XXI", numero pagine 123 [volume IV] Vol. IV: "Canti XXII-XXVIII", numero pagine 129 [volume V] Vol. V: "Canti XXIX-XXXIII", numero pagine 93; da segnalare: volumi contenuti in un unico cofanetto cartonato e muto, talloncino tagliato al piatto posteriore del quinto volume.

Zustand: 0. 1. Auflage. Sprache: Deutsch 299 Seiten, Ohldr / Halbleder / Hardcover Text in italienischer Sprache - italiano, kl-16 Band mit Lederrücken, marmorierten Pappdecken, Lederecken, Goldprägung am Rückenleder, Rückenschildchen etwas abgegangen, grün Titelschildchen mit gold. Rückentitel, Kanten stark bestoßen, altersbedingt papierbedingt fleckig, berieben, guter Zustand kl-8° / kl-oktav guter Zustand.

Zustand: BUONO USATO. I ED. ITALIANO Opera incompleta, disponibili soltanto i presenti volumi (Purgatorio, Vol. I-II-III-IV-V) de "La Divina Commedia" presentata e commentata da Angelo Gianni con la collaborazione di Maria Gloria Eschini, Gino Gherardi e Marco Romanelli. Coperta illustrate al piatto anteriore e con irregolarità da fattore tempo al dorso. Buono stato interno, tagli regolari e leggermente imbruniti, pagine ben salde alla costa e con modesta imbrunitura. Libri completamente fruibili, con illustrazioni in nero nel testo, prima edizione, numero complessivo pagine 607 [volume I] Vol. I: "Canti I-VII", numero pagine 127 [volume II] Vol. II: "Canti VIII-XIV", numero pagine 127 [volume III] Vol. IIII: "Canti XV-XXI", numero pagine 127 [volume IV] Vol. IV: "Canti XXII-XXVIII", numero pagine 131 [volume V] Vol. V: "Canti XXIX-XXXIII", numero pagine 95; da segnalare: volumi contenuti in un unico cofanetto cartonato e muto, talloncino tagliato al piatto posteriore del quinto volume.

Zustand: 0. 1. Auflage. Sprache: Deutsch 201 plus Indice Inhalt Seiten, Ohldr / Halbleder / Hardcover Text in italienischer Sprache - italiano, kl-16 Band mit Lederrücken, marmorierten Pappdecken, Lederecken, Blindprägung am Rückenleder, schwarz Titelschildchen mit gold. Rückentitel, Kanten bestoßen, altersbedingt papierbedingt fleckig, berieben, guter Zustand kl-8° / kl-oktav guter Zustand.

Hardcover. Zustand: As New. 1st Edition. 8° - 381 pp - b&w reproductions of Gustave Doré's engravings. Dante's Divine Comedy illustrated by Gustave Doré. Complete with concise biography and text comment by Tommaso Casini, Silvio Adrasto Barbi and Giorgio Petrocchi. First edition, hardcover, original cloth-bound cover, as new.

Hardcover. Zustand: Fine. First Esperanto Edition. Hardback. No Dustjacket. 4to. Handsome production in white cloth lettered gilt. Text in Esperanto and Italian. pp lv, 709. Uncut. Illustrations by Sandro Botticelli. About fine in sound repaired VG- slipcase.

Hardcover. Zustand: Good. 1st Edition. Sm.8° - 191-203-253pp - The Divine Comedy: Hell - Purgatory - Paradise by Dante Alighieri (1265-1321)and often referred to as Dante, was an Italian poet, writer, and philosopher. Italian German edition. O Original bindings. Volume II spine alightly fadded otherwise in good condition.

Zustand: Gut. 1. Auflage. 725 Seiten Zustand: Einband etwas berieben, stellenweise ausgeblichen, Schnitt gering fleckig Altersfreigabe FSK ab 0 Jahre /// Versand gratis Innerhalb Deutschlands - Portofrei in Deutschland- ab 20 Euro mit Post ID - Gratisversand deutschlandweit innerhalb Deutschlands gratis Versand -Versandkostenfrei innerhalb Deutschlands /// Sprache: Deutsch Gewicht in Gramm: 1120 gr.8°, 22,6 cm x 15,9 cm, Hardcover in Pappband.

