vedute di roma von piranesi (26 Ergebnisse)

0. 4° 36 Seiten, illustr. brosch. Einband und Seiten randlich gebräunt, leicht angeschmutzt, insgesamt sauber erhalten. Sprache: Deutschutsch 0,200 gr.

Zustand: New. In.

4°. 36, (4) S. mit zahlr. Abbildungen, illustr. OKt. Gutes Exemplar.

in-8vo, 56 p., richement ill. de 12 planches n./b. des oeuvres de Giovanni Battista Piranesi, Avec liste des prix brochure originale. Légèrement tasche d?eau. Planches: Piazza della Rotonda / Porto di Ripetta / Ponte Salario / Campo vaccino / Temple de la Fortune virile / Arco di Tito / Arco di Constantino / La cascade de Tivoli / Ruines du Forum de Nerva / L?arc de Janus / Villa d?Este in Tivoli / Le Temple de Saturne.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

Hardcover. Sehr guter Zustand. Leinen, 135 Seiten. Querformat (ca. 25 x 35,1 cm). Namenseintrag und Widmung auf dem Vorsatz, sonst wohlerhalten. Insgesamt noch sehr guter Zustand. Gewicht: 999.

Zustand: New. In.

Zustand: -. Illustr. OBrosch. 8 Blatt mit 7 ganzs. Ansichten von Rom. Quer-8°. Gut erhaltenes Exemplar. Kleiner Katalog zur Sonderausstellung im Kestner-Museum in Hannover 1963/64.

Zustand: Sehr gut. Quer-4°. 25 x 35 cm. 134 (1) Seiten. Original-Leinenband. 1. Auflage. Mit zahlreichen Schwarz-Weiß-Abbildungen. Sehr gutes Exemplar.

291 S., 2 Bll., 137 Abb. nach Radierungen von Piranesi, Folio, ill. OPp.

293 Seiten. Exlibris auf dem Innendeckel, Vorsatzblatt rückseitig etwas fleckig, ansonsten gut erhaltenes Exemplar. Okam Sprache: Italienisch Gewicht in Gramm: 4000 Quer-4°, Original Leinwand mit Original Schutzumschlag im Original Schuber (Schuber eingerissen).

hardcover. Zustand: Ottimo (Fine). Introduzione di Sebastiano Grasso. Con CXXXV grandi tavole in bianco e nero . 4to (32x43 cm). pp. 294. . Ottimo (Fine). Dorso leggermente sbiadito (Faded spine). . . Book.

Cm. 35 x 35 (ad album), pp. 217 (3). Con molte illustrazioni. Leg. edit. in tela con titoli impressi. Entro custodia edt. Perfetta conservazione, in stato di nuovo. Pregevole pubblicazione stampata dalla Valdonega. Note alle tavole di Carlo Pietrangeli.

Originalleinen. Zustand: Wie neu. 134 Seiten /Tafeln ; 25 x 36 cm FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE. Sprache: Deutsch Gewicht in Gramm: 1200.

First Edition - Primera edición. Roma, Tomasso Cuccioni, s.a. (c.1830). En 4º oblongo (165 x 214)mm. 102 láminas grabadas al aguafuerte incluyendo portada, ilustrando edificios de la Roma antigua y moderna según diseños de Piranesi. Encuadernación de época en holandesa color oliva. Edición original de este álbum conteniendo 102 vistas de Roma y sus edificaciones según diseños de Piranesi, grabadas al aguafuerte por Tommaso Cuccioni y Achile Parboni. La huella de los grabados es de 107 x 130)mm. Nota explicativa de cada lámina al pie. Muchas de las láminas con el nombre del editor y grabador Tommaso Cuccioni, quien dejó su trabajo como grabador en 1851 para comenzar una exitosa carrera como fotógrafo. Muy bien ejemplar de amplios márgenes e impresión nítida, muy ligero óxido marginal en alguna ocasional, pero generalmente muy limpio. Completo de sus 102 láminas, muchos de los ejemplares consultados contienen una lámina menos (ver Christie's Roma, 15 de diciembre de 2005, lote 79). Referencias: Borroni 8288 165x214mm. (6½x8½").

