richard hamilton, Signiert (27 Ergebnisse)

Paperback. Zustand: Fine. First Edition. Wraps. 8vo. [ca. 95 pp.]. Soft Cover. Very Good. Colour and B&W Plates. Large format paperback. Signed by the artist ' R Hamilton' on the half title page. Fine. Signedes.

Langford trained as an industrial chemist and was a member of Royal Chemical Society. In later life he turned to mathematics, and published thirty articles in the Mathematical Gazette. One of these ('Problem') appeared in 1958 and concerned what came to be known as the Langford Sequence. Its significance is discussed by Martin Gardner, in his 'Mathematical Magic Show' (1978). Both items aged and creased, with closed tears, but with text complete and legible. Both are addressed to 'Dear Sir Richard' and signed 'C Dudley Langford'. ONE: 3pp, 12mo. On two leaves. After thanking him for his 'Letter Card' he writes: 'I like the proof. The thing that I think astonishes everyone is that the converse of such an early theorem should prove to be such a hard nut to crack and require such things as cyclic qudrilaterals etc!' After a short speculation on this question he writes: 'I'll see what I can do - - but five or six years of pain from my wrist have reduced me to pretty poor state mentally! I don't think I honestly could have taken even half a dozen aspirins etc in the last four years; yet I've taken enough to affect my head very seriously (My heart is so pharmaceutically good that it is untouched!)' He continues discussing his incapacity, before noting: 'One curious effect of the continuous pain is that, at times, I feel quite light headed and wonder, afterwards, what the shop assistants think! I hope, anyhow, that they realise its my wrist making me not know quite what I'm doing. Sometimes I have to ask them to pack the things in the basket for me as I just cannot manage it myself'. He ends by proposing that they both work on 'a proof based on early work', and let one another know about the results. TWO: 3pp, 16mo. He lays something that 'may be well known to specialists, but if you don't know it, it may interest you'. He explains that he 'noticed about 10 years ago that the 9th and 5th terms of mutations ended in the same digits as the numbers themselves. One night recently I was woken by the pain in my wrist and it dawned on me that, if one substituted the original number one would get something ending in O, ie a multiple of 10.' He gives a page and a half of mathematical calculations, including one arrived at with 'a hint from Mr Broadbent' (i.e. Thomas Alan Arthur Broadbent). He ends by apologising for his handwriting, with further reference to his 'fractured wrist': 'There is a good chance, therefore, that I shall never again be able to write legibly, be free from pain, able to dress myself unaided or even use a walking stick!' Accompanying the letters is a printed 'Programme for the Annual Meeting East, 1949' of the Mathematical Association (3pp, 16mo; bifolium).

4to. (290 x 210 mm). pp. (32). With colour and black and white illustrations. Original publisher's white printed wrappers with illustration and titles to front cover. The signed edition of the catalogue for Richard Hamilton's exhibition at SFMoMA. From the edition limited to 200 copies, signed and numbered in pencil by Hamilton on final colophon page. Introductory texts by the DIrector and the Elise S. Haas Chief Curator of Painting and Sculpture of the time and with 'a speculation' by Ecke Bonk.

16,5:12,2 cm. 72 unpag. S. durchgehnd mit tw. farb. Abb. auf Bilds. OLn. mit OSchutzumschlag. Auf dem Vortitel von Richard Hamilton handsigniert. Kleiner Bildband mit Portraitaufnahmen des Künstlers fotografiert von Akakawa, Ay-O, Boyle, Broodthaers, Cage, Conner, Cunningham, Curoe, Fuller, General Idea, Iannone, Kelly, Nitsch, Richter, Ruscha, St. Phalle u.v.a.m. Alle Polaroids sinddatiert. Schutzumschlag am Rücken u. an den Rändern berieben. Verlagsverzeichnis Hansjörg Mayer, 1979. S. 28. VERSAND ERFOLGT NUR MIT SENDUNGSNACHWEIS. SHIPMENT ONLY WITH TRACKING NUMBER!