Hardcover. Zustand: Very Good. 1st Edition. In-Folio (320x455mm) - In 3 Volumes - volume I. 207+VII - volume II. 207+XX - volume III. 207+XXXVIIpp - ‎Perfect facsimile reproduction of the magnificent edition printed in Parma by Bodoni in 1795. A file in facsimile of 24 pp with the 'introductory news' attached to the first volume. Printed on paper of the Ventura Paper Mill, on the occasion of the seventh centenary of Dante's birth, printed to 875 + 10 numbered copies (our's N° 639) Half-leather Bindings. The spines with signs of wear, otherwise in Very good condition.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 4° (340 mm x 260 mm) - The Divine Comedy, 1964. Each volume made up of loose sheets and loose editorial paperbacks with titles on the cover and protective transparent dust jackets, housed in individual publisher slipcases. Slipcase and container in rigid cardboard with gilt motifs and titles on the spine. 6 Volumes: Hell: Vol I - 7-158pp (17 tables); Vol II - 173-326pp (17 tables) - Purgatory: Vol I - 9-161pp (17 tables); VOL II - 173-328pp (16 Tables) - Paradise - VOL I - 9-163pp (17 tables); VOL II - 173-320pp (16 tables). Excellent specimens, very slight discoloration of the slipcases, fresh and clean interior. The present six-volume edition of the Divine Comedy with 100 illustrations by Salvador Dali was printed in 3044 copies. Under the direction of the master typographer Giovanni Mardersteig, forty-four copies were printed in the hand press of the Bodoni workshop in Verona on Japanese paper "Kaji Torinoko" and three thousand copies by the Stamperia Valdonega in Verona, on handmade paper from Magnani Brothers of Pescia. The engravings and plates were made in Paris under the direction of Master Raymond Jacquet, on Rives paper. The bindings was carried out by Legatoria Torriani in Milan. April MCMLXIV. First edition accompanied by illustrations by Dalì. Text in Italian language. In very good condition.

The first Lombardi edition. Three volumes. Post 4to (10 x 8 ins). pp xxviii, 502; [ii], 523 [1]; xii, 518, index 519-541 [1]. Rebound in later brown half-calf over sand-grained boards, ex.libris Conservative Club, London, with gilt insignia imprinted on front board and library bookplate inside the front cover. Bound without the Aggiunta alla Divina Commedia (appendix), Lombardi's polemical response to the Dante scholar from Verona Giovanni Iacopo Dionisi, at the end of vol III. [PhiloBiblon] Boards well rubbed with fair amount of surface loss, hinges cracked but holding firm, in need of a rebind. Engraved titlepage with medallion portraits of Dante and a single engraved plate in each volume illustrating the human spirit's three stages of travel through L'Inferno (Hell), purgatorio (purqatory) and Paradiso (Heaven). All leaves showing slight toning with occasional light foxing, edges dyed green (gone to black at tops). The first complete edition of the Commedia printed in Rome, and the first appearance in print of the outstanding commentary by Baldassarre Lombardi (1718-1802). The text is mainly based on the Milanese Commedia of 1478, commonly known as Nidobeatina, compared with the Foligno and Mantua editions of 1472, and over thirty manuscripts. [PhiloBiblon]. Book.