41 Seiten mit Abbildungen. Sprache: italienisch. Schutzumschlag mit einem kleinen Einriss, sonst gutes Exemplar. Wegen des Formates und Gewichtes - PAKETPREIS. Sprache: Italienisch Gewicht in Gramm: 2300 Gr.-Fol., Hardcover/Pappeinband mit Rückenvegolderung und Schutzumschlag.

36 S., 4 Bll. mit zahlr. Textabb. 28 doppelblattgr. Tafeln. (= Immagini d`Italia). - Enthält 28 in der Zeit von 1749 - 1776 entstandene doppelseitige Romveduten: Piazza del Popolo, Piazza di Spagna, Piazza e Basilico di S. Pietro, Via del Corso/Palazzo dell Accademia, Maria Loreto, Dogana di Terra, Piazza del Campidoglio, Anfiteatro/Arco Constantino, Campo Vaccino, Arci di Tito, Tempio di Cibele, Tempio di Giove Tonante, Tempio di Antonino e Faustina, Atrio del Portico di Ottavia, Ponte Fabrizio, Ponte e Mausoleo fabbricati da Elio Adriano Imperatore, Isola Tiberina, Porto di Ripa Grande, Piazza della Rotonda, Piazza Navona, Piazza di Monte Cavallo, Palazzo dell Eccellentissima Casa Barberini, Fontana di Trevi, Castello delláqua felice, Piazza e Basilica di S. Giovanni in Laterano, Termi Diocleziano, Porta S. Pancrazio, Avanzi di Mausolei e delle Fabbriche sepolcrali, sparse per la Via Appia. - Papierbedingt leicht gebräunt. Exlibris. *** *** Copyright: Matthaeus TRUPPE Buchhandlung & Antiquariat - Stubenberggasse 7 - A-8010 Graz - ++43 (0)316 - 829552 *** *** Sprache: Deutsch Gewicht in Gramm: 2000 Fol. OPp. (minim. Gebrssprn.) mit OU.

Zustand: Gut. 41 Seiten, 28 doppelseitige Veduten; Umschlag mit Gebrauchspuren, Buch sehr schön. Sprache: Italienisch Gewicht in Gramm: 1900 Fol. , 41 x 29 cm, Pappeinband mit Schutzumschlag.

In Roma 1780, presso l? Erede Amidei al Corso. Folio-oblong. (23,5 x 33 cm) 122 Radierungen (von 123 ?) auf 122 Blättern, davon 15 von Piranesi in der Platte signiert. Karton mit Überzugspapier. Berieben. Erweiterte und veränderte Neuauflage der Ausgabe von Fausto Amidei 1748. Gutes breitrandiges Exemplar.

View on the square of St. Peter in Rome, with the Basilica at the rear of the square.Figures walking and a carriage led by horses. From a series of views of Rome.Titled at the bottom in Italian and French: 'Veduta della Piazza e Basilica di S. Pietro in Vaticano / eretta da Costantino Magno nel luogo ove fu sepolto // Vue de la Place et Basilique de S Pierre au Vatican / erigé par Constantin le Grand dans le lieu eú fut enterré'.Signed at the bottom: 'Gio:Batta Piranesi dis / Pietro Ruga incise'; numbered on the bottom right: '1:'Sint-Pietersbasiliek Rome Engraving and etching on laid paper with margins; plate mark: 214 x 271 mm, total: 270 x 395; smudges and some dirt along the margins; some light foxing on the left margin.

View on the Arch of Janus in Rome. From a series of views of Rome.Titled at the bottom in Italian and French: 'Veduta dell'Arco di Giano quadrifronte, cosí / chiamato, dalle sue quattro simili faccie // Vue de l'arc de Janus quadrifront ainsi qp=/pellé a cause de ses quatre arcades qui sont semblables'.Signed at the bottom: 'Gio Batta: Piranesi dis / Domenico Baldini inc:'; numbered on the bottom right: '7:' Engraving and etching on laid paper with margins; plate mark: 208 x 275 mm, total: 270 x 395 mm; smudges, stains along the margins.