First edition. First edition. 156 pp. Illustrated in black and white and color throughout. 4to. Richard Hamilton (1922 - 2011) made work for over 50 years focused on James Joyce's novel Ulysses. Through a series of drawings, etchings and digital prints Hamilton depicted the wanderings of Leopold Bloom. This monograph was made to accompany the exhibition 'Imaging Ulysses at The British Museum, February 2nd - May 19th 2002. White wrappers with teal titles on front and spine, with glassine dust jacket. Inscribed on half title by Stephen Coppel; a near fine copy 156 pp. Illustrated in black and white and color throughout. 4to.

Paperback. Zustand: Near fine in wraps. First Edition. 18 x 22cm 158pp near fine paperback signed by Richard Hamilton 30.1.02 on the title page. With an Introduction and Commentaries by Stephen Coppel together with largely black and white reproductions.

Paperback in card slipcase. Zustand: Near fine. First Edition. 11 x 17cm two near fine books conjoined as if to illustrate the collaborative element of the project between Roth and Hamilton. A limited edition of 500 copies, signed on the card slipcase by Dieter Roth. An artists' book with full page colour reproductions.

New York. Departement of Fine Arts University of Newcastle upon Tyne. 1966. 4° Unpaginated. Publisher's pictorial boards. "WE ARE WELLKNOWN FOR BOOKS ONLY IN BEST CONDITION!" WIR SIND BEKANNT FÜR SOLIDESTE VERPACKUNG! Illustrated throughout. - A fine copy in best condition. Handwritten signed and especially handwritten dedicated by Hamilton nicely to Marcel Duchamp. Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Small 4to. (228 x 170 mm). 127 pp. Half-title with drawing by Richard Hamilton with additional detail and collage by Dieter Roth, frontispiece photograph of the pair verso, title with copyright and justification verso, contents, explanatory texts, dedication 'in loving memory of Marcel Broodthaers' and 76 plates in colour & monochrome in the sections ''Pictures for Dogs' and 'Pictures for Bipeds', essays by Roth, Hamilton and Roth and Hamilton, catalogue, autobiographies with monochrome photographs of Roth & Hamilton and advertisements. Page 55/56 lacking. Original publisher's printed wrappers in yellow and red with titles to front cover and spine in black, small vignette of 'The Rotham Arms' to front cover and vignettes to rear; cover with wear to edges and small area of abrasion to foot of rear wrapper, some leaves with damp-stains and cockling to pages. The collaboration between Richard Hamilton and Dieter Roth with an original portrait of Roth by Hamilton with additional collage by Roth and signed by both artists: a collaborative drawing with collage to celebrate a book of collaborations. From the edition limited to 2000 copies. The 'Collaborations' presents the work produced in collaboration by Roth and Hamilton including graphic work, sculpture, relief, text-based and even musical work. Among the paintings produced were those for an exhibition for dogs (developed also in collaboration with teh recently deceased Marcel Broodthaers) which also produced a canine fairy tale. An album was also produced, again in collaboration, that also featured a Cadaques dog noted for its bark. 'On July the 24th, 1976, an exhibition of work by Richard Hamilton and Dieter Roth opened in the 'galeria cadaqués' entitled 'Collaborations'. It consisted of 74 paintings and drawings made jointly by the artists in Cadaques during the immediately preceding three weeks.' (From 'About 'Collaborations'' in the present book).

Biographische Original-Broschur (15 SS. 4° mit zahlreichen, farbigen Abbildungen), eigenhändig signiert unter seinem Porträt KÜNSTLER Kritisches Lexikon der Gegewartskunst 1988.

Künstler: Hamilton, Richard ; Roth, Dieter . Verleger: Edition Hansjoerg Mayer . Herausgeber: Fundacao De Serralves . Datum: 2003. 212 Seiten mit sehr zahlr. Farbabb. Englisch . quer-Gr.8to. farb. illustr. OPappbd./ Hardcover. english edition. mit hs. Widmung an den Galeristen Heinz Holtmann von Richard Hamilton neben dem Frontispiz, hs. signiert./ dedecation, signed by Richard Hamilton. minimal berieben, ansonsten sehr gutes Exemplar.