Torino, Cetra (Stab. tipo-litografico Silvestrelli & Cappelletto di S. Rosa-Clot e C. Torino; volume d'accompagnamento stampato a Milano dalla tipografia «Milano - Roma»), «Collana letteraria Documento», 1961 (ottobre), Prima edizione. Insieme in ottime condizioni di conservazione (normali segni d'usura ai bordi dell'astuccio, con una cerniera separata, senza che sia pregiudicata la solidità complessiva). Raro insieme completo dei sei dischi nel grande astuccio in cartonato e tela, accompagnati dal libretto curato da Natalino Sapegno con sinossi e brevi commenti per ciascun canto dell'«Inferno». Voci narranti di Giorgio Albertazzi, Carlo D'Angelo, Arnoldo Foà e Achille Millo. Una sola copia registrata in ICCU, in una biblioteca locale. -- Fondamentale documento sulla lettura dantesca: le voci degli attori per questi canti sono diventate per molti versi canoniche, seguite negli anni da quelle di Gassman e Benigni. Importante uscita della «Collana letteraria Documento», diretta da Nanni de Stefani per la casa discografica Cetra, che pubblicò numerosi dischi in cui grandi attori leggevano alcuni dei più noti autori del canone letterario italiano, in particolare tra gli anni cinquanta e sessanta. -- Fa riferimento a quest'edizione un personaggio di Sciascia, il professor Roscio di «A ciascuno il suo» (1966): «Erano le cinque del pomeriggio. Il professore stava in terrazza, seduto in poltrona, un giradischi a lato da cui veniva ora stentorea ora tremula e sospirata la voce di un attore famoso che declamava il trentesimo dell'Inferno. "Vede come sono ridotto? " disse il professore porgendogli la mano "A sentire da costui la 'Divina Commedia'" quasi che l'attore fosse presente e che il professore avesse altre e più personali ragioni per disprezzarlo. "Preferirei me la leggesse mio nipote, che ha dodici anni, o la cameriera, o il portiere: ma hanno altro da fare"». in 4º quadrato, astuccio rigido in piena tela grigia, piatto illustrato (riproduzione di antica illustrazione del canto XIII dell'«Inferno»), contiene 6 dischi trentatré giri in custodia e un libretto con la «presentazione» di Natalino Sapegno (in 4° stretto, copertina bianca stampata in grigio con ritratto del poeta, pp. 38 [2] in carta patinata). Prima edizione. Insieme in ottime condizioni di conservazione (normali segni d'usura ai bordi dell'astuccio, con una cerniera separata, senza che sia pregiudicata la solidità complessiva). astuccio rigido in piena tela grigia, piatto illustrato (riproduzione di antica illustrazione del canto XIII dell'«Inferno»),

Hardcover. Zustand: Near Fine. 1st Edition. First edition in English, 3 vols, 8 vo (9 1/2" x 6"), pp. vi, (1), 2-408, engraved frontispiece portrait; (1-3), 4-384; (2), (1-2), 3-420, index, errata et addenda. Original full old calf boards professionally re-backed in period style. Wear & rubbing to corners & edges. Sheets unusually clean & fresh with only occasional spot or minor foxing, unmarked, complete. Copper engraved heraldic bookplate on each paste down endpaper. H9710 All Items Are Sent Insured. Insurance charges are included in the Shipping & Handling Charges. International buyers please be aware that we are not responsible for and do not include or estimate customs duties, fees or taxes in any way in our listings. We ship all orders within 5 days of cleared payment. We do not create and are not responsible for shipping times or delays associated with customs and international shipping. All Items Are Sent Insured. Insurance charges are included in the Shipping & Handling Charges.

Five volumes, complete. An outstanding Italian edition of the complete works of Dante, with the extensive and important commentary by Baldassare Lombardi. Frontispiece engraved portrait of Dante, and three extremely attractive engraved plates corresponding to each of the three domains of the afterlife. Beautifully printed on extremely fine wove paper. Bookplate of noted 19th-century Bostonian JAMES S. AMORY in each volume. Attractively bound in contemporary quarter vellum and marbled boards. Minor soiling to bindings, internally FINE AND BRIGHT. Rare.