"Veduta dell' interno dell' Anfiteatro Flavio, detto il Colosseo" [Interior view of the Flavian Amphitheatre, called the Colosseum] etching from the Vedute di Roma, made in 1766 by Giovanni Battista Piranesi, here in a 3rd state (of V) and published in 1792. Size: (plate) 45,6 x 68,8 cm. In the 18th century Rome became a new meeting place and intellectual capital of Europe for the leaders of a new movement in the arts. The city was attracting artists and architects from all over Europe beside the Grand Tourists, dealers and antiquarians. The remains of Rome kindled Piranesi's enthusiasm. He appreciated not only the engineering of the ancient buildings but also the poetic aspects of the ruins. He was able to faithfully imitate the actual remains; his invention in catching the design of the original architect provided the missing parts. By 1747, Piranesi had begun work on the Vedute di Roma, and he continued to create plates for this series until he died in 1778. Piranesi's Vedute, which overshadowed competitor's views of Roman landmarks through compelling compositions, strong lighting contrasts, and dramatic presentation, shaped European conceptions of present day Rome. The views were intended as tourist souvenirs and, from their instant popularity, Piranesi had obviously judged the market well. Piranesi's interest in ruins was genuine antiquarian desire to preserve and record. He was able to focus in on his awareness of what was noble and magnificent and gain a sense for the sublime in the architectural tradition of Rome. Piranesi's lifelong obsession with architecture, past and present, was fundamental to his genius. His etched plates contained remarkable imagination and a practical understanding of ancient technology. They created a perception of antiquity lasting to our own time. It is said that many of the Grand Tourists who visited Rome after seeing his prints were disappointed that the reality of the city didn't live up to Piranesi's artwork. A number of the views -such as this view of the interior of the Colosseum- are notable for depicting human figures whose poverty, lameness, apparent drunkenness, and other visible flaws appear to echo the decay of the ruins. The ruins of Rome may be lamented as a metaphor for the imperfection and transience of human existence. The Colosseum could hold an estimated 50.000 to 80.000 spectators at various points in its history; it was used for gladiatorial contests and public spectacles including animal hunts, executions, re-enactments of famous battles, and dramas based on Roman mythology, and briefly mock sea battles. The building ceased to be used for entertainment in the early medieval era. It is the largest ancient amphitheatre ever built, and is still the largest standing amphitheatre in the world today. Reference: Arthur Mayger Hind "Giovanni Battista Piranesi, a critical study" (1922), no 78. Price: Euro 1.250,-.

Zustand: 0. Hind 101, III; Focillon 721.- Blick über den Platz vor dem Petersdom mit dem Obelisk mittig auf St. Peter. Im Vordergrund einige Kutschen und Staffagefiguren.- Nummeriert '688' oben rechts.- Leicht stockfleckig.- Piranesi - Veduta della gran Piazza e Basilica di S. Pietro. Original copperplate engraving by G.B. Piranesi from ' Vedute di Roma'. Circa 1835. 46 x 70 cm. Framed under passepartout. 'Hind 101, III; Focillon 721.- View across the square in front of St. Peter's Basilica with the obelisk in the center towards St. Peter. Some carriages and staffage figures in the foreground - Numbered '688' upper right - Slight foxing.' Sprache: Deutsch Gewicht in Gramm: 500.

Zustand: 0. Hind 55, III.- Aus der 1. Pariser Edition.- Ansicht des Titus-Bogens.- Piranesi - Veduta dell'Arco di Tito. Etching by G.B. Piranesi from: Vedute di Roma. Circa 1800. on laid paper with watermark 'T Dupuy, Auvergne' in the outer left margin. 40.5 x 62.5 cm. Beautifully framed. Hind 55, III - From the 1st Paris edition - View of the Arch of Titus. Sprache: Deutsch Gewicht in Gramm: 500.