DRAWINGS, PRINTS AND PAINTINGS 1941-55 Anthony d Offay London 1980, illustriertes Pb. kl. 8° mit vielen Farbreprofuktionen seiner Bilder, gut erhalten - von Richard Hamilton eigenhändig signiert.

PRINTS 1984-91 Graphic Works continued (Kunstkatalog) edition hansjörg mayer, Stuttgart London 1992, illustriertes Pb. ca. 4° mit vielen s/w- und Farbreproduktionen seiner Bilder, gut erhalten - von Richard Hamilton eigenhändig signiert.

Edition Hansjörg Mayer, Stuttgart / London / Reykjavik 1977. 16°. 35 Blatt. OLeinwand mit OUmschlag. Enthält Porträts Richard Hamiltons von Francis Bacon, Joseph Beuys, Henri Cartier-Bresson, Christo, Copley, Gilbert & George, R.B. Kitaj, Roy Lichtenstein, Man Ray, Dieter Roth, Jean Tiunguely, Wolf Vostell, Andy Warhol u.a. Der Beitrag von W. Vostell gewidmet, signiert und datiert und dem Zusatz °M Tage der Wahl". (Wahl von Willy Brandt zum Bundeskanzler).

Card covers, stapled spine. Zustand: Near fine in wraps. First Edition. 21 x 30cm 32pp near fine exhibition catalogue one of a limited edition of 200 copies signed by Richard Hamilton. This copy number 115/200, signed by the artist at the rear.

Künstler: Hamilton, Richard ; Roth, Dieter . Herausgeber: Bielefeld, Kunsthalle . Datum: 1979. Deutsch . 8to./ 22,8 x 23,8 cm. farb. illustr. OKarton, innen mit Streifenbindung, 34 Seiten, beinhaltete ein Gespraech zwischen R.Hamilton und dieter Roth sowie ein Text von Thomas W. Gaeghtgens und Schwarzweissabb. der ausgestellten 'Interfaces'. auf dem Frontispiz (hier Seite 3) unterhalb des Portraits von Richard Hamilton hs. signiert/ signed by R. Hamilton, dieses Seite von Bindung geloest. Einband berieben. Gutes bis sehr gutes Exemplar.

VIRTUELLE RÄUME (Widmungsexemplar / Kunstkatalog ) Edition Hansjörg Mayer, zur gleichnamigen Ausstellung in der Kunsthalle Bielefeld 2008, 72 SS. Pb., durchweg farbig illustriert, neuwertig. - von Richard Hamilton mit Datum eigenhändig signiert 21.05.(20)08.

1. original copper plate engraving by Collier (signature in the copper plate) after a painting of Hamilton on handmade paper, size of the copper plate about 31,5 x 21 cm, paper size about 37 x 22 cm, in very good condition, rare 2100 gr.

Künstler: Roth, Dieter ; Hamilton, Richard . Verleger: Edition Hansjoerg Mayer . Herausgeber: Galeria Cadaques . Datum: 1977. 128 Seiten mit zahlr., meist farb. Abb. Englisch . Gr.-8to., 22,7 x 17 cm. farb. illustr. oKarton/ Softcover. Mit einer ganzs. Bleistiftzeichnung von Dieter Roth auf dem Vorsatzblatt, signiert. sehr gutes Exemplar/ mint copy.

First edition, limited issue, number 78 of 100 copies with a slipcase and original photograph, entitled "Orange Order", numbered and signed by the photographer, tipped into a white card portfolio and laid in the book. This work was produced to accompany an exhibition of Hamilton's work at Anthony D'Offay Gallery in London from 20 June to 10 August 1991. Quarto. Original black cloth, spine and front cover lettered in blind, photographic endpapers. With dust jacket. Housed in the original black cloth slipcase. Small mark to rear cover, else a fine copy.