Originalbroschur. 30 cm. Zustand: Sehr gut. ERSTAUSGABE. 131 Seiten. Zahlreiche kleine Illustrationen zwischen dem Text. Die Ecken nur leicht bestoßen. Die Seiten papierbedingt stärker gebräunt. Sonst sehr gutes Exemplar der illustrierten Ausgabe. - SIGNIERT mit WIDMUNG von BERNARDO SCHULER. Am oberen Rand des Vorsatzes mit Vermerk: " Geschenk von Frau Baronin Margarete v. Lepel ". Sprache: Italienisch Gewicht in Gramm: 1200.

Zustand: Sehr gut. Erstausgabe. Folio (40 x 29 cm), 7 gefaltete Bogen (Bütten), davon 1 Titelblatt, 6 Bl. mit italienischem und deutschem Text und je 1 Bl. Originallithographie von Michele Mainoli, 1 Bl. Impressum nummeriert (XXVIII) und handsigniert von Michele Mainoli, lose in Mappe, OBrosch. mit transparentem Schutzumschlag, in Orig.-Halbpergamentmappe mit goldgeprägtem Rücken- und Deckeltitel, in Schuber. Sprache(n)/language(s): it, deSchuber mit zwei Einrissen, sonst sehr guter Zustand, sehr schönes Exemplar. Signatur des Verfassers.

Hardcover. Zustand: Very Good. 1st Edition. Original decorative cloth bdg. with Dante's portrait gilt on front board and spine. Black cloth with red decorative borders. With a new cloth spine. Some little wormholes on cloth and several pages. Pages are partly opened, uncut and untrimmed. Slightly faded on cloth's board. A stamp on first page. Otherwise a very good copy. Roy. 8vo. (23 x 16 cm). In Greek (Modern). [18], 324 p., 'prologos' by Musurus. Konstantinos Mousouros, also known as Kostaki Musurus Pasha, was an Ottoman Greek diplomatic official of the Ottoman Empire who served as ambassador to Greece, Austria, Great Britain, Belgium, and the Netherlands. He was born in 1807 in Constantinople (Istanbul) to a distinguished Phanariote family. His brother, Pavlos Mousouros, also became a diplomat. Mousouros became the first ambassador of the Ottoman Empire to the newly independent Kingdom of Greece in 1840, a position he kept until 1848. In 1847-48 he was a central figure in the events known as Mousourika (??????????), which led to his temporary recall and the breakdown of relations between the two states. On his return to Athens he survived an assassination attempt, leading to his transfer to Vienna. In 1850 he took up the post of Ottoman ambassador to the Great Britain and Ireland, which he kept for 35 consecutive years, until his retirement in 1885. During the same period, he also served as ambassador to the Netherlands (1861-77) and Belgium (1861-75). In 1876-78, he was ex officio a member of the short-lived Senate of the Ottoman Empire. Well educated, in 1883 Mousouros translated Dante's Divine Comedy into ancient Greek. He was married and had a son, Stephanos Mousouros, who later became Prince of Samos. (Wikipedia). He is known as the first translator of Dante's Divine Comedy into modern Greek. Musurus Pasha had an intellectual identity. One of the most important occupations of Musurus Pasha in the last years was the translation of Dante's Divine Comedy from Italian to Greek. Being able to translate a work of Italian classics and masterpieces of western literature should be an indication of Musurus Pasha's performance and intellectual dimension. Due to negative statements about Muhammad and Ali in Dante's work, the book was not allowed to be published within the Ottoman Imperial borders. Despite this, Musurus Pasha asked him to be permitted to publish his translation, but it was not accepted. (Source: Bir Tanzimat diplomati Kostaki Musurus Pasa, (1807-1891)., NURDAN SAFAK). Dante's Divine Comedy, originally called Comedia, and later christened Divina by Giovanni Boccaccio, is widely considered the most important poem of the Middle Ages and the greatest literary work in the Italian language. This is only 'Purgatorio' book from the set. It's signed and inscribed by Musurus Pasha with a dedication in French to Monseigneur Auguste Bonetti as "A la grandeur Monseigneur Bonetti, Hommage de veneration, Musurus". Bonetti was, in 1887, after the appointment of Monsignor Rotelli to the Vatican Ambassador to Paris, the new Constantinople patriarch appointed by Rome for him. First Greek Edition. Extremely rare. Signed by translator.

Hardcover. Zustand: Very Good. 1st Edition. Original decorative cloth bdg. with Dante's portrait gilt on front board and spine. Black cloth with red decorative borders. Gilt on spine with Greek letters 'Dantou o Paradeisos [.] Metaphrasis Konstantinou Mousourou', and gilt publisher's name in English on lower. A small etiquette on lower spine. Some little wormholes on cloth and several pages. Pages are partly opened, uncut and untrimmed. Slightly faded on cloth's board. A stamp on first page. Otherwise a very good copy. Roy. 8vo. (23 x 16 cm). In Greek (Modern). [xiv], 334 p. 14 p. 'prologos' by Musurus. Konstantinos Mousouros, also known as Kostaki Musurus Pasha, was an Ottoman Greek diplomatic official of the Ottoman Empire who served as ambassador to Greece, Austria, Great Britain, Belgium, and the Netherlands. He was born in 1807 in Constantinople (Istanbul) to a distinguished Phanariote family. His brother, Pavlos Mousouros, also became a diplomat. Mousouros became the first ambassador of the Ottoman Empire to the newly independent Kingdom of Greece in 1840, a position he kept until 1848. In 1847-48 he was a central figure in the events known as Mousourika (??????????), which led to his temporary recall and the breakdown of relations between the two states. On his return to Athens he survived an assassination attempt, leading to his transfer to Vienna. In 1850 he took up the post of Ottoman ambassador to the Great Britain and Ireland, which he kept for 35 consecutive years, until his retirement in 1885. During the same period, he also served as ambassador to the Netherlands (1861-77) and Belgium (1861-75). In 1876-78, he was ex officio a member of the short-lived Senate of the Ottoman Empire. Well educated, in 1883 Mousouros translated Dante's Divine Comedy into ancient Greek. He was married and had a son, Stephanos Mousouros, who later became Prince of Samos. (Wikipedia). He is known as the first translator of Dante's Divine Comedy into modern Greek. Musurus Pasha had an intellectual identity. One of the most important occupations of Musurus Pasha in the last years was the translation of Dante's Divine Comedy from Italian to Greek. Being able to translate a work of Italian classics and masterpieces of western literature should be an indication of Musurus Pasha's performance and intellectual dimension. Due to negative statements about Muhammad and Ali in Dante's work, the book was not allowed to be published within the Ottoman Imperial borders. Despite this, Musurus Pasha asked him to be permitted to publish his translation, but it was not accepted. (Source: Bir Tanzimat diplomati Kostaki Musurus Pasa, (1807-1891)., NURDAN SAFAK). Dante's Divine Comedy, originally called Comedia, and later christened Divina by Giovanni Boccaccio, is widely considered the most important poem of the Middle Ages and the greatest literary work in the Italian language. This is only 'Paradiso' book from the set. It's signed and inscribed by Musurus Pasha with a dedication in French to Monseigneur Auguste Bonetti as "A la grandeur Monseigneur Bonetti, Hommage de veneration, Musurus". Bonetti was, in 1887, after the appointment of Monsignor Rotelli to the Vatican Ambassador to Paris, the new Constantinople patriarch appointed by Rome for him. First Greek Edition. Extremely rare. Signed by translator.

Zustand: Gut. 1. Auflage. Gut. 8° (18,5-22,5 cm). 427; 417; 412; 495; 535; 628 SS. OLeinwand mit goldgeprägtem Deckel- und Rückentitel 1. Auflage. 6 Bände, so vollständig. 3 Bände Text in Italienisch und Deutsch (Die Hölle, Der Läuterungsberg, Das Paradis), 3 Bände Kommentare. Einbände etwas bestoßen, an den Rücken gering aufgehellt, Schnitte etwas fleckig, Text mit wenigen Bleistiftanmerkungen (Zeilenzählung), insgesamt gut erhalten. Besitzereinträge und mehrzeiliges Zitat (Bd. 3) von alter Hand auf Vorsätzen. Große kommentierte Ausgabe der Göttlichen Kommödie von Dante, bearbeitet von dem bedeutenden deutschen Romanisten Hermann Gmelin. Seltene erste Auflage in allen sechs Bänden. Italien, Literatur, Mittelalter, Dante, Die göttliche Komödie, Kommentar, Kommentierte Ausgabe. 2800 Gramm. OLeinwand mit goldgeprägtem Deckel- und Rückentitel.