In original cloth slipcase. Karlsruhe/Northend/Fontainebleau 2002. Format 16,1 x 24,2 x 4,4 cm. Green Book: The Bride Stripped Bare by Her Bachelors, Even. A typographic version by Richard Hamilton of Marcel Duchamp's Green Box. 3rd ed. London 1976. 114 S. mit 12 Abb. sowie zahlr. Zeichn., einige davon auf Pergamentpapier, gebunden. White Book: Marcel Duchamp. A l'infinitif. A typotranslation by Richard Hamilton and Ecke Bonk of Marcel Duchamp's White Box. Northend Chapter 1999. 136 S. mit 116 (115 farb.) Abb., Hlb. Guide Bleu: Marcel Duchamp. Notes et / and Notations. La marie mise à nu par ces celibataires, même. A l'infinitif. Ecke Bonk / typosophes sans frontières. 1.Aufl. 2002. 36 S., brosch. mit grauem Leinen-Umschlag. - Aufl. 300 Expl. Die Edition ist von Hamilton und Bonk auf der letzten Seite des Guide Bleu numeriert und signiert. Die Exemplare der anderen beiden Bücher sind jeweils mit der entsprechenden Nummer versehen. All 3 volumes signed and numbered. Near fine condition. Nahezu verlagsfrisch. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

First UK edition, first printing, signed in red pen on the front free endpaper by Duchamp and inscribed and signed in black pen by R.B. Kitaj "Duchamp signed this at Richard's house on 19 June 66" with a black line through the first 7 words, signed in black felt tip by Hamilton opposite the title page. Duchamp stopped working on the artwork The Bride Stripped Bare by Her Bachelors, Even, widely referred to as The Large Glass, in 1923, after eight years, not because it was complete, but because he decided it should remain "definitively unfinished." Later, in 1927, when the glass was en route to collector Katherine Dreier's house from an exhibition in Brooklyn, he was thrilled to discover it had been damaged, saying the accidental cracking finished the work in a way that he never could have. Octavo. With photographic plates, full-page drawings, diagrams, various typographic formats, annotations, vignettes, and musical notation. Original green boards, titles to front cover in black and white, titles to spine in white. With original acetate dust jacket. Housed in a burgundy clamshell box with black calf spine. Minor rubbing to corners in fine dust jacket.

First UK edition, first printing, signed in pencil by Duchamp on the title page. Duchamp stopped working on the artwork The Bride Stripped Bare by Her Bachelors, Even, widely referred to as The Large Glass, in 1923, after eight years, not because it was complete, but because he decided it should remain "definitively unfinished." Later, in 1927, when the glass was en route to collector Katherine Dreier's house from an exhibition in Brooklyn, he was thrilled to discover it had been damaged, saying the accidental cracking finished the work in a way that he never could have. Octavo. With photographic plates, full-page drawings, diagrams, various typographic formats, annotations, vignettes, and musical notation. Original green boards, titles to front cover in black and white, titles to spine in white. With original acetate dust jacket. Boards lightly unevenly faded, corners lightly rubbed, dust jacket lightly nicked to corners.

Porträtpostkarte, eigenhändig signiert.

Signed art postcard (verso), 5,75 x4 inch, signed indark ink "Richard Hamilton", attractively mounted (removable) for fine display with a photograph of Richard Hamilton (altogether 8,25 x 11,75 inch), with very mild signs of wear - in nearly very fine condition.

RICHARD HAMILTON Exteriors Interiors Objects People( Widmungsexemplar / Kunstkatalog) Hrsg. Carl Haenlein, Kestner-Gesellschaft Hannover Ausstellung 07.12.1990-03.02.1991 (Katalog 5/1990), 153 SS. 4° mit zahlreichen, ganzseitigen farbigen Abbildungen -vom Künstler eigenhändig signiert mit persönlicher Widmung.

Farbige ORIGINAL-LITHOGRAFIE (Offset, ca. A 2-Format, 66 x 49,5 cm ) am Eröffnungstag eigenhändig gewidmet und signiert mit Jahr 1978 "Herr Schiemzler s Kunsthalle Bielefeld" MOTIV : die Kunsthalle Bielefeld (Abbildung zeigt Auschnitt).