First Nonesuch edition, number 1,280 of 1,475 copies only, from the library of Eva le Gallienne (1899-1991), the actor, director and translator, with her bookplate and small annotations. This finely bound and designed edition prints Dante's Italian parallel to Cary's English translation. It is illustrated after the Sandro Botticelli drawings that were used in the first Florentine edition of 1481. Rev. Henry Francis Cary's translation first appeared in 1814 and was praised by many, including by Coleridge during a lecture at the Royal Institution. The Italian text is from the philologist Mario Casella's authoritative edition of 1925, which contained numerous printer's errors that Casella corrected specially for this Nonesuch publication. Le Gallienne begun her career as an actor on Broadway. However, she grew dissatisfied with commercial theatre, and in 1926 she founded the nonprofit Civic Repertory Theatre, which "formed the philosophical bedrock for off-Broadway and the nonprofit resident theater movement" (ADNB). She was also instrumental in bringing European playwrights, such as Chekov and Ibsen, to American theatres, and she regularly produced and published her own translations. Later in life, she took on roles in film and television, for which she won an Emmy and was nominated for an Academy Award. Dreyfus 50; Ransom, p. 367. Folio. With 34 double- and 8 single-page sepia collotype plates after Botticelli. Text printed in double columns on Dutch handmade paper using Blado italic type, with Poliphilus roman capitals used at the start of each line in the 16th-century Venetian manner. Original orange vellum, spine lettered and stamped with arabesque device in gilt, gilt twin fillet bordering covers and enclosing elaborate oval centrepiece with the initial "D", edges untrimmed, top edge gilt-on-the-rough. Bookseller's ticket on front pastedown. Spine lightly sunned, ends and corners rubbed, front cover bowed, outer leaves foxed and offset but contents clean: a very good, bright copy.

Zustand: Near Fine. First Complete Edition in English. First edition of the first full translation of Dante's Divine Comedy into English. Octavo. Three volumes bound in contemporary full calf with gilt stamping and raised bands to spine. Light rubbing to bindings, darkening to spines; shallow chip to head of Volume III. Tanning and light foxing to interiors, particularly the title page of Volume I, joints repaired at an early date, usual wear and toning due to age; last textual leaf of Volume II is partially detached along the top half. Housed in a custom chemise slipcase with green gilt-stamped morocco spine over green cloth. An important edition which brought Dante's epic work to an English speaking audience for the first time in its completeness, also marking the first publication in English of the Purgatorio and the Paradiso; the Inferno is here is in its fourth publication in English, following the first edition of 1782, and Boyd's 1785 Dublin and London editions. This edition was also instrumental in "assisting to re-establish an audience for Dante, whose reputation had suffered a decline in the previous century." A fantastic set in a beautiful contemporary binding, housed in a custom slipcase.

Zustand: Gut. 15 S., 222 gez. Bl ; Nummer 121 von 500 Exemplaren dieses aufwendig gedruckten Faksimiles von Dantes Göttlicher Komödie,: "Die Handschrift hat ihren besonderen Wert einmal durch ihre - von unvermeidlichen Schreibfehlern abgesehen - ausgezeichnete Textüberlieferung, zum anderen durch den ihr angefügten Kommentar des Jacopo della Lana und zum dritten als eine der sogenannten reichen Handschriften durch ihren künstlerisch wertvollen Miniaturenschmuck, der hoch über dem der gleichzeitigen Commedia-Handschriften steht; hierzu kommt, daß sie wegen ihrer schönen Schrift leicht lesbar ist. . Technik, Farben und Formen der Miniaturen sind, wie eine Betrachtung der zahlreichen in Bologna entstandenene, datierten Miniaturhandschriften ergibt, typisch für die Bologneser Miniaturenschule der beiden ersten Drittel des 14. Jahrhunderts, so daß eine Entstehung der Handschrift in Bologna durchaus im Bereich der Möglichkeit und Wahrscheinlichkeit liegt." (Aus der Einleitung des Herausgebers, die in deutsch-italienischem Paralleltext vorliegt). "Vorwort. "Von dieser Lichtdruckvervielfältigung wurden 500 Stück gedruckt: die Nummern 1 bis 100 zur Verfügung des Oberbürgermeisters der Stadt des Deutschen Handwerks Frankfurt am Main, die Nummern 101 bis 300 zur Verfügung der Deutschen Dante-Gesellschaft, die Nummern 301 bis 500 zur Verfügung der Società Dante Alighieri in Frankfurt am Main." Druckvermerk. Sprache: Italienisch Gewicht in Gramm: 5500 Folio Originalhalbleinenband mir Rückenschild (diese etwas berieben.).

Milano, co' tipi di Luigi Mussi, il primo di maggio [- il primo di agosto - il primo di novembre], 1809, volumi 3, in-folio atlantico, legatura coeva in mezza pelle, titoli e numero di volume in oro su doppi tasselli in pelle ai dorsi (i dorsi sono stati restaurati rimontando parzialmente la pelle originale), piatti in cartonatura coeva spugnata rosa, pp. [2], LII, [2], 261, [3] - 262, [2] - 251, [5]. Edizione di 62 esemplari in carta imperiale e 9 in carta distinta: numero 46 in carta imperiale, con timbro in ceralacca e firma dell'editore. Precedono la Commedia due dediche, la prima al pittore Giuseppe Bossi, la seconda al lettore, e una vita di Dante tratta da un manoscritto posseduto dal Bossi (ora alla Trivulziana), qui in prima edizione a stampa. Libro raro. De Batines, I, pp. 131-133 "Questa splendidissima edizione [.] la qual costava 445 franchi, fu assistita dal cav. Luigi Lamberti e dal prof. Ottavio Morali [.] Questi due insieme col pittore Giuseppe Bossi [.] attesero alla stampa del poema la quale - malgrado il ridicolo di cui la sparge il Foscolo - riuscì mirabilmente corretta [.]".

Splendida legatura giansenista in marocchino rosso con nervi e titolo impresso in oro al ds. (firmata Amand). Labbri e dentelles interne decorate. Tagli dorati. Carte di guardia a pettine, segnalibro in seta verde. Conservate le brossure editoriali. Eccellente esemplare. Edizione limitata di 1000 esemplari. Seconda tiratura della prima edizione: l editore milanese Ulrico Hoepli acquistò dalla Tipografia Salmin di Padova i fogli del Dantino posti in luce a cura dell editore Gnocchi nel 1878, e li pubblicò con nuovo frontespizio a suo nome nello stesso anno. Bondy, pp. 94-95. Mambelli, Gli annali delle edizioni dantesche (n. 398): Edizione microscopica della Divina Commedia ed uno dei libri più piccoli stampati con caratteri mobili che forma oggi una curiosità bibliografica . 64mo (cm. 5,5x3,5), 6 cc.nn. (compreso ritratto di Dante in antiporta e frontespizio stampato in rosso e in nero), 499(1)pp.

Zustand: Wie neu. ERSTAUSGABE. 34 x 25,5 cm. 474, 23 Seiten. FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE. - Eine der schönsten Publikationen zu Dantes Commedia, mit vielen doppelblattgroßen Abbildungen. Der Kommentar von Peter Dreyer in Deutsch, aus dem Englischen übersetzt. Sprache: Italienisch Gewicht in Gramm: 4300 Originalleinen im Originalschuber. 35cm.